First published in 1981. A Concordance to the Poems of John Keats intended to provide the user with a volume suitable to the varying and increasingly specialised interests of scholarship. This title offers a high degree of inclusiveness that attends to the poems and plays, the emended and authoritative headings, and virtually all of the variant readings considered substantive in the riches of the Keats manuscript materials. This title will be of interest to students of literature.

This bilingual anthology is the first attempt to present a substantial collection of contemporary Arabic poetry in the English language. It acquaints the English-speaking reader with the modern development of one of the world's major poetic traditions, and affords insight into the contemporary cultural situation of the Arab peoples. English translations of Arabic poetry have suffered from aspirations to geographic completeness of representation and excessive concern with the Neo-Classicist school. The present anthology regards poetic quality as the primary criterion of selection and displays an emphatic interest in the poets of free verse. It presents three successive generations--the Syro-Americans, the Egyptian modernist, and the poets of free-verse movement--linked together by a progressive shift from emphasis on form to emphasis on content and form a relatively detached portrayal of the outside world to a concern with the expression of individual experience. Numerous contemporary poets make their first appearance in English, some of them having written pieces specially for this anthology. It is hoped that the bilingual character of the anthology will suit it for use by students of Arabic literature. At the same time, the book is intended for a wider readership with general poetic and literary interests. An important criterion in composing the anthology was the viability of a poem, in its English translation, as a piece of literature as well as the excellence of its Arabic original; if the translators have been successful in applying this criterion, the anthology should afford much aesthetic pleasure. The work should be of considerable interest also to students of comparative literature, as it demonstrates the influence on modern Arab letters of several Western poets, notably Eliot, Yeats, and Pound. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.

This book explores the formative correlations and inventive transmissions of Anglophone Arab representations ranging from early 20th century Mahjar writings to contemporary transnational Palestinian resistance art. Tracing multiple beginnings and seminal intertexts, the comparative study of dissonant truth-making presents critical readings in which the notion of cross-cultural translation gets displaced and strategic unreliability, representational opacity, or matters of act advance to essential qualities of the discussed works' aesthetic devices and ethical concerns. Questioning conventional interpretive approaches, Markus Schmitz shows what Anglophone Arab studies are and what they can become from a radically decentered relational point of view. Among the writers and artists discussed are such diverse figures as Rabih Alameddine, William Blatty, Kahlil Gibran, Ihab Hassan, Jabra Ibrahim Jabra, Emily Jacir, Walid Raad, Ameen Rihani, Edward Said, Larissa Sansour, and Raja Shehadeh.

Includes poems by Conrad Aiken & Amy Lowell.