China’s vast and ancient body of documented knowledge about plants includes horticultural manuals and monographs, comprehensive encyclopedias, geographies, and specialized anthologies of verse and prose written by keen observers of nature. Until the late nineteenth century, however, standard practice did not include deploying a set of diagnostic tools using a common terminology and methodology to identify and describe new and unknown species or properties. Ordering the Myriad Things relates how traditional knowledge of plants in China gave way to scientific botany between the mid-nineteenth and mid-twentieth centuries, when plants came to be understood in a hierarchy of taxonomic relationships to other plants and within a broader ecological context. This shift not only expanded the universe of plants beyond the familiar to encompass unknown species and geographies but fueled a new knowledge of China itself. Nicholas K. Menzies highlights the importance of botanical illustration as a tool for recording nature—contrasting how images of plants were used in the past to the conventions of scientific drawing and investigating the transition of “traditional” systems of organization, classification, observation, and description to “modern” ones.

Myriad is a collection of Poetry of 22 writers spread across India. Covering themes from love, loss, life to social causes, Myriad is a single stop for all the genres and is indeed a pool of emotions a reader shall go through while reading. Each poem is beautifully crafted in a way that connects to the heart and soul of the person reading it.

Myriad has been in so many timestrands she’s lost count – hiding from her feelings about her brother’s death she works to prevent crimes from happening but finds herself committing one instead… Agent Miriam Randle works for LifeTime, a private law enforcement agency that undertakes short-term time travel to erase crimes before they occur. Haunted by the memory of her twin brother’s unsolved murder at the age of six, Miriam thinks of herself as Myriad—an incarnation of the many lives she’s lived in her journeys to rearrange the past. When a routine assignment goes wrong and Miriam commits a murder she was meant to avert, she is thrown into the midst of a conspiracy that reaches to the highest levels of LifeTime. Along with her partner Vax, Miriam flees into the past in an attempt to unravel the truth before LifeTime agents catch up with her. But then her brother’s killer reappears, twenty years to the day since he first struck. And he’s not through with the twin who survived, not by a long shot. MYRIAD is a mind-bending time travelling sci-fi thriller that will keep readers guessing to the very end. File Under: Science Fiction [ Myrioi | Baked In | Three Ravens | The Dark Backward ]

'Striking...an unforgettable cast of characters you'd expect to find in the grandest work of fiction.'—Candice Carty-Williams'Juggling laughter and tears with every page, this remarkable journey of discovery tells of one young woman's captivating search for self in a new and challenging environment.'—Margaret Busby'Brims with the pleasure of a story well-told, and with the command of a writer who is comfortable moving between the many registers of Jamaican English.'—Kwame Dawes'Beautiful, evocative and powerfully engaging. I loved this book.'—Francesca MartinezIt's 1969 and Erna Mullings has just arrived in London from Jamaica.Finding herself in a strange country, with a mother she barely recognises and a stepfather she despises, Erna is homesick, lost and lonely. But her life is about to change irrevocably.A story of reluctant immigration and the relationship between children and the people who parent them, The Day I Fell Off My Island is engrossing, courageous and psychologically insightful. Yvonne Bailey-Smith writes with great warmth and humanity as she explores estrangement, transition and, ultimately, the triumph of resilience and hope.

The U.S.S. Merrimack was the finest battleship class spaceship in Earth's fleet, able to stand up against the best the Palatine Empire could throw at them, even able to attack and kill swarms of the seemingly unstoppable Hive. But nothing could have prepared the captain and crew of the Merrimack to face the Myriad-three colonized worlds in the midst of a globular cluster that the Hive had somehow overlooked.

In Myriad Intimacies postcolonial theorist, spiritual practitioner, and filmmaker Lata Mani oscillates between text and video, poetry and prose, genre and form, register and voice, and secular and sacred to offer a transmedia exploration of the interrelatedness of lives, concepts, frameworks, and aspects of self. She draws on concepts from tantra—a philosophy that celebrates matter as alive, embodiment as sacred, and the senses as a form of intelligence—alongside feminist, critical race, and cultural theory to meditate on the ways in which everyone and everything exists in mutually constitutive interrelations. Addressing issues ranging from desire, the body, nature, and love, to otherness, identity politics, social justice, #MeToo, and the COVID-19 pandemic, Mani foregrounds the power and necessity of recognizing relationality as foundational. Throughout, she offers a way of reframing what we think we know and how we come to know it, demonstrating that it is only by acknowledging and embracing the indivisible and interdependent nature of existence that we restore our true intimacy with each other and the world.