The drama continues as Myra founds her lover, Jamal with his deranged ex- girlfriend, Mercedes together in a compromising position. Heartbroken, Myra runs into the arms of her baby daddy, Lil’ T who’s willing to comfort her in her time of need. Myra, Jamal and Lil’ T will soon have to overcome the obstacles as the drama unfolds in front of their eyes, including someone who’d like Jamal out of the picture –for good. Can Myra and Jamal have a normal life without the drama and will they finally realize their love is stronger than anything ever?

Examining the theoretical, historical, and contemporary impact of South Korea's Golden Age of cinema.

As the two billion YouTube views for “Gangnam Style” would indicate, South Korean popular culture has begun to enjoy new prominence on the global stage. Yet, as this timely new study reveals, the nation’s film industry has long been a hub for transnational exchange, producing movies that put a unique spin on familiar genres, while influencing world cinema from Hollywood to Bollywood. Movie Migrations is not only an introduction to one of the world’s most vibrant national cinemas, but also a provocative call to reimagine the very concepts of “national cinemas” and “film genre.” Challenging traditional critical assumptions that place Hollywood at the center of genre production, Hye Seung Chung and David Scott Diffrient bring South Korean cinema to the forefront of recent and ongoing debates about globalization and transnationalism. In each chapter they track a different way that South Korean filmmakers have adapted material from foreign sources, resulting in everything from the Manchurian Western to The Host’s reinvention of the Godzilla mythos. Spanning a wide range of genres, the book introduces readers to classics from the 1950s and 1960s Golden Age of South Korean cinema, while offering fresh perspectives on recent favorites like Oldboy and Thirst. Perfect not only for fans of Korean film, but for anyone curious about media in an era of globalization, Movie Migrations will give readers a new appreciation for the creative act of cross-cultural adaptation.

From mid-twentieth-century films such as Grand Hotel, Waterloo Bridge, and The Red Shoes to recent box-office hits including Billy Elliot, Save the Last Dance, and The Company, ballet has found its way, time and again, onto the silver screen and into the hearts of many otherwise unlikely audiences. In Dying Swans and Madmen, Adrienne L. McLean explores the curious pairing of classical and contemporary, art and entertainment, high culture and popular culture to reveal the ambivalent place that this art form occupies in American life. Drawing on examples that range from musicals to tragic melodramas, she shows how commercial films have produced an image of ballet and its artists that is associated both with joy, fulfillment, fame, and power and with sexual and mental perversity, melancholy, and death. Although ballet is still received by many with a lack of interest or outright suspicion, McLean argues that these attitudes as well as ballet's popularity and its acceptability as a way of life and a profession have often depended on what audiences first learned about it from the movies.

DiLeo ventures beyond the obvious, paying tribute to a collection of acting feats that made priceless but often unappreciated contributions to the art of screen acting. So, no Scarlett O'Hara, Michael Corleone or Margo Channing here. But you will find Vivien Leigh, Al Pacino, and Bette Davis in outstanding performances that have been overshadowed by their signature roles.

This study is the first general critical introduction to the writing of Horton Foote, recipient of two Academy Awards and the Pulitzer Prize. These original essays survey Foote's career, his work for theater, television, and film, with analysis of Foote's major themes and characteristic style in all three media. The casebook concludes with a list of Foote's produced work, as well as a selective annotated bibliography of primary criticism on the playwright. This book demonstrates the influence of personal biography and Southern literature on Foote's career. The essayists also investigate the writer's contribution to American dramatic realism and independent filmmaking, emphasizing his experimentation with musical structure, dedramatization, and complex subtexts. Foote's disarmingly simple stories, with their radically understated language, are explained in many articles as the product of the subtle influence of the psychological and religious views of the author.