Having a wild big sister—who can be a giraffe one day, a giant bear the next, and a racing rabbit the day after that—is just about the very best thing that can happen to little brother. Iris Wewer's rollicking illustrations perfectly match this playful story of imagination and adventure! Wewer's take on sibling relationships was published with great reviews and interest in hardcover. NorthSouth is pleased to offer this popular title now in paperback.

One sister runs away and the other stays behind. But what happens when the dutiful sister has to impersonate the rebel? In her page-turning exploration of familial loyalty, resentment, secrets, and grief, Lilian Nattel explores the meaning and reach of family bonds. Joan has always done the right thing, both as a palliative care doctor and as a caregiver for her widowed mother, Sheila. Joan’s adventurous sister, Vivien, is a different story. She left home as soon as she was able—running from an insecure childhood troubled by an alcoholic father and a mother who constantly threw away all their possessions in order to buy new ones. Vivien’s rarely been back, working as a nurse in the world’s trouble zones, leaving the heavy burden of family on her sister. Still, when Vivien learns that their mother is seriously ill, she reaches out to Joan. She's heading for a remote village where Ebola is spreading, and she’s afraid she may die. If she does, she wants Joan to pose as her online so her dying mother won’t have to grieve a daughter. It’s a lie, but it’s the good kind of lie, designed to spare their mother, and so Joan reluctantly agrees, figuring it will never come to that. But Vivien does die. And even as Joan mourns her sister, she begins to impersonate her online, as promised. It's difficult at first, but to her surprise, posing as Vivien becomes liberating, even addictive. Then she receives a message on her sister's Facebook from a man claiming to be the son Vivien gave up for adoption, and the line between right and wrong, adventure and tragedy, really begins to blur.

An original and profound portrait of contemporary Britain told through the testimonies of its inhabitants. SHORTLISTED FOR THE RATHBONES FOLIO PRIZE 2023 'A spectacularly enjoyable and compelling reading experience . . . funny, moving, surprising and thought-provoking. It humanises literature in this toxic moment.' MAX PORTER, author of Lanny 'Seemingly simple yet so deeply profound, The Passengers is an absorbing insight into the lives and minds of so-called ordinary people: their hopes and fears and idiosyncrasies at a specific moment in time.' CLIO BARNARD, director of Ali & Ava and The Essex Serpent 'A nation's psyche comes to the surface. The Passengers is not just an oral history of the contemporary moment but, drenched in mood and texture, renders the country itself as a sonic collage.' SUKHDEV SANDHU, GUARDIAN Between October 2018 and March 2021, Will Ashon collected voices - people talking about their lives, needs, dreams, loves, hopes and fears - all of them with some connection to the British Isles. He used a range of methods including letters sent to random addresses, hitchhiking, referrals from strangers and so on. He conducted the interviews in person, on the phone, over the internet or asked people to record themselves. Interview techniques ranged from asking people to tell him a secret to choosing an arbitrary question from a list. The resulting testimonies tell the collective story of what it feels like to be alive in a particular time and place - here and now. The Passengers is a book about how we give shape to our lives, find meaning in the chaos, acknowledge the fragility of our existence while alleviating this anxiety with moments of beauty, love, humour and solidarity. 'A magical mystery tour of Britain . . . extraordinary.' DAILY TELEGRAPH 'Ashon's gloriously polyphonic book scales the heights. A deeply felt and humane portrait of where we are.' NIVEN GOVINDEN, author of Diary of a Film 'This book couldn't have come into my life at a better time. It's a guiding mate. It enters like a cat through a window, ready to take your attention and show you what it needs to.' TICE CIN, author of Keeping the House

Jane Bowles has for many years had an underground reputation as one of the truly original writers of the twentieth century. The collection in My Sister's Hand in Mine of expertly crafted short fiction will fully acquaint all students and scholars with the author Tennessee Williams called "the most important writer of prose fiction in modern American letters."

Kathleen O'Rourke takes you on a journey through becoming a US Park Ranger to the natural beauty and adventures she encountered along the way.

The Sharp sisters are bold, bright, sassy, stylin', and fierce. As the daughters of mayoral candidate Stanley Sharp, all eyes are on them as they attend high school. Every choice they make can make or break their father's campaign—and make or break their own chances for success. Sloan knows she's destined to be a hard-hitting journalist, and she plans to start her career in high school. Marks High has some major problems and she plans to expose the corruption she sees. However, finding the cold hard facts proves to be harder than she thought. Can Sloan be a voice for the students while writing front-page news, or will she always be stuck below the fold?

A young Polynesian woman, Poema Farepa, learns from a neighbor that a highway is to be built next to her property in a quiet area on the west coast of Tahiti. As she slowly describes to her little nieces her plot to stop the project, she tells them of her childhood in the Tuamotu Archipelago. Poema is born unwanted into her family. She endures a difficult childhood of work and neglect and mischief, uplifted only by the appearances of the ghost of her grandmother. She is influenced heavily by the visit of the niece of the Belgian parish priest. She has a sexual encounter at an island feast and becomes pregnant. She is found out by her mother, is beaten, and loses the child. She becomes incorrigible and is sent to Tahiti to be with her sister. Poema continues her plotting against the highway, making up her schemes as she goes along, and tells her nieces of her move to Tahiti and her life there. Poema works hard in Tahiti and fits in well with her sisters family. Her respite is short-lived however, as her parents arrive due to her fathers ill health. Poema is devastated by the death of her infant niece. After a session in court and a period as a runaway and sexual adventuress, her world falls apart and she follows her sister to New Caledonia. Becoming more involved in solving the theft of black pearls in Tuamotu, Poema tells of her life in Noumea and her attempts to gain money and her fathers respect. Poema finds work and a lover in Noumea. She dumps him quickly for a rich older man, Mr. Richard, and prepares to make her fortune by having the old man make a down payment for her on a parcel of land in Tahiti. Her desire to impress her father comes to naught. She departs Noumea with another scheme in mind. Poema finds work on Bora Bora to pay for the houses she is building on her land. A storm destroys everything and Poema must start again. She meets an American tourist, Robert Quintin, with whom she carries on a romantic correspondence. They agree, despite language and cultural differences, to try a life together in California. She is picked up by Quintin and they fly to Los Angeles. Poema continues her fight against the highway and tries to bluff the mayor of her district into stopping the project Life is hell for Poema in a land of different language, culture, and expectations. She involves herself in fantasized mysteries to relieve the boredom of marriage. She loses a child to an ectopic pregnancy. Quintin discovers she has been supporting her family with money saved for their future. The marriage, for all intents and purposes, is over. Poema confront the mayor once again and feels triumphant after their showdown. Poema returns to Tahiti to care for her dying father. She hopes to gain redemption from him, but he dies in the hospital having barely spoken a word. Poema creates her own redemption. She informs her husband by telegram that she must remain in Tahiti. Poema gathers her neighbors for a final confrontation to stop the highway project. A battle ensues with the construction crew. Poemas forces win out and her little nieces crown her Queen of Tahiti.