A biography of Frances Elizabeth Merrill Barbour and Naomi Humphrey Barbour. Francis was born 25 May 1824 in Barkhamsted, Litchfield, Connecticut. Her parents were Merlin Merrill and Clarissa Newton. She married Heman Humphrey Barbour, son of Henry Barbour and Naomi Humphrey, 23 October 1845 in Barkhamsted, Connecticut. They had ten children. Frances died 17 October 1863. Naomi Humphrey Barbour died 7 January 1863.

In the wealthy, polygamous household of Jeremiah Dike, first-wife Helen feels she has not been accorded the status she deserves, because unlike Jeremiah’s younger wives, she has not born him a son. But Helen is a woman who is used to getting exactly what she wants, and so she hits on a plan...to take a wife for herself and to declare that wife’s son as her own. That’s when pregnant, sixteen-year-old Rebecca joins the Dike household, escaping the scandal of an out-of-wedlock pregnancy, by becoming Helen’s wife. But when the expected son turns out to be a girl, Helen’s plan requires some major rethinking. This state of affairs results in an enormously complicated family dynamic, in which white-hot conflicts arise, unexpected bonds are forged, and vast reservoirs of love are tapped. Peopled with the colourful, diverse, and frequently oppositional members of an extended Igbo family in the years leading up to and including the Nigerian Civil War, My Mother’s Wife paints an indelible picture of a unique and fascinating culture, which will come to face a genocide that threatens to destroy it.

"Autobiography of Judge Lynn Toler describing her sometimes difficult upbringing and the life-lessons she learned from her mother"--Provided by publisher.

Do you feel like your partner has become your child? Do you find yourself being his maid, his cook, his manager? Have romance, respect, fun—and sex—been drained out of your relationship? In How Can I Be Your Lover When I’m Too Busy Being Your Mother? Sara Dimerman and J.M. Kearns lay bare an essential problem: the woman who finds she’s turned into a mother to her man instead of the equal and intimate partner she once was. She has a day job just like he does, yet at home she finds herself doing most of the housework, running the home, and being in charge of the child-rearing, which makes her his boss in the one place they spend most of their time together. This leaves her feeling angry and resentful—hardly conducive to being lovers. Dimerman and Kearns boldly confront the issues, allowing both sexes to vent in a no-holds-barred exchange that ranges from hostile to hilarious. They deconstruct the problem using real-life examples and lay out a step-by-step path that will enable any couple to get back to being equal partners again.

On a hot July night on Cape Cod, at the age of 14, Brodeur became a confidante to her mother's affair with her husband's closest friend. Malabar came to rely on her daughter to help, but when the affair had calamitous consequences for everyone involved, Brodeau was driven into a precarious marriage of her own, and then into a deep depression. In her memoir she examines how the people close to us can break our hearts simply because they have access to them, and the lies we tell in order to justify the choices we make. -- adapted from jacket

“You will devour these beautifully written—and very important—tales of honesty, pain, and resilience” (Elizabeth Gilbert, New York Times bestselling author of Eat Pray Love and City of Girls) from fifteen brilliant writers who explore how what we don’t talk about with our mothers affects us, for better or for worse. As an undergraduate, Michele Filgate started writing an essay about being abused by her stepfather. It took her more than a decade to realize that she was actually trying to write about how this affected her relationship with her mother. When it was finally published, the essay went viral, shared on social media by Anne Lamott, Rebecca Solnit, and many others. This gave Filgate an idea, and the resulting anthology offers a candid look at our relationships with our mothers. Leslie Jamison writes about trying to discover who her seemingly perfect mother was before ever becoming a mom. In Cathi Hanauer’s hilarious piece, she finally gets a chance to have a conversation with her mother that isn’t interrupted by her domineering (but lovable) father. André Aciman writes about what it was like to have a deaf mother. Melissa Febos uses mythology as a lens to look at her close-knit relationship with her psychotherapist mother. And Julianna Baggott talks about having a mom who tells her everything. As Filgate writes, “Our mothers are our first homes, and that’s why we’re always trying to return to them.” There’s relief in acknowledging how what we couldn’t say for so long is a way to heal our relationships with others and, perhaps most important, with ourselves. Contributions by Cathi Hanauer, Melissa Febos, Alexander Chee, Dylan Landis, Bernice L. McFadden, Julianna Baggott, Lynn Steger Strong, Kiese Laymon, Carmen Maria Machado, André Aciman, Sari Botton, Nayomi Munaweera, Brandon Taylor, and Leslie Jamison.