A scathing look at the Russian Revolution in the aftermath of the Bolshevik takeover. Prominent anarchist Emma Goldman describes the repression practiced by the Leninists against politicla dissidents and their own workers, in order to maintain their system of centralized party-dominated state capitalism.

In 1919, at the height of the anti-leftist Palmer Raids conducted by the Wilson administration, the anarchist activist and writer Emma Goldman was deported to the nascent Soviet Union. Despite initial plans to fight the deportation order in court, Goldman eventually acquiesced in order to take part in the new revolutionary Russia herself. While initially supportive of the Bolsheviks, with some reservations, Goldman’s firsthand experiences with Bolshevik oppression and corruption prompted her titular disillusionment and eventual emigration to Germany. In My Disillusionment in Russia, Goldman records her travels throughout Russia as part of a revolutionary museum commission, and her interactions with a variety of political and literary figures like Vladimir Lenin, Maxim Gorky, John Reed, and Peter Kropotkin. Goldman concludes her account with a critique of the Bolshevik ideology in which she asserts that revolutionary change in institutions cannot take place without corresponding changes in values. My Disillusionment in Russia had a troubled publication history, since the first American printing in 1923 omitted the last twelve chapters of what was supposed to be a thirty-three chapter book. (Somehow, the last chapters failed to reach the publisher, who did not suspect the book to be incomplete.) The situation was remedied with the publication of the remaining chapters in 1924 as part of a volume titled My Further Disillusionment in Russia. This Standard Ebooks edition compiles both volumes into a single volume, following the intent of the original manuscript. This book is part of the Standard Ebooks project, which produces free public domain ebooks.

The mega-bestseller with more than 2 million readers Soon to be a Showtime/Paramount+ series starring Ewan McGregor as Count Alexander Rostov From the number one New York Times-bestselling author of The Lincoln Highway and Rules of Civility, a beautifully transporting novel about a man who is ordered to spend the rest of his life inside a luxury hotel 'A wonderful book' - Tana French 'This novel is astonishing, uplifting and wise. Don't miss it' - Chris Cleave 'No historical novel this year was more witty, insightful or original' - Sunday Times, Books of the Year '[A] supremely uplifting novel ... It's elegant, witty and delightful - much like the Count himself.' - Mail on Sunday, Books of the Year 'Charming ... shows that not all books about Russian aristocrats have to be full of doom and nihilism' - The Times, Books of the Year On 21 June 1922, Count Alexander Rostov - recipient of the Order of Saint Andrew, member of the Jockey Club, Master of the Hunt - is escorted out of the Kremlin, across Red Square and through the elegant revolving doors of the Hotel Metropol. Deemed an unrepentant aristocrat by a Bolshevik tribunal, the Count has been sentenced to house arrest indefinitely. But instead of his usual suite, he must now live in an attic room while Russia undergoes decades of tumultuous upheaval. Can a life without luxury be the richest of all? A BOOK OF THE DECADE, 2010-2020 (INDEPENDENT) THE TIMES BOOK OF THE YEAR 2017 A SUNDAY TIMES BOOK OF THE YEAR 2017 A MAIL ON SUNDAY BOOK OF THE YEAR 2017 A DAILY EXPRESS BOOK OF THE YEAR 2017 AN IRISH TIMES BOOK OF THE YEAR 2017 ONE OF BARACK OBAMA'S BEST BOOKS OF 2017 ONE OF BILL GATES'S SUMMER READS OF 2019 NOMINATED FOR THE 2018 INDEPENDENT BOOKSELLERS WEEK AWARD

If you were an independent, adventurous, liberated American woman in the 1920s or 1930s where might you have sought escape from the constraints and compromises of bourgeois living? Paris and the Left Bank quickly come to mind. But would you have ever thought of Russia and the wilds of Siberia? This choice was not as unusual as it seems now. As Julia L. Mickenberg uncovers in American Girls in Red Russia, there is a forgotten counterpoint to the story of the Lost Generation: beginning in the late nineteenth century, Russian revolutionary ideology attracted many women, including suffragists, reformers, educators, journalists, and artists, as well as curious travelers. Some were famous, like Isadora Duncan or Lillian Hellman; some were committed radicals, though more were just intrigued by the “Soviet experiment.” But all came to Russia in search of social arrangements that would be more equitable, just, and satisfying. And most in the end were disillusioned, some by the mundane realities, others by horrifying truths. Mickenberg reveals the complex motives that drew American women to Russia as they sought models for a revolutionary new era in which women would be not merely independent of men, but also equal builders of a new society. Soviet women, after all, earned the right to vote in 1917, and they also had abortion rights, property rights, the right to divorce, maternity benefits, and state-supported childcare. Even women from Soviet national minorities—many recently unveiled—became public figures, as African American and Jewish women noted. Yet as Mickenberg’s collective biography shows, Russia turned out to be as much a grim commune as a utopia of freedom, replete with economic, social, and sexual inequities. American Girls in Red Russia recounts the experiences of women who saved starving children from the Russian famine, worked on rural communes in Siberia, wrote for Moscow or New York newspapers, or performed on Soviet stages. Mickenberg finally tells these forgotten stories, full of hope and grave disappointments.

"The thoughtful memoirs of a disillusioned daughter of the Russian Revolution. . . . A sometimes astonishing, worm's-eye view of life under totalitarianism, and a valuable contribution to Soviet and Jewish studies." —Kirkus Reviews "In this engrossing memoir, Leder recounts the 34 years she lived in the U.S.S.R. . . . [She] has a marvelous memory for the details of everyday life. . . . This plainly written account will particularly appeal to readers with a general interest in women's memoirs, Russian culture and history, and leftist politics." —Publishers Weekly In 1931, Mary M. Leder, an American teenager, was attending high school in Santa Monica, California. By year's end, she was living in a Moscow commune and working in a factory, thousands of miles from her family, with whom she had emigrated to Birobidzhan, the area designated by the USSR as a Jewish socialist homeland. Although her parents soon returned to America, Mary, who was not permitted to leave, would spend the next 34 years in the Soviet Union. My Life in Stalinist Russia chronicles Leder's experiences from the extraordinary perspective of both an insider and an outsider. Readers will be drawn into the life of this independent-minded young woman, coming of age in a society that she believed was on the verge of achieving justice for all but which ultimately led her to disappointment and disillusionment. Leder's absorbing memoir presents a microcosm of Soviet history and an extraordinary window into everyday life and culture in the Stalin era.

Billington describes the contentious discussion occurring all over Russia and across the political spectrum. He finds conflicts raging among individuals as much as between organized groups and finds a deep underlying tension between the Russians' attempts to legitimize their new, nominally democratic identity, and their efforts to craft a new version of their old authoritarian tradition. After showing how the problem of Russian identity was framed in the past, Billington asks whether Russians will now look more to the West for a place in the common European home, or to the East for a new, Eurasian identity.

In the tradition of Hedrick Smith's The Russians, Robert G. Kaiser's Russia: The People and the Power, and David Remnick's Lenin's Tomb comes an eloquent and eye-opening chronicle of Vladimir Putin's Russia, from this generation's leading Moscow correspondents. With the 1991 collapse of the Soviet Union, Russia launched itself on a fitful transition to Western-style democracy. But a decade later, Boris Yeltsin's handpicked successor, Vladimir Putin, a childhood hooligan turned KGB officer who rose from nowhere determined to restore the order of the Soviet past, resolved to bring an end to the revolution. Kremlin Rising goes behind the scenes of contemporary Russia to reveal the culmination of Project Putin, the secret plot to reconsolidate power in the Kremlin. During their four years as Moscow bureau chiefs for The Washington Post, Peter Baker and Susan Glasser witnessed firsthand the methodical campaign to reverse the post-Soviet revolution and transform Russia back into an authoritarian state. Their gripping narrative moves from the unlikely rise of Putin through the key moments of his tenure that re-centralized power into his hands, from his decision to take over Russia's only independent television network to the Moscow theater siege of 2002 to the "managed democracy" elections of 2003 and 2004 to the horrific slaughter of Beslan's schoolchildren in 2004, recounting a four-year period that has changed the direction of modern Russia. But the authors also go beyond the politics to draw a moving and vivid portrait of the Russian people they encountered -- both those who have prospered and those barely surviving -- and show how the political flux has shaped individual lives. Opening a window to a country on the brink, where behind the gleaming new shopping malls all things Soviet are chic again and even high school students wonder if Lenin was right after all, Kremlin Rising features the personal stories of Russians at all levels of society, including frightened army deserters, an imprisoned oil billionaire, Chechen villagers, a trendy Moscow restaurant king, a reluctant underwear salesman, and anguished AIDS patients in Siberia. With shrewd reporting and unprecedented access to Putin's insiders, Kremlin Rising offers both unsettling new revelations about Russia's leader and a compelling inside look at life in the land that he is building. As the first major book on Russia in years, it is an extraordinary contribution to our understanding of the country and promises to shape the debate about Russia, its uncertain future, and its relationship with the United States.