Poems by and biographies of inmates of the Dachau Concentration Camp, testimonies to the persistence of the humanity and creativity of the individual in the face of extreme suffering.

Filming the End of the Holocaust considers how the US Government commissioned the US Signal Corps and other filmmakers to document the horrors of the concentration camps during the April-May 1945 liberation. The evidence of the Nazis' genocidal actions amassed in these films, some of them made by Hollywood luminaries such as John Ford and Billy Wilder, would go on to have a major impact at the Nuremberg Trials; they helped to indict Nazi officials as the judges witnessed scenes of torture, human experimentation and extermination of Jews and non-Jews in the gas chambers and crematoria. These films, some produced by the Soviets, were integral to the war crime trials that followed the Holocaust and the Second World War, and this book provides a thorough, close analysis of the footage in these films and their historical significance. Using research carried out at the Museum of Jewish Heritage, the US National Archives and the film collection at the National Center for Jewish Film at Brandeis University, this book explores the rationale for filming the atrocities and their use in the subsequent trials of Nazi officials in greater detail than anything previously published. Including an extensive bibliography and filmography, Filming the End of the Holocaust is an important text for scholars and students of the Holocaust and its aftermath.

" Holocaust survivor Harry Gordon recalls in brutal detail the anguished years of his youth, a youth spent struggling to survive in a Lithuanian concentration camp. A memoir about hope and resilience, The Shadow of Death describes the invasion of Kovno by the Red Army and the impact of Soviet occupation from the perspective of the ghetto's weakest and poorest class. It also serves as a reminder that the Germans were not alone responsible for the persecution and extermination of Jews.

1943: Polish underground fighter John Wiernicki is captured and beaten by the Gestapo, then shipped to Auschwitz. In this chilling memoir, Wiernicki, a Gentile, details "life" in the infamous death camp, and his battle to survive, physically and morally, in the face of utter evil. The author begins by remembering his aristocratic youth, an idyllic time shattered by German invasion. The ensuing dark days of occupation would fire the adolescent Wiernicki with a burning desire to serve Poland, a cause that led him to valiant action and eventual arrest. As a young non-Jew, Wiernicki was acutely sensitive to the depravity and injustice that engulfed him at Auschwitz. He bears witness to the harrowing selection and extermination of Jews doomed by birth to the gas chambers, to savage camp policies, brutal SS doctors, and rampant corruption with the system. He notes the difference in treatment between Jews and non-Jews. And he relives fearful unexpected encounters with two notorious "Angels of Death": Josef Mengele and Heinz Thilo. War in the Shadow of Auschwitz is an important historical and personal document. Its vivid portrait of prewar and wartime Poland, and of German concentration camps, provides a significant addition to the growing body of testimony by gentile survivors and a heartfelt contribution to fostering comprehension and understanding.

Members of the Rainbow Division, 42nd Infantry discuss what it was like to participate in the liberation of the Dachau concentration camp in April of 1945.

The world remembers Nuremberg, where a handful of Nazi policymakers were brought to justice, but nearly forgotten are the proceedings at Dachau, where hundreds of Nazi guards, officers, and doctors stood trial for personally taking part in the torture and execution of prisoners inside the Dachau, Mauthausen, Flossenburg, and Buchenwald concentration camps. In Justice at Dachau, Joshua M. Greene, maker of the award winning documentary film Witness: Voices from the Holocaust, recreates the Dachau trials and reveals the dramatic story of William Denson, a soft-spoken young lawyer from Alabama whisked from teaching law at West Point to leading the prosecution in the largest series of Nazi trials in history. In a makeshift courtroom set up inside Hitler’s first concentration camp, Denson was charged with building a team from lawyers who had no background in war crimes and determining charges for crimes that courts had never before confronted. Among the accused were Dr. Klaus Schilling, responsible for hundreds of deaths in his “research” for a cure for malaria; Edwin Katzen-Ellenbogen, a Harvard psychologist turned Gestapo informant; and one of history’s most notorious female war criminals, Ilse Koch, “Bitch of Buchenwald,” whose penchant for tattooed skins and human bone lamps made headlines worldwide. Denson, just thirty-two years old, with one criminal trial to his name, led a brilliant and successful prosecution, but nearly two years of exposure to such horrors took its toll. His wife divorced him, his weight dropped to 116 pounds, and he collapsed from exhaustion. Worst of all was the pressure from his army superiors to bring the trials to a rapid end when their agenda shifted away from punishing Nazis to winning the Germans’ support in the emerging Cold War. Denson persevered, determined to create a careful record of responsibility for the crimes of the Holocaust. When, in a final shocking twist, the United States used clandestine reversals and commutation of sentences to set free those found guilty at Dachau, Denson risked his army career to try to prevent justice from being undone. From the Hardcover edition.