Insights and reflections about being a couple with different cultural background. Bilingual book: Russian and English. The book “My Russian Wife” is not a typical book about love and romance. It is about how you build a loving and lasting relationship despite of differences, but the book also contains insights about several aspects that are just as relevant for business as for the personal life. Quotes from the book “My experience is that women are very easy to win over if ... ” “Isn’t it boring to live in Switzerland?” “But you don’t have berezka (birch trees) here, don’t you miss the Russian berezka?!” “A nice, long and complicated toast will always be highly regarded.” “Being a Russian mother also means believing your child is always on the brink of starvation.” “When did you kiss mama for the first time?”

"The Imperial Wife is a smart, engaging novel that parallels two fascinating worlds and two singular women. Irina Reyn writes beautifully of immigrants, art and the vagaries of love". --Jess Walter, National Book Award finalist and author of the New York Times bestseller, Beautiful Ruins Two women's lives collide when a priceless Russian artifact comes to light. Tanya Kagan, a rising specialist in Russian art at a top New York auction house, is trying to entice Russia's wealthy oligarchs to bid on the biggest sale of her career, The Order of Saint Catherine, while making sense of the sudden and unexplained departure of her husband. As questions arise over the provenance of the Order and auction fever kicks in, Reyn takes us into the world of Catherine the Great, the infamous 18th-century empress who may have owned the priceless artifact, and who it turns out faced many of the same issues Tanya wrestles with in her own life. Suspenseful and beautifully written, The Imperial Wife asks whether we view female ambition any differently today than we did in the past. Can a contemporary marriage withstand an “Imperial Wife”?

Fraud, forgery and murder, set in the high-stakes world of fine art. 'Barry Maitland is one of Australia's finest crime writers.' - Sunday Tasmanian 'Maitland stacks his characters in interesting piles, and lets his mystery burn busily and bright.' - Courier-Mail When the Russian wife of the owner of one of the most valuable private collections of modern art in the UK is found dead, Detective Chief Inspector David Brock is drawn into a high-stakes world very different to his own. From the dealers and galleries in London's West End, his investigations take him to Hanover, Miami and New York on the trail of international forgery and fraud. At the same time, his old colleague Detective Chief Inspector Kathy Kolla, who now leads one of the Metropolitan Police Murder Investigation teams, finds herself at the wrong end of a corruption charge. With her whole career in the balance, she will do almost anything to clear her name. 'No one drops so many wonderful threads to a story or ties them so satisfyingly together at the end.' - The Australian 'Maitland is right up there with Ruth Rendell in my book.' - Australian Book Review

Russian rural women have been depicted as victims of oppressive patriarchy, celebrated as symbols of inherent female strength, and extolled as the original source of a great world culture. Throughout the years of collectivization, industrialization, and World War II, women played major roles in the evolution of the Russian village. But how do they see themselves? What do their stories, songs, and customs reveal about their values, desires, and motivations? Based upon nearly three decades of fieldwork, from 1983 to 2010, The Worlds of Russian Rural Women follows three generations of Russian women and shows how they alternately preserve, discard, and rework the cultural traditions of their forebears to suit changing needs and self-conceptions. In a major contribution to the study of folklore, Laura J. Olson and Svetlana Adonyeva document the ways that women’s tales of traditional practices associated with marriage, childbirth, and death reflect both upholding and transgression of social norms. Their romance songs, satirical ditties, and healing and harmful magic reveal the complexity of power relations in the Russian villages.

An inspiring memoir of life, love, loss, and new beginnings by the widower of bestselling children’s author and filmmaker Amy Krouse Rosenthal, whose last of act of love before her death was setting the stage for her husband’s life without her in the viral New York Times Modern Love column, “You May Want to Marry My Husband.” On March 3, 2017, Amy Krouse Rosenthal penned an op-ed piece for the New York Times’ “Modern Love” column —”You May Want to Marry My Husband.” It appeared ten days before her death from ovarian cancer. A heartbreaking, wry, brutally honest, and creative play on a personal ad—in which a dying wife encouraged her husband to go on and find happiness after her demise—the column quickly went viral, reaching more than five million people worldwide. In My Wife Said You May Want to Marry Me, Jason describes what came next: his commitment to respecting Amy’s wish, even as he struggled with her loss. Surveying his life before, with, and after Amy, Jason ruminates on love, the pain of watching a loved one suffer, and what it means to heal—how he and their three children, despite their profound sorrow, went on. Jason’s emotional journey offers insights on dying and death and the excruciating pain of losing a soulmate, and illuminates the lessons he learned. As he reflects on Amy’s gift to him—a fresh start to fill his empty space with a new story—Jason describes how he continues to honor Amy’s life and her last wish, and how he seeks to appreciate every day and live in the moment while trying to help others coping with loss. My Wife Said You May Want to Marry Me is the poignant, unreserved, and inspiring story of a great love, the aftermath of a marriage ended too soon, and how a surviving partner eventually found a new perspective on life’s joys in the wake of tremendous loss.

In the American media, Russian mail-order brides are often portrayed either as docile victims or as gold diggers in search of money and green cards. Rarely are they allowed to speak for themselves. Until now. In Dreaming of a Mail-Order Husband, six Russian women who are in search of or have already found U.S. husbands via listings on the Internet tell their stories. Ericka Johnson, an American researcher of gender and technology, interviewed these women and others. The women, in their twenties and thirties, describe how they placed listings on the Internet and what they think about their contacts with Western men. They discuss their expectations about marriage in the United States and their reasons for wishing to emigrate. Their differing backgrounds, economic situations, and educational levels belie homogeneous characterizations of Russian mail-order brides. Each chapter presents one woman’s story and then links it to a discussion of gender roles, the mail-order bride industry, and the severe economic and social constraints of life in Russia. The transitional economy has often left people, after a month’s work, either unpaid or paid unexpectedly with a supply of sunflower oil or toilet paper. Women over twenty-three are considered virtually unmarriageable in Russian society. Russia has a large population of women who are single, divorced, or widowed, who would like to be married yet feel that they have no chance finding a Russian husband. Grim realities such as these motivate women to seek better lives abroad. For many of those seeking a mail-order husband, children or parents play significant roles in the search for better lives, and they play a role in Johnson’s account as well. In addition to her research in the former Soviet Union, Johnson conducted interviews in the United States, and she shares the insights—about dating, marriage, and cross-cultural communication—of a Russian-American married couple who met via the Internet.