Kelly Ann is all loved-up with her gorgeous soulmate, Chris, so there's no way she's going to let her attraction for the dark and dangerous new boy at school go any further. OK, so he rides a cool Harley Davidson motorbike, plays in a cool band and has dedicated a song to her. But she's not going to let that rock her relationship with Chris, is she? Besides, Kelly Ann has other things to worry about. Like being dragged through the mud by a rogue Great Dane, locked out of the house by an eight year old she's supposed to be babysitting and that YouTube video that shows her grappling with a half-naked guy in Pizza Express - 200,000 hits and counting in just twelve hours...

Seventeen-year-old Kelly Ann leaves behind her boyfriend, family and friends in Glasgow to live and work in a London hotel for the summer. But losing her luggage and fending off tube gropers on her first day isn't a good start. Almost being arrested for stealing men's underwear on her second isn't any better. However she does manages to make friends, even though, to impress her new pals, she pretends to be older and more sophisticated than she is, with a doctor boyfriend. London life is fun, even though she has to work in a steaming hot kitchen all day. But her made-up life starts to get very complicated, and she has rely on old friends to save the day.

Deirdre David traces the successful writing life of Pamela Hansford Johnson (1912-1981) from the time of her childhood growing up in a theatrical household in South London to her death as the widow of the novelist and popular intellectual C. P. Snow. Forced to leave school at sixteen, she trained as a shorthand typist, worked for four years in the mid 1930 for a West End Bank, and conducted a tumultuous romance with the then 19-year old poet Dylan Thomas. Thomas having persuaded her she would become a better novelist than a poet she published a scandalous first novel in 1935 and went on to publish close to thirty more in her career. A passionate defender of the narrative traditions of the British novel, she contributed many essays and reviews on contemporary fiction to periodicals and newspapers; in her own fiction, in the nineteenth-century traditions of Jane Austen, George Eliot, and Charles Dickens, she focused on the domestic everyday, the moral questions facing a rapidly-changing society, and the challenges and pleasures of urban life. She was very much a novelist of the city, particularly London. She also gained praise and criticism for her writings about violence and pornography, especially in her well-known analysis of the notorious Moors murder trial. With C. P. Snow, she travelled many times to the United States and the Soviet Union and at the time of her death in 1981, she was still at work on her last novel. Hers was a rich, courageous, and politically committed writing life, and this biography restores Johnson's work to the critical distinction it received when it was published.

"IS FAME REALLY WORTH ALL THE TROUBLE?" Aspiring cartoonist Catherine "Cat" Gold earns her living as a celebrity assistant in uptown Manhattan, while navigating the cramped downtown spaces of life, love, and alternative art. Her boss is Rochelle "Rocky" Love, a celebrated 1970s feminist and has-been 80s radio and television star who is convinced she can forge a 90s comeback with an autobiography. But the ghostwriter hired to glorify her life instead reveals a battleground of treachery and hypocrisy, littered with lies and sex that cross all the boundaries. When Cat herself experiences Rockys duplicity and learns that the icon is a fraud, she is fueled by a sense of disappointment and conspires with the ghostwriter to reveal the unspeakable truth about their narcissistic boss. Praise for international bestseller Katia Liefs novels: "Wonderfully funny and terribly true."--Fay Weldon "Urban, hip, sad, funny, a tipsy walk on the wild side."--Malcolm Bosse "Taut, clean storytelling." --Publishers Weekly "Readers will want to read more of this talented writers work." --New York Journal of Books.

For the better part of three decades romance comics were an American institution. Nearly 6000 titles were published between 1947 and 1977, and for a time one in five comics sold in the U.S. was a romance comic. This first full-length study examines the several types of romance comics, their creators and publishing history. The author explores significant periods in the development of the genre, including the origins of Archie Comics and other teen publications, the romance comic "boom and bust" of the 1950s, and their sudden disappearance when fantasy and superhero comics began to dominate in the late 1970s.