“Poetry is finest because it is purest; it is purest in that it appeals to five senses that send external impressions/perceptions in order to be churned by mind, heart and soul. Great poetry has the capacity to purify and ennoble human beings.” - Dr. B. C. Dash, Dept. of English, AUDC “Ladak neli kelanglong ahirjir angbong ta akeong aphai ahirjir ke angkung, arno, ateot pachingbar pen ketoksi keong. Lahui ahirjir angkung arno pachingbar alam matha patherong amat alangli kipudamji pu alam amokha ke pechok/pepleng thektherem si keong. Lake ilitum non malom ahirjir pen ining, iphu, pachephosapsedet apot, kelang kasanthin kadure apot. Non ateng pen chekirla lote meponbom chok ponbom po. Ilitum ahirjir ta pirthe adorbar along amethang amen chethang dun po.” - Sar’et Hanse, Eminent Poet

"I wrote poetry before I wrote anything else," says Susan Abulhawa, esteemed Palestinian-American author and social activist, in the introduction to her first book of poems, My Voice Sought the Wind. This new work followed her highly acclaimed novel, Mornings in Jenin, which has been translated into 32 languages since it was published in 2010. My Voice Sought the Wind represents five years of Abulhawa's best poems on the timeless themes of love, loss, identity, and family, brought to life through her vivid observations and intimate personal reflections. She writes from her own experience, with a style that is romantic, but tinged with disillusionment, often a bit sad and always introspective.

Anthem-like poems about relationships, mental health, loss, and recovery from the activist and bestselling author of Stuff I’ve Been Feeling Lately. The reader’s experience with this unique collection is lifted from the page as Alicia Cook has collaborated with a number of up and coming musicians to transform some of her poetry into song. Like her debut book, this one is divided into two parts. Modeled after a vinyl record this time, the collection is separated into the EP record, holding Cook’s shorter poetry, and the LP record, holding Cook’s longer poetry, prose, and songwriting. Together, they form an inspiring collection for all those recovering from something. “Through each internal rhyme and turn of phrase, she presents new ways of interpreting despair, courage and overcoming. The poems are mostly devoid of gender pronouns, favoring the first and second person to promote accessibility for all. Cook is self-reliant and fully aware of how to make her voice heard.” —Asbury Park Press “This book was raw . . . Alicia Cook writes about very important topics, some of them really hard to read about, especially if they hit too close to home . . . You will always find a poem, a sentence, something that will speak to you, to your heart, to what you’re going through and this book did just that for me.” —Chapter Ninety-Two “A heartfelt, emotional, beautiful book of poems.” —The Pages In-Between

When Pedro Salinas’s 1933 collection of love poems, La voz a ti debida, was introduced to American audiences in Willis Barnstone’s 1975 English translation, it was widely regarded as the greatest sequence of love poems written by a man or a woman, in any language, in the twentieth century. Now, seventy-five years after its publication, the reputation of the poems and its multifaceted writer remains untarnished. A portrait of their era, the poems, from a writer in exile from his native civil war–torn Spain, now reemerge in our time. In this new, facing-page bilingual edition, Barnstone has added thirty-six poems written in the form of letters from Salinas to his great love, Katherine Whitmore. Discovered years later, these poems were written during and after the composition of La voz and, though disguised as prose, have all the rhythms and sounds of lineated lyric poetry. Taken together, the poems and letters are a history, a dramatic monologue, and a crushing and inevitable ending to the story of a man consumed by his love and his art. Bolstered by an elegant foreword by Salinas’s contemporary, the poet Jorge Guillén, and a masterly afterword by the Salinas scholar, Enric Bou, that considers the poet and his legacy for twenty-first century world poetry, Love Poems by Pedro Salinas will be cause for celebration throughout the world of verse and beyond.

A heart-wrenching novel explores how several generations of one Palestinian family cope with the loss of their land after the 1948 creation of Israel and their subsequent life in Palestine, which is often marred by war and violence. A first novel. Reprint. Reading-group guide included.

From Pakistani poet and Instagram darling Noor Unnahar comes a journal that encourages writers to explore their inner poet, through a variety of evocative and thought-provoking prompts, using Noor's captivating voice as a guide. This journal is where pop poetry and creative inspiration meet. With more than 100 writing prompts influenced by Noor's handwritten poetry and enchanting collages, this journal allows writers to explore their writing style and funnel it into meaningful, cathartic, provocative poetry.

Recommended by Cosmopolitan, USA Today, Shondaland, & Book Riot “It’s not often that fat women feel such thorough representation of themselves not only in poetry but in any media and not only in the beautiful moments but in the sorrowful ones, ranging throughout life. James does a brilliant job of portraying this and all her themes brilliantly; highly recommended.” —Starred review by Library Journal The raw poems inside Song of My Softening studies the ever-changing relationship with oneself, while also investigating the relationship that the world and nation has with Black queerness. Poems open wide the questioning of how we express both love and pain, and how we view our bodies in society, offering themselves wholly, with sharpness and compassion.