Where you between Betty Crocker and Gloria Steinem? With that question in mind poets Pamela Gemin and Paula Sergi began collecting the poems in Boomer Girls, an anthology of coming-of-age poems written by women born between 1945 and 1964, give or take a few years on either side. The answers to that question till this volume with the energy, passion, heartbreak, and giddiness of women's lives from childhood to adolescence to middle age. The poems in Boomer Girls are by unknown, emerging, and established writers, women who participated in the second wave of feminism. From Sandra Cisneros' "My Wicked Wicked Ways" to Barbara Crooker's "Nearing Menopause, I Run into Elvis at Shoprite, " from Wendy Mnookin's "Polio Summer" to Kyoko Mori's "Barbie Says Math Is Hard, " these poems call for us to celebrate (in the words of poet Diane Seuss-Brakeman) "glances, romances, beauty and guilt, regret, remorse, rebates and rejuvenations." Boomer Girls share a common culture, bound by their generation's political history by pop icons like Barbie -- that pedestaled Boomer Girl who's just turned forty -- and by the music that's never stopped playing: Janis Joplin, Marvin Gaye, Jimi Hendrix, the Ronettes, Van Morrison, Patsy Cline, John Lennon. The Boomer poets in this feisty anthology speak with diverse voices and embody a wide range of experiences, yet their generation's universal images -- the hula hoops, TV shows, tinned auto-mobiles, and other household gods of their youth -- unite them in ways both hilarious and tender.

Bringing together over 100 years of creative and vital American poetry in one volume, Anthology of Modern American Poetry includes over 750 poems by 161 American poets ranging from Walt Whitman to Sherman Alexie. It represents not only the traditionally familiar poetic works of the last hundred years but also includes numerous poems by women, minority, and progressive writers only rediscovered in the past two decades. It is also the first anthology to give full treatment to American long poems and poetic sequences.

A bold new anthology of poems that contend with the most extreme human emotions, from former Poet Laureate Robert Pinsky. Despair, mania, rage, guilt, derangement, fantasy: poetry is our most intimate, personal source for the urgency of these experiences. Poems get under our skin; they engage with the balm, and the sting, of understanding. In The Mind Has Cliffs of Fall—its title inspired by a Gerard Manley Hopkins poem—acclaimed poet Robert Pinsky gives us more than 130 poems that explore emotion at its most expansive, distinct, and profound. With seven illuminating chapters and succinct headnotes for each poem, Pinsky leads us through the book’s sweeping historical range. Each chapter, with contents chronologically presented from Shakespeare to Terrance Hayes, Dante to Patricia Lockwood, shows the persistence and variation in our states of mind. “The Sleep of Reason” explores sanity and the imagination, moving from William Cowper’s “Lines Written During a Time of Insanity” to Nicole Sealey’s “a violence.” “Grief” includes Walt Whitman’s “When Lilacs last in the Door-yard Bloom’d” and Marie Howe’s “What the Living Do,” and “Manic Laughter” highlights both Lewis Carroll and Martín Espada. Each poem reveals something new about the vastness of human emotion; taken together they offer a sweeping ode to the power of poetry. Guided by “our finest living example of [the American civic poet]” (New York Times), The Mind Has Cliffs of Fall demonstrates how extreme feelings can be complementary and contradicting, and how poetry is not just an expression of emotion, but emotion itself.

An anthology of twentieth-century American poetry, featuring Wallace Stevens, T.S. Eliot, Elizabeth Bishop, Robert Hayden, Gwendolyn Brooks, Derek Walcott, Adrienne Rich, John Ashbery, Anne Sexton, and many others.

I decide to write this book because writing is my passion and I've been writing poems throughout the years and I also want my book to be heard and to let people know that I'm very talented when it comes to writing...

Edited and Translated from the Greek by Edmund Keeley. A new translation of poetic masterpieces spanning Greece's Archaic and Golden Age to Byzantium. In these beautiful renderings Edmund Keeley displays his sensitivity as a translator and his imagination as a poet. The verses spring to life for a new generation of readers who will delight in the inventiveness, wit, and honesty of essential ancient Greek voices such as Plato, Leonidas, Callimachus, Meleager, Honestus, Strato, and Palladas. One of the foremost translators of the 20th century, Edmund Keeley has received international acclaim for his translations of the Greek poets C.P. Cavafy, George Seferis, Yannis Ritsos, and Odysseas Elytis. "The Ancients did not mince words when it came to love and death. Edmund Keeley's stunning translation brings Ancient Greek pith and urgency into the 21st Century: playful and oracular, Nakedness is My End is an essential study of human life in lyric form."--Karen Emmerich "The Ancients did not mince words when it came to love and death. Edmund Keeley's stunning translation brings Ancient Greek pith and urgency into the 21st Century: playful and oracular, Nakedness is My End is an essential study of human life in lyric form."--Karen Emmerich "In Keeley's lucid translations, we find just what we need: grace, humor, beauty, good advice, and succor; all that poetry has been bringing us through the darkness for these thousands of years. This expertly selected collection will remind you to 'treat yourself entirely to what good things there are.'"--Eleni Sikelianos "A new English translation of ancient masterworks, Nakedness is My End (World Poetry Books) contains poetry from Plato, Strato, Palladas, and others in a way that is accessible and meaningful for the modern reader." -- Princeton Alumni Weekly Poetry.