Charley Pickney wanted to become a screenwriter, but right out of college computer science provided a more reliable income where he could eat regularly and work standard business hours. So he chose the easier road to success. Then one day he got a chance to "shoot the moon" and screenwrite a cowboy-western saga for a Dallas cowboy boot manufacturer, and he hitched his wagon to that star. He was glad that he did.

A wonderfully provocative and appealing novel, from the much-loved author of Anywhere But Here and A Regular Guy, her first in ten years. It tells the story of two women whose lives entwine and unfold behind the glittery surface of Hollywood. Claire, a composer and a new mother, comes to LA so her husband can follow his passion for writing television comedy. Suddenly the marriage—once a genuine 50/50 arrangement—changes, with Paul working long hours and Claire left at home with a baby, William, whom she adores but has no idea how to care for. Lola, a fifty-two-year-old mother of five who is working in America to pay for her own children’s higher education back in the Philippines, becomes their nanny. Lola stabilizes the rocky household and soon other parents try to lure her away. What she sacrifices to stay with Claire and “Williamo” remains her own closely guarded secret. In a novel at turns satirical and heartbreaking, where mothers’ modern ideas are given practical overhauls by nannies, we meet Lola’s vast network of fellow caregivers, each with her own story to tell. We see the upstairs competition for the best nanny and the downstairs competition for the best deal, and are forced to ask whether it is possible to buy love for our children and what that transaction costs us all. We look into two contemporary marriages—one in America and one in the Philippines—and witness their endangerment, despite the best of intentions. My Hollywood is a tender, witty, and resonant novel that provides the profound pleasures readers have come to expect from Mona Simpson, here writing at the height of her powers.

"Once a guarded cinematic secret, this definitive history reveals for the first time the art and craft of Hollywood's hand painted-backdrops, and pays homage to the scenic artists who brought them to the big screen." -- Slipcase.

'Are you now or have you ever been a member of the Communist Party?' That question was to be repeated endlessly during the anti-Communist investigations carried out by the House Committee on un-American Activities (HUAC) in the early 1950s. The refusal of ten members of the film industry to answer the question in 1947 led to the decision by studio bosses to fire them and never to hire known Communists in the future. The Hearings led to scores of actors, writers and directors being named as Communists or sympathisers. All were blacklisted and fired. Hollywood's Blacklists is a history of the political and cultural factors relevant to understanding the why and the how of the various investigations of the alleged Communist infiltration of Hollywood. What was HUAC? What propaganda role did films play during World War II and the Cold War? What values were at stake in the confrontation between Left and Right that saw the former so resoundingly defeated and expelled from Hollywood? Answers to these and other questions are offered via analyses of the motives of the various players and of the tactics deployed by HUAC to reward collaboration and punish dissent.

As a best-selling biographer of numerous Hollywood greats—Katharine Hepburn, Bette Davis, Errol Flynn, Howard Hughes, and Cary Grant among them—Charles Higham has been privy to the public and private joys, tragedies, scandals, and desires of many of the darlings of Hollywood’s red carpet. In and Out of Hollywood is Higham’s own life story, replete with a vibrant cast that includes stars from Marlene Dietrich to Clint Eastwood to Leonardo DiCaprio. Born into a life of privilege in 1930s England, Higham endured a difficult childhood. To escape a tortured family situation, Higham married early despite his awakening homosexuality and fled to Australia with his wife to begin a new life as a poet, journalist, and editor. By the 1960s he had settled in Hollywood. It was here that he struck gold by finding and writing about the reels of Orson Welles’s legendary unfinished Latin American epic film It’s All True, long thought lost in a Paramount vault. This momentous find rocketed Higham to the A-list. He soon became a New York Times feature writer and sought-after biographer lauded for his pioneering style. In and Out of Hollywood contains Higham’s personal reflections on the stars he has known over the past forty years. From his insider perch he reveals Hollywood’s inner life: how Bette Davis influenced the death of her second husband; how Walt Disney’s dark vision devolved into bright animated features he astonishingly despised; how leading actors clandestinely participated in gay activities. Higham’s memoir also charts his work as a political commentator, historian, poet, and playwright; describes the dangers and excitements of gay life before AIDS; and recounts his eventual discovery of a lasting relationship. In and Out of Hollywood is a lively tour through several decades of changing times and personalities behind the scenes of the American film world.