In the 1930s, Américo Paredes, the renowned folklorist, wrote a novel set to the background of the struggles of Texas Mexicans to preserve their property, culture and identity in the face of Anglo-American migration to and growing dominance over the Rio Grande Valley. Episodes of guerilla warfare, land grabs, racism, jingoism, and abuses by the Texas Rangers make this an adventure novel as well as one of reflection on the making of modern day Texas. George Washington GÑmez is a true precursor of the modern Chicano novel.

"Allow me to introduce you to a remarkable book, full of love, wonder, hope, and the importance of getting to be who you were meant to be. You must read this." - David Levithan, author of Every Day and editor of George. When people look at George, they think they see a boy. But she knows she's not a boy. She knows she's a girl. George thinks she'll have to keep this a secret forever. Then her teacher announces that their class play is going to be Charlotte's Web. George really, really, REALLY wants to play Charlotte. But the teacher says she can't even try out for the part . . . because she's a boy.

My Name Is Not Leila By: Ahmed Amr As British and German forces battle for control of North Africa, a young woman survivor of the eight month siege of Tobruk seeks refuge in Egypt. After having a passionate affair with a young cosmopolitan Alexandrian surgeon, she mysteriously disappears. Her obsessed lover goes searching for her in a desolate city living in the shadow of the epic battle of El Alamein only to find her ensnared in a brutal murder.

A student standing on a wall threatening to moon the school, while simultaneously flipping the bird to approaching police officers. A boy who quotes verbatim "R" rated films while running around the room half-naked. Back-and-forth banter where kids insult each other (on purpose) for the sake of memorizing good "comebacks". A loner whose mom locked him out of the house to teach him a lesson, and his attempt to jump off a roof to teach her one. On that first, innocent, and fateful day, as he stepped into the mire of public education, these were not the stories that Derek Stooks imagined he would eventually tell. What he discovered was that it was the student's words, actions, tears and yes, their craziness that would ultimately impact his life in profound ways. Take a front row seat on this hilarious journey through the beginnings of a career in Special Education, where the stories are too unbelievable to be anything but true. Then join him as he makes the transition into teaching General Education, learning the "ups and downs" of dealing with a system in which the cards are inevitably stacked against you.

From the bestselling and Emmy-nominated writer behind HBO's We Own This City: a "gripping, surprisingly soulful" mystery about an ex-offender who must choose between the man who got him out and the woman who showed him another path (Entertainment Weekly). Michael Hudson spends the long days in prison devouring books given to him by the prison's librarian, a young woman named Anna who develops a soft spot for her best student. Anna keeps passing Michael books until one day he disappears, suddenly released after a private detective manipulated a witness in Michael's trial. Outside, Michael encounters a Washington, D.C. that has changed a lot during his time locked up. Once shady storefronts are now trendy beer gardens and flower shops. But what hasn't changed is the hard choice between the temptation of crime and doing what's right. Trying to balance his new job, his love of reading, and the debt he owes to the man who got him released, Michael struggles to figure out his place in this new world before he loses control. Smart and fast-paced, The Man Who Came Uptown brings Washington, D.C. to life in a high-stakes story of tough choices.

A CBC BOOKS MUST-READ NONFICTION BOOK FOR BLACK HISTORY MONTH Nominated for the Toronto Book Award Smartly dressed and smiling, Canada’s black train porters were a familiar sight to the average passenger—yet their minority status rendered them politically invisible, second-class in the social imagination that determined who was and who was not considered Canadian. Subjected to grueling shifts and unreasonable standards—a passenger missing his stop was a dismissible offense—the so-called Pullmen of the country’s rail lines were denied secure positions and prohibited from bringing their families to Canada, and it was their struggle against the racist Dominion that laid the groundwork for the multicultural nation we know today. Drawing on the experiences of these influential black Canadians, Cecil Foster’s They Call Me George demonstrates the power of individuals and minority groups in the fight for social justice and shows how a country can change for the better.