John Irving's memoir describes the author's involvement (and lack thereof) in five of the films that have (and have not) been made from his nine novels. My Movie Business focuses primarily on the thirteen years Mr. Irving spent writing and rewriting his screenplay of The Cider House Rules, for four different directors. A Miramax production, the film was finally shot in the fall of 1998 directed by the Swedish director Lasse Hallström (My Life as a Dog), with Michael Caine in the role of Dr. Larch. The Cider House Rules is a November 1999 release. Mr. Irving also writes about the failed effort to make his first novel, Setting Free the Bears, into a movie; about two of the films that were made from his novels (but not from his screenplays), The World According to Garp and The Hotel New Hampshire; and about his ongoing struggle to shepherd his screenplay of A Son of the Circus into production. In addition to its qualities as a memoir - anecdotal, comic, affectionate, and candid - My Movie Business is an insightful essay on the essential differences between writing a novel and writing a screenplay. Never have the two forms of storytelling been so lucidly compared and contrasted; the details are memorable, the examples clarifying. My Movie Business includes photos by Stephen Vaughan, the still photographer on the film set of The Cider House Rules.

Tapping experts in an industry experiencing major disruptions, The Movie Business Book is the authoritative, comprehensive sourcebook, covering online micro-budget movies to theatrical tentpoles. This book pulls back the veil of secrecy on producing, marketing, and distributing films, including business models, dealmaking, release windows, revenue streams, studio accounting, DIY online self-distribution and more. First-hand insider accounts serve as primary references involving negotiations, management decisions, workflow, intuition and instinct. The Movie Business Book is an essential guide for those launching or advancing careers in the global media marketplace.

An American classic first published in 1985 by William Morrow and adapted into an Academy Award-winning film, The Cider House Rules is among John Irving's most beloved novels. Set in rural Maine in the first half of the twentieth century, it tells the story of Dr. Wilbur Larch—saint and obstetrician, founder and director of the orphanage in the town of St. Cloud's, ether addict and abortionist. It is also the story of Dr. Larch's favorite orphan, Homer Wells, who is never adopted. “A novel as good as one could hope to find from any author, anywhere, anytime. Engrossing, moving, thoroughly satisfying.” —Joseph Heller, author of Catch-22

John Irving's memoir begins with his account of the distinguished career and medical writings of the novelist's grandfather Dr. Frederick C. Irving, a renowned obstetrician and gynecologist, and includes Mr. Irving's incisive history of abortion politics in the United States. But My Movie Business focuses primarily on the thirteen years John Irving spent adapting his novel The Cider House Rules for the screen--for four different directors. Mr. Irving also writes about the failed effort to make his first novel, Setting Free the Bears, into a movie; about two of the films that were made from his novels (but not from his screenplays), The World According to Garp and The Hotel New Hampshire; about his slow progress at shepherding his screenplay of A Son of the Circus into production. Not least, and in addition to its qualities as a memoir--anecdotal, comic, affectionate, and candid--My Movie Business is an insightful essay on the essential differences between writing a novel and writing a screenplay. The photographs in My Movie Business were taken by Stephen Vaughan, the still photographer on the set of The Cider House Rules--a Miramax production directed by Lasse Hallström, with Michael Caine in the role of Dr. Larch. Concurrently with the November 1999 release of the film, Talk Miramax Books will publish John Irving's screenplay.

Whether one is pursuing the dream of acting, directing, or writing, or is interested in a career as a studio executive, agent, cinematographer, makeup artist, stuntman, or camera operator, Resnik and Trost present realistic assessments of career opportunities, offer savvy insights into how to play the Hollywood game, and explore in detail the legal ins and outs of the business.

A heartfelt memoir from one of Hollywood's greatest icons Dick Van Dyke, indisputably one of the greats of the golden age of television, is admired and beloved by audiences the world over for his beaming smile, his physical dexterity, his impeccable comic timing, his ridiculous stunts, and his unforgettable screen roles. His trailblazing television program, The Dick Van Dyke Show (produced by Carl Reiner, who has written the foreword to this memoir), was one of the most popular sitcoms of the 1960s and introduced another major television star, Mary Tyler Moore. But Dick Van Dyke was also an enormously engaging movie star whose films, including Mary Poppins and Chitty Chitty Bang Bang, have been discovered by a new generation of fans and are as beloved today as they were when they first appeared. A colorful, loving, richly detailed look at the decades of a multilayered life, My Lucky Life In and Out of Show Business, will enthrall every generation of reader, from baby-boomers who recall when Rob Petrie became a household name, to all those still enchanted by Bert’s “Chim Chim Cher-ee.” This is a lively, heartwarming memoir of a performer who still thinks of himself as a “simple song-and-dance man,” but who is, in every sense of the word, a classic entertainer.

In this updated edition of the industry staple, veteran media executive Jeff Ulin relates business theory and practice across key global market segments—film, television, and online/digital—providing you with an insider’s perspective that can't be found anywhere else. Learn how an idea moves from concept to profit and how distribution dominates the bottom line: Hollywood stars may make the headlines, but marketing and distribution are the behind-the-scenes drivers converting content into cash. The third edition: Includes perspectives from key industry executives at studios, networks, agencies and online leaders, including Fox, Paramount, Lucasfilm, Endeavor, Tencent, MPAA, YouTube, Amazon, and many more; Explores the explosive growth of the Chinese market, including box office trends, participation in financing Hollywood feature films, and the surge in online usage; Illustrates how online streaming leaders like Netflix, Amazon, Apple, YouTube, Hulu and Facebook are changing the way TV content is distributed and consumed, and in cases how these services are moving into theatrical markets; Analyzes online influences and disruption throughout the distribution chain, and explains the risks and impact stemming from changing access points (e.g., stand-alone apps), delivery methods (over-the-top) and consumption patterns (e.g., binge watching); Breaks down historical film windows, the economic drivers behind them, and how online and digital delivery applications are changing the landscape. Ulin provides the virtual apprenticeship you need to demystify and manage the complicated media markets, understand how digital distribution has impacted the ecosystem, and glimpse into the future of how film and television content will be financed, distributed and watched. An online eResource contains further discussion on topics presented in the book.