'My mummy is a scientist... but I'm afraid she might be mad.' My mummy has a really cool job. She's a scientist and does all kinds of amazing experiments! But scientists in all the stories I read and watch are mad... does that mean my mummy is mad too?

Presents synopses of several well-known horror films whose plots revolve around the experiments of diabolical scientists.

Released in 1932, The Mummy moved Universal horror into a land of deserts, pyramids, and long-lost tombs. This book examines the roots of The Mummy. It shows how the film shares many motifs with the work of writers such as H. Rider Haggard and discusses how The Mummy drew upon a contemporary vogue for all things ancient Egyptian.

In 1932, The Mummy, starring Boris Karloff, introduced another icon to the classic monster pantheon, beginning a journey down the cinematic Nile that has yet to reach its end. Over the past century, movie mummies have met everyone from Abbott and Costello to Tom Cruise, not to mention a myriad of fellow monsters. Horrifying and mysterious, the mummy comes from a different time with uncommon knowledge and unique motivation, offering the lure of the exotic as well as the terrors of the dark. From obscure no-budgeters to Hollywood blockbusters, the mummy has featured in films from all over the globe, including Brazil, China, France, Hong Kong, India, Mexico, and even its fictional home country of Egypt--with each film bringing its own cultural sensibilities. Movie mummies have taken the form of teenagers, superheroes, dwarves, kung fu fighters, Satanists, cannibals and even mummies from outer space. Some can fly, some are sexy, some are scary and some are hilarious, and mummies quickly moved beyond horror cinema and into science fiction, comedy, romance, sexploitation and cartoons. From the Universal classics to the Aztec Mummy series, from Hammer's versions to Mexico's Guanajuato variations, this first-ever comprehensive guide to mummy movies offers in-depth production histories and critical analyses for every feature-length iteration of bandaged horror.

Saving the world isn’t easy. It’s even harder when you’re only nine. Kelly Donovan used to be a nobody. Well, a smart nobody. Skipping ahead a year in school made her the smallest kid in fifth grade and a target for bullies in search of an easy mark. She tried to follow her father’s advice and ignore them, but it didn’t do any good. Escaping into her favorite comic books at least helped her through the day. Who needs friends anyway? Sometimes, dreams find a way to come true, even if nobody asked them to. Aliens bombard the Earth with gigantic glowing red crystals to restore its failing magnetic field. Soon after the seemingly benevolent invasion, Kelly discovers her wildest, happiest fantasy come to life: she has superpowers, along with roughly two percent of the population. Her strong good nature leads her to adopt the heroic persona of Übergirl. However, she has one major problem… Her dad’s turning into a mad scientist. It’s difficult to be a hero, especially when your father’s a bad guy.