"Modernist sculptor Alexander Archipenko, (born 1887, Kiev; died 1964, New York City) has been called the "Picasso of Sculpture" for the Cubist elements he introduced to create a new way of looking at the human figure. This deeply personal biography written by his artist wife during his last eight years, casts a new light on this extremely productive, innovative, but little-known period of his career."--Site Web de l'éditeur

A thoughtfully curated collection in a stunning package that recognizes and celebrates the birthdays of famous, infamous, and often-overlooked designers and architects. The gift book for design and architect professionals and students they didn’t know they needed but will no longer be able to live without. Drawn from architect James Biber's epic Instagram project in which he posted a birthday bio of a famous (or less famous) designer or architect every day for a (mid-pandemic) year, The Architect and Designer Birthday Book is filled with personal, opinionated, and humorous observations on fascinating design and architect figures past and present. The minibiographies and birthday profiles in the book cover a range of international architects and designers, as well as artists, including: Architects from the Aaltos (Aino and Alvar) to Zumthor Rivals Bernini and Borromini Photographers Lee Miller, Louise Dahl-Wolfe, Vivian Maier, Dody Weston Thompson, Margaret Morton, and Judith Turner Midcentury modernists Marcel Breuer, Walter Gropius, and Florence Knoll Charlotte Perriand, Lilly Reich, Anne Tyng, and Denise Scott Brown More anecdotal histories than authorized biographies, these daily profiles are not only fun to read but provide spot-on commentary for anyone interested in how designers and architects relate to each other as well as their place in history. It is the intersection of Biber’s life and the history of architecture and design.

The first biography of visionary artist Agnes Martin, one of the most original and influential painters of the postwar period Over the course of a career that spanned fifty years, Agnes Martin’s austere, serene work anticipated and helped to define Minimalism, even as she battled psychological crises and carved out a solitary existence in the American Southwest. Martin identified with the Abstract Expressionists but her commitment to linear geometry caused her to be associated in turn with Minimalist, feminist, and even outsider artists. She moved through some of the liveliest art communities of her time while maintaining a legendary reserve. “I paint with my back to the world,” she says both at the beginning and at the conclusion of a documentary filmed when she was in her late eighties. When she died at ninety-two, in Taos, New Mexico, it is said she had not read a newspaper in half a century. No substantial critical monograph exists on this acclaimed artist—the recipient of two career retrospectives as well as the National Medal of the Arts—who was championed by critics as diverse in their approaches as Lucy Lippard, Lawrence Alloway, and Rosalind Krauss. Furthermore, no attempt has been made to describe her extraordinary life. The whole engrossing story, told here for the first time, Agnes Martin is essential reading for anyone interested in abstract art or the history of women artists in America.

Discusses the characteristics of the Surrealism movement which began in Paris in 1924 and presents biographies of twelve Surrealist artists.

Ukraine is at a historic crossroads, with the nations complex cultural identity at stake. Curator Alisa Lozhkina provides an authoritative overview of the countrys art, artists and movements from the dawn of Modernism to the Soviet period, to post-Soviet times and Russias invasion of Ukraine in 2022. She discusses Ukrainian art and artists within historical and political contexts as well as showing how they have contributed to, and interacted with, Ukrainian culture and identity as the nation transformed from provincial status on the periphery of the Russian Empire, to a constituent republic of the Soviet Union, through to independence and the challenges of its most recent history. Arranged broadly chronologically and fully illustrated throughout, The Art of Ukraine offers a powerful opportunity to explore the rich and complex Ukrainian artistic tradition.

One of America’s leading curators, “a woman of resilience and vision, a writer of clarity and ardor” (Chicago Tribune), takes you on a personal tour of the world of modern art. In the Depression-era climate of the 1930s, Katharine Kuh defied the odds and opened a gallery in Chicago, where she exhibited such relatively unknown artists as Fernand Léger, Paul Klee, Joan Miró, Ansel Adams, Marc Chagall, and Alexander Calder. Her extraordinary story reveals how and why America became a major force in the world of contemporary art.