"My Lady Nobody" by Maarten Maartens is a romance novel. The story is set in the Netherlands revealing a lot about its social life and customs during the 19th century. Excerpt: " Part 1.—CHAPTER I URSULA It was a white-hot July morning. Long ago the impatient earth had cast aside her thin veil of summer twilight; already she lay, a Danae, in exultant swoon beneath the golden sun. Yet the bridegroom had barely leaped forth to the conquest; his rath kisses were still drinking the pearly freshness from the dawn, while the loud birds filled the resonant heavens with the tumult of their bridal song. It was still so early, and already so immovably warm; all wide earth and deep sky agasp in the naked blaze. Ursula drew forward her broad-brimmed straw hat, where she stood picking pease among the tall lines of pale-green, blossom-speckled tangle. "Oof!" she said. Not as your burly farmer says it, but with the prettiest little high-pitched echo of the louder note."

Presented by legendary comic book author Jim Shooter, this book is a fast-paced science fiction novel with all the flair and fun of a comic book.

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“A clever, charming mystery that perfectly captures 1920s society . . . sure to appeal to fans of Ashley Weaver or Rhys Bowen.” —Shelf Awareness August 1924. Lady Adelaide Compton has recently (and satisfactorily) interred her husband, Major Rupert Charles Cressleigh Compton, hero of the Somme, in the family vault in the village churchyard. Rupert died by smashing his Hispano-Suiza on a Cotswold country road while carrying a French mademoiselle in the passenger seat. With the house now Addie's and a weekend house party underway, how inconvenient of Rupert to turn up! Not in the flesh, but in—actually, as a—spirit. Rupert has to perform a few good deeds before becoming welcomed to heaven—or, more likely, thinks Addie, to hell. Before Addie can convince herself she's not completely lost her mind, a murder disrupts her careful seating arrangement. Which of her twelve houseguests is a killer? Her mother, the formidable Dowager Marchioness of Broughton? Her sister Cecilia, the born-again vegetarian? Her childhood friend and potential lover, Lord Lucas Waring? Rupert has a solid alibi as a ghost and an urge to do some sleuthing. Addie knows she can't leave Rupert to solve the murders of her sweet old gardener and a naked neighbor by himself. Enter Inspector Devenand Hunter, an Anglo-Indian who is not going to let some society beauty who seems to talk to herself derail his investigation. Something very peculiar is afoot at Compton Court and he's going to get to the bottom of it. . . . “A lively debut filled with local color, red herrings, both sprightly and spritely characters, a smidgen of social commentary, and a climactic surprise.” —Kirkus Reviews

Elizabeth Lange is determined to unearth the truth about how her beloved sister really died. But as glimpses of the dark truth are revealed, an unexpected source threatens to engulf her entirely.

A young poet is killed by her lover, a politician, in the eastern Indian state of Bihar. Soon afterward, across India in Bombay, an idealistic journalist is hired by a movie director to write a Bollywood screenplay about the murdered poet. Research for the script takes the writer, Binod, back to Bihar, where he and his cousin Rabinder were raised. While the high-minded Binod struggles to turn the poet’s murder into a steamy tale about small towns, desire, and intrigue, Rabinder sits in a Bihari jail cell, having been arrested for distributing pornography through a cybercafé. Rabinder dreams of a career in Bollywood filmmaking, and, unlike his cousin, he is not burdened by ethical scruples. Nobody Does the Right Thing is the story of these two cousins and the ways that their lives unexpectedly intertwine. Set in the rural villages of Bihar and the metropolises of Bombay and Delhi, the novel is packed with telling details and anecdotes about life in contemporary India. At the same time, it is a fictional investigation into how narratives circulate and vie for supremacy through gossip, cinema, popular fiction, sensational journalism, and the global media.