A selectively curated overview of the little black dress in the twentieth and twenty-first centuries, organized by Vogue contributing editor and fashion force André Leon Talley and published on the occasion of an exhibition at the SCAD Museum of Art (Savannah College of Art and Design), André Leon Talley Gallery. Featuring an impeccably selected group of about sixty dresses from many of the most eminent fashion houses, the book is a celebratory tribute to the iconic little black dress and its deeply resonant cultural and social significance in the modern era. Defined by the simplest parameters—color and shape—yet voluminous in possibility, the little black dress is personalized by the designer who imagined it and the woman who wears it. In one silhouette it can capture a woman's allure, and in one evening worn provide her with a reservoir of memories. It can sum up in one wardrobe reconnaissance the way you wore the way you were. A little black dress in any other color could dent a reputation; in black it can only elevate one. Whether made from the most superior fabrics, or designed in cutting-edge neoprene, the little black dress maintains its status as the game-changer, the free spirit and pleasure-seeker (Audrey Hepburn in Givenchy in Breakfast at Tiffany's), the career-launcher (Elizabeth Hurley in Versace), the going-for-broke risk-taker (Virginie Gautreau as Madame X), inevitably revealing truths about the women who have chosen to wear one. Three original essays offer personal histories in praise of the little black dress. An introduction by André Leon Talley and a foreword by Paula Wallace complete this exquisite volume. Together with a stunning collection of images, this book presents a singularly elegant portfolio.

What's the most important garment in a womans closet? More often than not, the answer is the little black dress. For decades, fashion magazines have touted the LBD as the perfect solution to almost every fashion crisis. Dressed up or down, with flats or heels, statement jewelry or a subdued jacket, the little black dress can be worn anywhere, for any occasion. Where did the little black dress come from? And how did black become the color of choice for every occasion? In Little Black Dress, Shannon Meyer answers these questions by offering a visual history of the black dress, illustrating its transformation from a traditional mourning garment to the fashion staple it is today. Richly illustrated with seventy full-color photos of dresses and accessories spanning 150 years, and including information about the designer, original owner, and historical context for each, readers will find Little Black Dress a stylish guide to this wardrobe essential. Designed to accompany an exhibit by the same name at the Missouri History Museum, the book will impress historians and fashionistas alike.

Harper lands a dream summer internship at a trendy teen magazine in New York City, working as their resident dating blogger, but there is only one problem--she has absolutely zero dating experience.

An "inventive spy romp that's fast, playful and fun" inspired by an actual letter in the John F. Kennedy Library written by Jackie Kennedy, revealing her job offer from the newly formed CIA (Chris Ewan, author of The Good Thief's Guide to Venice). When young Jackie Bouvier receives her second assignment from the CIA, she knows it will go better than her first. She managed to survive the Paris job-while looking her best in Givenchy, no less-but now she's completed her official CIA training. So she's excited to show her boss exactly what she can do for her country. Her new mission: Go undercover in sultry Havana and investigate a young revolutionary named Fidel Castro. But before Jackie can infiltrate the communist cabal, she's in past her hemline in danger. In another exciting adventure, she colludes with Grace Kelly, dances with Frank Sinatra, and flirts with an up-and-coming congressman from Massachusetts. As the international intrigue escalates, Jackie must use all her finely honed skills to stay ahead of her enemies . . . and make sure spying never goes out of fashion.

Megan Hess: The Little Black Dress is an illustrated love story about fashion's most enduring and chic uniform, celebrating the designers, the women and of course the dresses. A piece of fashion is so much more than an object. To the designer who created it, the muse who inspired it, the fashion lover who lusts after it, the stylist who is lucky enough to own it, or the star who made it iconic – that fashion piece is part of a story. Introduced by Coco Chanel and made famous by Audrey Hepburn, the little black dress redefined how women dress and remains one of the most elegant and versatile pieces in any wardrobe. Vogue called it 'the frock that all the world would wear’ – a prophecy that has more than come true. And this little book is the perfect accessory. Filled with fascinating information and stunning illustrations from Megan Hess, and packaged up in a beautiful hardback, Megan Hess: The Little Black Dress is a timeless love story, and the first in Megan Hess' new Ultimate Fashion Wardrobe series.

In the spirit of Anne Lamott and Nora Ephron comes Janze's hilarious and moving memoir about a woman who returns home to her close-knit Mennonite family after a personal crisis.

“A darkly funny novel about betrayal, loneliness and the surprising pleasure of being single again” from the author of The Best Exotic Marigold Hotel (Good Housekeeping). At sixty-nine years old, Pru has found herself alone for the first time in her life. Her grown children are out of the house, and her husband, Greg, has filed for divorce. She attributes Greg’s betrayal to a cancer scare and a more-than-midlife crisis, but that doesn’t make her feel any better—or less lonely. It seems that nothing—not even her eccentric, free-spirited best friend, Azra—can pull her out of her depression. Until Pru sees a black dress in a thrift store window . . . Its sleek silhouette calls to mind long-gone days of cocktail parties and sophisticated conversation. And it gives Pru a brilliant idea: where better to wear a black dress—and find age-appropriate single men—than at a funeral? As Pru combs through the obituaries and attends masses and wakes, she finds comfort among the bereaved. After all, they’re all grieving someone they have lost. But Pru’s about to discover that though her new dating plan may get her out of the house and back on the market, the life she’s so desperately trying to leave behind isn’t done with her yet . . . “With dry wit and observation, Moggach tackles the perils of ageing with brutal honesty.” —Daily Express “This page-turner is like the best wakes, it will make you feel hungry and alive.” —The Times (London) “As ever with Moggach, the joy is in her witty observations of middle-class life and bracingly tart portrayal of family relationships.” —Daily Mail