Often comic, sometimes tender, profoundly truthful, the pleasure in these nonfiction pieces by award-winning novelist Joseph Skibell is discovering along with the author that catastrophes, fantasies, and delusions are what give sweetness and shape to our lives. “As a writer,” Skibell has said, “I feel about life the way the people of the Plains felt about the buffalo: I want to use every part of it.” In My Father’s Guitar and Other Imaginary Things, his first nonfiction work, he mines the events of his own life to create a captivating collection of personal essays, a suite of intimate stories that blurs the line between funny and poignant, and between the imaginary and the real. Often improbable, these stories are 100 percent true. Skibell misremembers the guitar his father promised him; together, he and a telemarketer dream of a better world; a major work of Holocaust art turns out to have been painted by his cousin. Woven together, the stories paint a complex portrait of a man and his family: a businessman father and an artistic son and the difficult love between them; complicated uncles, cousins, and sisters; a haunted house; and—of course—an imaginary guitar. Skibell’s novels have been praised as “startlingly original” (the Washington Post), “magical” (the New Yorker), and the work of “a gifted, committed imagination” (the New York Times). With his distinctive style, he has been referred to as “the bastard love child of Mark Twain, I. B. Singer, and Wes Anderson, left on a doorstep in Lubbock, Texas.”

Often comic, sometimes tender, profoundly truthful, the pleasure in these nonfiction pieces by award-winning novelist Joseph Skibell is discovering along with the author that catastrophes, fantasies, and delusions are what give sweetness and shape to our lives. “As a writer,” Skibell has said, “I feel about life the way the people of the Plains felt about the buffalo: I want to use every part of it.” In My Father’s Guitar and Other Imaginary Things, his first nonfiction work, he mines the events of his own life to create a captivating collection of personal essays, a suite of intimate stories that blurs the line between funny and poignant, and between the imaginary and the real. Often improbable, these stories are 100 percent true. Skibell misremembers the guitar his father promised him; together, he and a telemarketer dream of a better world; a major work of Holocaust art turns out to have been painted by his cousin. Woven together, the stories paint a complex portrait of a man and his family: a businessman father and an artistic son and the difficult love between them; complicated uncles, cousins, and sisters; a haunted house; and—of course—an imaginary guitar. Skibell’s novels have been praised as “startlingly original” (the Washington Post), “magical” (the New Yorker), and the work of “a gifted, committed imagination” (the New York Times). With his distinctive style, he has been referred to as “the bastard love child of Mark Twain, I. B. Singer, and Wes Anderson, left on a doorstep in Lubbock, Texas.”

This volume engages with memory of the Holocaust as expressed in literature, film, and other media. It focuses on the cultural memory of the second and third generations of Holocaust survivors, while also taking into view those who were children during the Nazi period. Language loss, language acquisition, and the multiple needs of translation are recurrent themes for all of the authors discussed. By bringing together authors and scholars (often both) from different generations, countries, and languages, and focusing on transgenerational and translational issues, this book presents multiple perspectives on the subject of Holocaust memory, its impact, and its ongoing worldwide communication.

The first DIY book to use cutting-edge (and affordable) technology in appealing projects for fathers and daughters to do together.

I fell in love with Emma Eckstein the moment I saw her from the fourth gallery of the Carl Theater, and this was also the night I met Sigmund Freud.” So goes the life, times, and loves of Dr. Jakob Sammelsohn, a fairly incurable romantic venturing optimistically through modern history. In this inventive and satiric tour de force, Joseph Skibell, award-winning author of A Blessing on the Moon, presents a picaresque novel of exile that could spring only from the imagination of a virtuoso.

Joseph Skibell’s magical tale about the Holocaust—a fable inspired by fact—received unanimous nationwide acclaim when first published in 1997. At the center of A Blessing on the Moon is Chaim Skibelski. Death is merely the beginning of Chaim’s troubles. In the opening pages, he is shot along with the other Jews of his small Polish village. But instead of resting peacefully in the World to Come, Chaim, for reasons unclear to him, is left to wander the earth, accompanied by his rabbi, who has taken the form of a talking crow. Chaim’s afterlife journey is filled with extraordinary encounters whose consequences are far greater than he realizes. Not since art Spiegelman’s Maus has a work so powerfully evoked one of the darkest moments of the twentieth century with such daring originality.

A storyteller’s take on the Talmud and the timeless wisdom contained within its tales provides “a fresh look at an ancient source” (Kirkus Reviews). A thief-turned-saint, killed by an insult. A rabbi burning down his world in order to save it. A man who lost his sanity while trying to fathom the origin of the universe. A beautiful woman battling her brother’s and her husband’s egos to preserve their family. Stories such as these enliven the pages of the Talmud, the great repository of ancient wisdom that is one of the sacred texts of the Jewish people. Comprised of the Mishnah, the oral law of the Torah, and the Gemara, a multigenerational metacommentary on the Mishnah dating from between 3950 and 4235 (190 and 475 CE), the Talmud presents a formidable challenge to understand without scholarly training and study. But what if one approaches it as a collection of tales with surprising relevance for contemporary readers? In Six Memos from the Last Millennium, Joseph Skibell, critically acclaimed author of A Blessing on the Moon and other novels, reads some of the Talmud’s tales with a storyteller’s insight, concentrating on the lives of the legendary rabbis depicted in its pages to uncover the wisdom they can still impart to our modern age. He unifies strands of stories that are scattered throughout the Talmud into coherent narratives or “memos,” which he then analyzes and interprets from his perspective as a novelist. In Skibell’s imaginative and personal readings, this sacred literature frequently defies our conventional notions of piety. Sometimes wild, rude, and even bawdy, these memos from the last millennium pursue a livable transcendence, a way of fusing the mundane hours of earthly life with a cosmic sense of holiness and wonder.