For fans of Cassandra Clare and Holly Black comes a new story that will lure you into a world of magic and monsters, and never let you go. The trees in Hartwood forest are hiding an ancient secret, a door into a magical realm where fairy princes and monsters are one and the same. Seventeen-year-old Aria is bored of her small town and dreams of a life filled with excitement and adventure. She's about to learn the meaning of "be careful what you wish for". After a chilling encounter at the local summer fair, Aria is ripped from her normal life and dragged through the Veil into the Fair Realm by a strange, silver-eyed boy and his band of fairy soldiers. They believe she is the legendary Fair Queen, the subject of a prophecy that promises to unite the war-ravaged realm and bring an end to the centuries-long conflict between the Five Kingdoms. But it can't be true. Can it? Beset by terrifying creatures at every turn, and hunted by a tyrannical king who will stop at nothing to prevent the prophecy from coming true, Aria will have to rely on her wits if she's to escape the Fair Realm with her life. Book One in The Fair Chronicles, a new YA fantasy series for fans of The Mortal Instruments and The Folk of the Air.

Eleanor of Provence, child bride, loving wife, loving mother of Edward Longshanks. Eleanor, hated queen, despised for her spendthrift ways, pelted by the mob. Eleanor, foe of the unnerving, unsettling warrior Simon de Montfort and his barons, who threaten her husband's reign...and life Eleanor, taking vows in a convent in Amesbury, where she vanished from history, even her grave lost in time....

Readers have followed New York Times bestselling author Jen Lancaster through job loss, sucky city living, weight loss attempts, and 1980s nostalgia. Now, in this bitter and witty memoir, Jen chronicles her efforts to achieve cultural enlightenment, with some hilarious missteps and genuine moments of inspiration along the way. Jen uses any means necessary on her quest to better herself: reading canonical literature, viewing classic films, attending the opera, researching artisan cheeses, and even enrolling in etiquette classes to improve her social graces. In Jen’s corner is a crack team of experts, including Page Six socialites, gourmet chefs, an opera aficionado, and a master sommelier. She may discover that well-regarded, high-priced stinky cheese tastes exactly as bad as it smells, and that her love for Kraft American Singles is forever. But one thing’s for certain: Eliza Doolittle’s got nothing on Jen Lancaster—and failure is an option.

The Tragedy of Mariam (1613) is the first original play by a woman to be published in England, and its author is the first English woman writer to be memorialized in a biography, which is included with this edition of the play. Mariam is a distinctive example of Renaissance drama that serves the desire of today's readers and scholars to know not merely how women were represented in the early modern period but also how they themselves perceived their own condition. With this textually emended and fully annotated edition, the play will now be accessible to all readers. The accompanying biography of Cary further enriches our knowledge of both domestic and religious conflicts in the seventeenth century.

Winner of the Philip K Dick Award “Filled with wondrous language, marvelous events.” —Science Fiction Chronicle In Ireland, three generations of young women fight to control the powers coursing through their blood: the power to bring the mystical Otherworld into our world, and change it. Emily, Jessica and Enye must each face their dark side of human mythoconsciousness–and their own personal histories. But the forces of faerie are ever treacherous... Filled with vivid, passionate characters you will never forget, King of Morning, Queen of Day is a spellbinding fantasy of the real Ireland. “McDonald’s power as a storyteller lies in his stylistic versatility and intensity of language as well as in his capacity to create vivid and memorable characters. Highly recommended.” —Library Journal “A brilliant book.” —Charles de Lint

Set in the magical world of Renthia, The Queen of Blood is Sarah Beth Durst’s ambitious entry into adult epic fantasy. With the danger of Peter Brett’s The Warded Man, heart of Naomi Novik’s Uprooted, and lyricism of Patrick Rothfuss’ The Name of the Wind, this is the first chapter in a series destined to be a classic. Everything has a spirit: the willow tree with leaves that kiss the pond, the stream that feeds the river, the wind that exhales fresh snow . . . But the spirits that reside within this land want to rid it of all humans. One woman stands between these malevolent spirits and the end of humankind: the queen. She alone has the magical power to prevent the spirits from destroying every man, woman, and child. But queens are still just human, and no matter how strong or good, the threat of danger always looms. With the position so precarious, young women are chosen to train as heirs. Daleina, a seemingly quiet academy student, is under no illusions as to her claim to the throne, but simply wants to right the wrongs that have befallen the land. Ven, a disgraced champion, has spent his exile secretly fighting against the growing number of spirit attacks. Joining forces, these daring partners embark on a treacherous quest to find the source of the spirits’ restlessness—a journey that will test their courage and trust, and force them to stand against both enemies and friends to save their land . . . before it’s bathed in blood.