In the Presence of My Enemies, the gripping true story of American missionaries Martin and Gracia Burnham’s year as hostages in the Philippine jungle, was a New York Times best seller and has sold nearly 350,000 copies. This updated edition contains never-before-published information on the capture and trial of the Burnhams’ captors; Gracia’s secret return trip to the Philippines; and updates on recent events in Gracia’s life, ministry, and family.

In the twenty-first century, Germany's Third Reich continues to thrive after its victory in World War II-keeping most of Europe and North America under its heel. But within the heart of the Nazi regime, a secret lives. Under a perfect Aryan facade, Jews survive-living their lives, raising their families, and fearing discovery...

Special agent James Cronley Jr. finds that fighting both ex-Nazis and the Soviet NKGB can lead to strange bedfellows, in the dramatic new Clandestine Operations novel about the birth of the CIA and the Cold War. A month ago, Cronley managed to capture two notorious Nazi war criminals, but not without leaving some dead bodies and outraged Austrian police in his wake. He's been lying low ever since, but that little vacation is about to end. Somebody--Odessa, the NKGB, the Hungarian Secret Police?--has broken the criminals out of jail, and he must track them down again. But there's more to it than that. Evidence has surfaced that in the war's last gasps, Heinrich Himmler had stashed away a fortune to build a secret religion, dedicated both to Himmler and to creating the Fourth Reich. That money is still out there in the hands of Odessa, and that infamous organization seems to have acquired a surprising--and troubling--ally. Cronley is fast finding out that the phrase "the enemy of my enemy is my friend" can mean a lot of different things, and that it is not always clear which people he can trust and which are out to kill him.

'Better mad with the crowd than sane all alone' In these witty, Machiavellian aphorisms, unlikely Spanish priest Baltasar Gracián shows us how to exploit friends and enemies alike to thrive in a world of deception and illusion. Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Baltasar Gracián (1601-1658). Gracián's work is available in Penguin Classics in The Pocket Oracle and Art of Prudence.

Poetry. Jane Gregory's MY ENEMIES records a poet's search for meaning in a landscape of combined and dissolving definitions. Affirming disaster and its beyond, these poems sing toward belief a self-made belief that will not rely on any static symbol or logic or idol. Gregory's dynamic, unpredictable enactments of the modern world avow vulnerability to a belief compatible with self-consciousness. Sometimes triumphant, sometimes overcome or self-ruinous, MY ENEMIES never halts in its search for definition, even when it claims to not have been written as in the serial "Book I Will Not Write" poems. Each poem here establishes a new, necessary material and mode for our uncertain world that can offer its readers something to believe in; despite forces internal and external that try to undo us, Gregory's poems redo that undoing until "my enemies" becomes instead "my eyes many," a new sonic way of seeing. "When Jane Gregory speaks of 'enemies' she speaks of those elements that (following Valery) ravage books and people alike: fire, humidity, wild animals, time, and their own inner content. Gregory knows how to let those elementals run free in her own words, and to make a friend of their disequilibrating energy. Her work renews romanticism in the twilight of time, knowing that even the spelling of words is the spilling of everything they cannot say. Here, the poet has overwritten the multiples of her 'Book I Will Not Write' with 'the fire in the ocean' with words that, reduced to their very atoms, 'in the dark: s, i, n, g.'" Andrew Joron "Jane Gregory's MY ENEMIES is a collection of high-stepping verses of live wires where every phrase is a detonation od swings, breaks and pops Thrillers 'suitable for blasting' (viz. 'guncotton') pages of startling figures, near rhymes and off rhymes, psychological, philosophical, ecological myths and near myths, sci-fi and paranormal references, and the multiple 'Book s] I Will Not Write.' Look at the word 'struggle' enough times in one stanza, and you suddenly see infinity, and as Baudelaire wrote, 'There is no point as sharp as that of the Infinite.' This book is 'so gone beyond' any you've ever seen." Norma Cole "Jane Gregory seems to take seriously Robert Duncan's claim that 'I make poetry as other men make war or make love or make states or revolutions.' In MY ENEMIES she lays claim to his statement on her own terms when she says 'I recognize the tongue of the wolf / before it is in the wolf's mouth.' Or, one might also say, she has written an adventurous first book." Peter Gizzi"

Dark, cutting, and coursed through with bright flashes of humour, crystalline imagery, and razor-sharp detail, I Become a Delight to My Enemies is a gut-wrenchingly powerful, breathtakingly beautiful meditation on the violence and shame inflicted on the female body and psyche. An experimental fiction, I Become a Delight to My Enemies uses many different voices and forms to tell the stories of the women who live in an uncanny Town, uncovering their experiences of shame, fear, cruelty, and transcendence. Sara Peters combines poetry and short prose vignettes to create a singular, unflinching portrait of a Town in which the lives of girls and women are shaped by the brutality meted upon them and by their acts of defiance and yearning towards places of safety and belonging. Through lucid detail, sparkling imagery and illumination, Peters' individual characters and the collective of The Town leap vividly, fully formed off the page. A hybrid in form, I Become a Delight to My Enemies is an awe-inspiring example of the exquisite force of words to shock and to move, from a writer of exceptional talent and potential.

NATIONAL BESTSELLER To get ahead today, you have to be a jerk, right? Divisive politicians. Screaming heads on television. Angry campus activists. Twitter trolls. Today in America, there is an “outrage industrial complex” that prospers by setting American against American, creating a “culture of contempt”—the habit of seeing people who disagree with us not as merely incorrect, but as worthless and defective. Maybe, like more than nine out of ten Americans, you dislike it. But hey, either you play along, or you’ll be left behind, right? Wrong. In Love Your Enemies, social scientist and author of the #1 New York Times bestseller From Strength to Strength Arthur C. Brooks shows that abuse and outrage are not the right formula for lasting success. Brooks blends cutting-edge behavioral research, ancient wisdom, and a decade of experience leading one of America’s top policy think tanks in a work that offers a better way to lead based on bridging divides and mending relationships. Brooks’ prescriptions are unconventional. To bring America together, we shouldn’t try to agree more. There is no need for mushy moderation, because disagreement is the secret to excellence. Civility and tolerance shouldn’t be our goals, because they are hopelessly low standards. And our feelings toward our foes are irrelevant; what matters is how we choose to act. Love Your Enemies offers a clear strategy for victory for a new generation of leaders. It is a rallying cry for people hoping for a new era of American progress. Most of all, it is a roadmap to arrive at the happiness that comes when we choose to love one another, despite our differences.