Professor Colie brings together all previous and partial perspectives on Andrew Marvell, adds new ones harvested from her own deep learning and wide research, and transforms the whole into what Professor Joseph Summers of the University of Michigan has called "the best critical book on Marvell's poetry." Rich in details and knowledge of seventeenth-century English poetry, aesthetics, Renaissance and Baroque literature and art, and critical theory, "My Ecchoing Song" first examines Marvell's uses of theme and device in various lyrics. Later parts of the book concentrate on "Upon Appleton House" and "The Garden," which Professor Colie reads from the various focuses of political history, Marvell's knowledge and use of emblems and classical authors, contemporary theology, philosophy, and painting. Originally published in 1970. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Haina ia mai ana ka puana. This familiar refrain, sometimes translated "Let the echo of our song be heard," appears among the closing lines in many nineteenth-century chants and poems. From earliest times, the chanting of poetry served the Hawaiians as a form of ritual celebration of the things they cherished--the beauty of their islands, the abundance of wild creatures that inhabited their sea and air, the majesty of their rulers, and the prowess of their gods. Commoners as well as highborn chiefs and poet-priests shared in the creation of the chants. These haku mele, or "composers," the commoners especially, wove living threads from their own histoic circumstances and everyday experiences into the ongoing oral tradition, as handed down from expert to pupil, or from elder to descendant, generation after generation. This anthology embraces a wide variety of compositions: it ranges from song-poems of the Pele and Hiiaka cycle and the pre-Christian Shark Hula for Ka-lani-opuu to postmissionary chants and gospel hymns. These later selections date from the reign of Ka-mehameha III (1825-1854) to that of Queen Liliu-o-ka-lani (1891-1893) and comprise the major portion of the book. They include, along with heroic chants celebrating nineteenth-century Hawaiian monarchs, a number of works composed by commoners for commoners, such as Bill the Ice Skater, Mr. Thurston's Water-Drinking Brigade, and The Song of the Chanter Kaehu. Kaehu was a distinguished leper-poet who ended his days at the settlement-hospital on Molokai.

An enigmatic men, whose poems balance opposing principles-Royalism and Republicanism, spirituality and sexuality.

Uncovering the secrets behind the 1968 My Lai massacre in Vietnam, this is "a brutal, cautionary tale that serves as a painful reminder of the worst that can happen in war."—Chicago Tribune.

The Great Bear will descend from the skies, and with his paw, lash at the ocean. He will devour all the works of Man. Then he will sleep for ten thousand years, and the breath of his sleep will be death.The prophecy had come true. The world spun. Tidal

“A gorgeous, stirring book; a stellar debut.” ―Jeff Zentner, award-winning author of The Serpent King Star-crossed teens meet during the Hong Kong protests in this searing contemporary novel about falling in love in a time of change, for fans of Malinda Lo and Axie Oh. Sixteen-year-old Phoenix knows her parents have invested thousands of dollars to help her leave Hong Kong and get an elite Ivy League education. They think America means big status, big dreams, and big bank accounts. But Phoenix doesn’t want big; she just wants home. The trouble is, she doesn’t know where that is … until the Hong Kong protest movement unfolds, and she learns the city she’s come to love is in danger of disappearing. Seventeen-year-old Kai sees himself as an artist, not a filial son, and certainly not a cop. But when his mother dies, he’s forced to leave Shanghai to reunite with his estranged father, a respected police officer, who’s already enrolled him in the Hong Kong police academy. Kai wants to hate his job, but instead, he finds himself craving his father’s approval. And when he accidentally swaps phones with Phoenix and discovers she’s part of a protest network, he finds a way to earn it: by infiltrating the group and reporting their plans back to the police. As Kai and Phoenix join the struggle for the future of Hong Kong, a spark forms between them, pulling them together even as their two worlds try to force them apart. But when their relationship is built on secrets and deception, will they still love the person left behind when the lies fall away? Perfect for fans of: ★ Romeo and Juliet ★ Star-crossed lovers trope ★ Activism ★ Diaspora lit ★ International politics