A rhythmic celebration of love and friendship comparing time together to such magical experiences as seeing a collection of castles beneath the sea.

Punk-rock feminist poems exploring motherhood, pop culture, and resistance with a spirit of defiance, abundance, and irreverent joy.

The "top porn star of all time" ("Adult Video News") dishes the dirt on 20 years of Hollywood scandal, the inner workings of the porn industry, and a life filled with celebrities, gossip, and international fame.

With massive social media followings and a loyal fan base, Jeanty is poised for great success for his sixth poetry collection entitled Apologies That Never Came. In this series of prose and poetry, both the words and sentiment are simple, uninterrupted by excess flair or complexity. Apologies That Never Came dissects the agony of heartbreak and loss through the unexpressed words and feelings; what is left over at the end. While his poems and prose delve into pain, they ultimately transcend that heartbreak, awakening everyone's preexisting strength and capacity for growth. Much like in his previous collections, Jeanty has successfully created a tool for unity and healing out of the torment of his experiences.

LIFE IS A RIP OFF: THE COMPLETE BOOK is 404 pages and 12 months of record reviews--one record a day, every day, for one year. Yes, John "Inzane" Olson aka Inzane Johnny of Wolf Eyes aka American Tapes did that. And he reviewed everything from death metal demo cassettes to the Staples Singers' gospel. Enter into the OLZONE and find out about music you've never known, bands from places that you've never heard, and then read his review of classic rock cornerstones such as KANSAS. Reading LRIP will make you re-realize why blues is relevant, why every punk band in America matters, why jazz is good for the heart, and metal will always ride by your side. "To write music op-ed this good, you have to tap the primordial sap sack, to butterfly stroke the ancient ooze of tune begatment, cave dwell with the knuckle draggers, scratch symbols into the dirt with the freaks and make it rain. He do and it did."--Henry Rollins "[Life is a Rip Off] is the best way [John Olson] can add another cubist layer to the sound and visuality he's already presented for the last twenty or so years. He's sharing something the people who don't know him personally don't get enough of--his textual, syntactical brain, stained as it is with dollar-store spray paint."-- Ben Hell Hall, Detroit artist. "When John agreed to write a record review a day, back in 20xx, I wasn't too keen on the idea. Not because I didn't think he could do it - but that I knew he would do it, even if it became a years-long all-encompassing obsessive task."--Tovah Olson, The Dead Machines. "[John Olson] didn't just introduce me to different worlds, the man introduced me to entire universes."--Bryan Ramirez, Killertrees Records

Take a look in the St. Louis Blues' record books, and the name Bernie Federko is impossible to miss. A skilled, unselfish playmaker, Federko made those around him better; while his journey did lead him to the Hall of Fame, he is regarded by many as one of the most overlooked talents in hockey. In this volume, Federko reflects on his life on and off the ice. From his childhood in Foam Lake, Saskatchewan, to years in St. Louis playing with teammates like Brian Sutter and Mike Liut, and his recent years in the Blues' broadcasting booth, this is a refreshing chronicle of a legendary career.

Low Budget Movie weaves together the voices of two contemporary poets into a singular persona who sings about vintage guitars, movie props, Dunkin' Donuts, misogyny, the male gaze, low budget movies, and the unexpected glitter caught in the cracks of it all.