The Civil War’s greatest general as you’ve never seen him before: A revealing collection of letters written by Ulysses S. Grant to his wife, Julia, perfect for American history buffs. Grant’s intimate reflections on the War in Mexico and the Civil War “[show] his remarkable evolution from an insecure young soldier to a capable, self-confident general” (Ron Chernow). Ulysses S. Grant is justly celebrated as the author of one of the finest military autobiographies ever written, yet many readers of his Personal Memoirs are unaware that during his army years Grant wrote hundreds of intimate and revealing letters to his wife, Julia Dent Grant. Presented with an introduction by acclaimed biographer Ron Chernow, My Dearest Julia collects more than eighty of these letters, beginning with their engagement in 1844 and ending with the Union victory in 1865. They record Grant's first experience under fire in Mexico (“There is no great sport in having bullets flying about one in every direction but I find they have less horror when among them than when in anticipation”), the aching homesickness that led him to resign from the peacetime army, and his rapid rise to high command during the Civil War. Often written in haste, sometimes within the sound of gunfire, his wartime letters vividly capture the immediacy and uncertainty of the conflict. Grant initially hoped for an early conclusion to the fighting, but then came to accept that the war would have no easy end. “The world has never seen so bloody or so protracted a battle as the one being fought,” he wrote from Spotsylvania in 1864, “and I hope never will again.”

An excellent and diligently researched biography of Julia Boggs Dent Grant (1826-1902), the wife of the 18th President of the United States, Ulysses S. Grant, and First Lady of the United States from 1869 to 1877. An active participant in presidential matters, The First Lady was widely regarded to possess tremendous strength of character, sharing in the mixed fortunes of her husband, promoting his welfare, loved and cared for her family, and fulfilled her patriotic duty as First Lady. She reveled in her role as hostess to the nation, and by all accounts brought warmth and a home-like atmosphere to the White House. Includes over 15 B&W illustrations.

On the Boston Common stands one of the great Civil War memorials, a magnificent bronze sculpture by Augustus Saint-Gaudens. It depicts the black soldiers of the Fifty-fourth Massachusetts Infantry marching alongside their young white commander, Colonel Robert Gould Shaw. When the philosopher William James dedicated the memorial in May 1897, he stirred the assembled crowd with these words: "There they march, warm-blooded champions of a better day for man. There on horseback among them, in the very habit as he lived, sits the blue-eyed child of fortune." In this book Shaw speaks for himself with equal eloquence through nearly two hundred letters he wrote to his family and friends during the Civil War. The portrait that emerges is of a man more divided and complex--though no less heroic--than the Shaw depicted in the celebrated film Glory. The pampered son of wealthy Boston abolitionists, Shaw was no abolitionist himself, but he was among the first patriots to respond to Lincoln's call for troops after the attack on Fort Sumter. After Cedar Mountain and Antietam, Shaw knew the carnage of war firsthand. Describing nightfall on the Antietam battlefield, he wrote, "the crickets chirped, and the frogs croaked, just as if nothing unusual had happened all day long, and presently the stars came out bright, and we lay down among the dead, and slept soundly until daylight. There were twenty dead bodies within a rod of me." When Federal war aims shifted from an emphasis on restoring the Union to the higher goal of emancipation for four million slaves, Shaw's mother pressured her son into accepting the command of the North's vanguard black regiment, the Fifty-fourth Massachusetts. A paternalist who never fully reconciled his own prejudices about black inferiority, Shaw assumed the command with great reluctance. Yet, as he trained his recruits in Readville, Massachusetts, during the early months of 1963, he came to respect their pluck and dedication. "There is not the least doubt," he wrote his mother, "that we shall leave the state, with as good a regiment, as any that has marched." Despite such expressions of confidence, Shaw in fact continued to worry about how well his troops would perform under fire. The ultimate test came in South Carolina in July 1863, when the Fifty-fourth led a brave but ill-fated charge on Fort Wagner, at the approach to Charleston Harbor. As Shaw waved his sword and urged his men forward, an enemy bullet felled him on the fort's parapet. A few hours later the Confederates dumped his body into a mass grave with the bodies of twenty of his men. Although the assault was a failure from a military standpoint, it proved the proposition to which Shaw had reluctantly dedicated himself when he took command of the Fifty-fourth: that black soldiers could indeed be fighting men. By year's end, sixty new black regiments were being organized. A previous selection of Shaw's correspondence was privately published by his family in 1864. For this volume, Russell Duncan has restored many passages omitted from the earlier edition and has provided detailed explanatory notes to the letters. In addition he has written a lengthy biographical essay that places the young colonel and his regiment in historical context.

As controversial in politics as he was in the military, Ulysses S. Grant (1822–1885) was an embattled president, enormously popular with the American people, yet the target of unrelenting censure by political enemies. For the first time in almost a century, this book by the distinguished historian Charles W. Calhoun examines Grant's administration in depth, offering a fresh look at the 18th president's policies and actions during his two terms in office (1869–1877). Most biographers focus on Grant's military career, giving less attention to the significant and complex questions that marked his presidential terms. These concerns, the issues of politics and governance, are at the core of this book. As a political historian with a vast knowledge of nineteenth-century America and an extensive array of original sources at his command, Calhoun approaches Grant's presidency not as an incongruous or inconsequential sequel to his military career but instead as the polestar of American public life during a crucial decade in the nation's political development. He explores Grant's leadership style and traces his contributions to the office of president, including creating a White House staff, employing modern technology to promote the mobility of the presidency, and developing strong ties with congressional leaders to enhance executive influence over legislation. The Presidency of Ulysses S. Grant provides a detailed discussion of the administration's endeavors in a variety of areas—Reconstruction and civil rights, economic policy, the Peace Policy for Native Americans, foreign policy, and civil service reform. It also offers a straightforward examination of the scandals associated with the period, highlighting the “embattled” nature of Grant's presidency and the deep antagonism that marked his relations with key critics such as Charles Sumner, Henry Adams, and Benjamin Bristow. In sum, this book is a long overdue re-evaluation of a pivotal presidency in America's political history.

Please note: This is a companion version & not the original book. Sample Book Insights: #1 I was detained in St. Louis longer than I expected, and to make time pass pleasantly I visited with Joe Shurds and had a long talk about the usual topics. Nothing in particular, but matters generally. #2 Julia’s brother, Frederick T. Dent, was a second lieutenant in Grant’s regiment, the 4th Infantry. Her father, Frederick F. Dent, was a military title holder. Her mother, Ellen Wrenshall Dent, was a teacher. #3 I wrote the letter you wanted me to, and which I have long thought was a duty to write. You can barely imagine the embarrassment I felt in writing such a letter, even in beginning the first line. You must not laugh at it Julia, for you have the opportunity to read it before it is delivered. #4 The letter that Mr. Porter was waiting for was from Mark Twain. He was postmaster, and he asked that Mark Twain write him again, as he wanted to know if the letters were for him.

The New York Times bestselling author of Mrs. Lincoln's Dressmaker and Mrs. Lincoln's Rival imagines the inner life of Julia Grant, beloved as a Civil War general’s wife and the First Lady, yet who grappled with a profound and complex relationship with the slave who was her namesake—until she forged a proud identity of her own. In 1844, Missouri belle Julia Dent met dazzling horseman Lieutenant Ulysses S Grant. Four years passed before their parents permitted them to wed, and the groom’s abolitionist family refused to attend the ceremony. Since childhood, Julia owned as a slave another Julia, known as Jule. Jule guarded her mistress’s closely held twin secrets: She had perilously poor vision but was gifted with prophetic sight. So it was that Jule became Julia’s eyes to the world. And what a world it was, marked by gathering clouds of war. The Grants vowed never to be separated, but as Ulysses rose through the ranks—becoming general in chief of the Union Army—so did the stakes of their pact. During the war, Julia would travel, often in the company of Jule and the four Grant children, facing unreliable transportation and certain danger to be at her husband’s side. Yet Julia and Jule saw two different wars. While Julia spoke out for women—Union and Confederate—she continued to hold Jule as a slave behind Union lines. Upon the signing of the Emancipation Proclamation, Jule claimed her freedom and rose to prominence as a businesswoman in her own right, taking the honorary title Madame. The two women’s paths continued to cross throughout the Grants’ White House years in Washington, DC, and later in New York City, the site of Grant’s Tomb. Mrs. Grant and Madame Jule is the first novel to chronicle this singular relationship, bound by sight and shadow.