Edward Hopper (1882-1967), long recognized as the premier 20th-century American realist painter, was famously introverted and reclusive. He rarely spoke about his personal life, and his close friends were few and love interests fewer. Until now, there have been only two known romantic pursuits prior to Hopper's marriage to Josephine Nivison in 1924: a brief relationship in Paris with an English girl in 1906-7 and another spanning several years with an older French woman beginning in New York in 1915. The discovery of fifty-eight previously unknown letters and one note from Alta Hilsdale (1884-1948) to Hopper brings to light a previously unknown romantic relationship. Hilsdale, who was from Minnesota and spent time in New York and Paris, sent letters to Hopper at various home and studio addresses during the course of ten years. Reverend Arthayer Sanborn, a close friend of Edward and Josephine Hopper, discovered the letters in Hopper's childhood home in Nyack, New York, after the artist's death. Fewer than ten people have had the opportunity to read these letters, and they are published in their entirety for the first time in My Dear Mr. Hopper. Published in association with the Whitney Museum of American Art

“One of the most beautifully written books I've ever read. Kelly McMasters is a literary giant.”—Zibby Owens, Good Morning America A memoir in intimate essays navigating marriage and motherhood, art and ambition, grief and nostalgia, and the elusive concept of home. Kelly McMasters found herself in her midthirties living her fantasy: she’d moved with her husband, a painter, from New York City to rural Pennsylvania, where their children roamed idyllic acres in rainboots and diapers. The pastoral landscape and the bookshop they opened were restorative at first, for her and her marriage. But soon, she was quietly plotting her escape. In The Leaving Season, McMasters chronicles the heady rush of falling in love and carving out a life in the city, the slow dissolution of her relationship in an isolated farmhouse, and the complexities of making a new home for herself and her children as a single parent. She delves into the tricky and often devastating balance between seeing and being seen; loss and longing; desire and doubt; and the paradox of leaving what you love in order to survive. Whether considering masculinity in the countryside through the life of a freemartin calf, the vulnerability of new motherhood in the wake of a car crash, or the power of community pulsing through an independent bookshop, The Leaving Season finds in every ending a new beginning.

Oscar Wilde was already one of the best known literary figures in Britain when he was persuaded to turn his extraordinary talents to the theatre. Between 1891 and 1895 he produced a sequence of distinctive plays which spearheaded the dramatic renaissance of the 1890s and retain their power today. The social comedies, Lady Windermere's Fan, A Woman of No Importance, and An Ideal Husband, offer a moving as well as witty dissection of society and its morals, with a sharp focus on sexual politics. By contrast, the experimental, symbolist Salome, written originally in French, was banned for public performance by the English censor. His final dramatic triumph was his `trivial' comedy for serious people, The Importance of Being Earnest' arguably the greatest farcical comedy in English. Under the General Editorship of Dr Michael Cordner of the University of York, the texts of the plays have been newly edited and are presented with modernized spelling and punctuation. In addition, there is a scholarly introduction and detailed annotation. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

This series presents students with a library of outstanding plays, many of which are otherwise unobtainable, or available only in out-of-date or unannotated editions. The texts are newly edited, with modernized spelling and punctuation where appropriate; and there are scholarly introductions and annotation. Oscar Wilde was already one of the best-known literary figures in Britain when he was persuaded to turn his extraordinary talents to the theatre. Between 1891 and 1895 he produced a sequence of distinctive plays which spearheaded the dramatic renaissance of the 1890s, and retain their power today. The social comedies, Lady Windermere's Fan, A Woman of No Importance, and An Ideal Husband, offer a moving as well as witty dissection of society and its morals, with a sharp focus on sexual politics. By contrast, the experimental, symbolist Salome, written originally in French, was banned for public performance by the English censor. Wilde's final dramatic triumph was his 'trivial' comedy for serious people, The Importance of Being Earnest, arguably the greatest farcical comedy in English.