A collection of over a hundred writing tips gleaned from fifty popular writing books. Chapters are devoted to each key strategy. Author expands and contextualizes original authors' suggestions and shares how each tip helped other authors improve their skills.

In his books and in a string of wide-ranging and inventive essays, Luc Sante has shown himself to be not only one of our pre-eminent stylists, but also a critic of uncommon power and range. Kill All Your Darlings is the first collection of Sante's...

ABC’s DESPERATE HOUSEWIVES meets HBO’s DEXTER, MY DARLINGS by Marie Still is a chilling suburban noir set in the deceptively serene Washington D.C. suburbs, where a respected philanthropist and PTO president's secret life as a serial killer enthralls readers seeking a deep, psychological thrill. No one was supposed to know. I've always been so careful. My Darlings, how did we get here? Evil lurks behind the perfectly manicured lawns, ornate iron gates, and long winding driveways of affluent DC–but not for long. Stay-at-home mom Eloise Williams is PTO president and a respected local philanthropist who sits on the boards of many distinguished charities. In addition to being a doting wife and mother, she is also a serial killer. But Eloise isn’t the only lady in society playing a part. As the hidden lives of Eloise's inner circle are exposed, the body count rises. When stalker becomes prey, Eloise desperately clings to control. Money and power can only buy influence and safety for so long. Eventually, the curtains lift, exposing the chilling reality hiding in plain sight. This dark thriller has numerous content warnings: child death, suicide, hazing, bullying, murder, infidelity, brutal slayings, domestic abuse/violence, child abuse, torture

My Darlings is a memoir of the rollicking life and times of the grande dame of Oakland, Florida—from growing up in the frontier town of Denver, to studying voice in the big city of Chicago, to pioneering in the backwoods of central Florida. Grace was born in 1884 in Denver and moved to Chicago around the turn of the century to study voice in hopes of becoming an opera singer. Instead, she married the delightful Charles Frederic Mather-Smith, twenty years her senior, and the newlyweds made their winter home in rural Oakland, Florida, when central Florida was still a primeval jungle teeming with wild animals and exotic flora just beginning to be tamed by homesteading farmers, ranchers, and fishermen. As Grace says, it was the hand of Destiny that led her new husband and her to Oakland, where Grace raised her family, shook up the community, and lived for more than fifty happy years. As recounted in her memoir, Grace was a devoted wife and mother, a pioneer, a community organizer, an opera singer, a midwife, a businesswoman, a philanthropist—and a great beauty whom men found irresistible. Grace was the first woman in Florida to drive a car; the owner of the first telephone and phonograph in Oakland, and of the first bathtub and flushing toilet in central Florida; and the first person to drive a car to the top of Pike’s Peak without a mechanic. Grace’s voice comes across loud and clear in her memoir, which is illustrated with more than 20 family photos. She was flamboyant, theatrical, uninhibited, adventurous, energetic, glamorous, exuberant, unconventional, willful, irrepressible, big-hearted, and generous to a fault. Her memoir quotes family and friends who describe Grace as being “like a thoroughbred horse … always out there in the limelight,” “born for the concert stage and the opera,” and “prone to gallivantin’ around.” She was larger than life—a force of nature—and has been likened to Auntie Mame. As Eve Bacon wrote in her book Oakland: The Early Years, Grace “hit staid little Oakland” like “a social bombshell.”

My aim … to rescue from oblivion the lives of ordinary people – Athol Fugard In 2005, Patricia Neate inherited a dusty Regency desk that had once belonged to her husband's great grandfather, George Augustus Macirone. Sagging under the weight of papers, it sat in the spare room, shedding rosewood veneer. Something had to be done. Patricia took a deep breath and opened it up. She pulled out a packet of yellowed letters, brown at the edges – scores of tiny envelopes addressed to George Macirone, George Augustus’s father, at a place called Heigham Hall. On an impulse she looked it up straight away. It had been a private Lunatic Asylum. She sat down to read there and then. Patricia began to pick her way through a treasure trove of family letters spanning the reign of Queen Victoria. It contained vivid stories – from a first hand account of the young Queen’s wedding to a plan to spring Napoleon from St Helena via brushes with cultural icons like Dickens, Keats and Mendelssohn. But, the most gripping were the personal ones – of mental illness and manic invention, grand houses and debtors’ prison, flawed hopes of colonial emigration, and the religious schisms that almost tore the Macirones apart. And through them all ran the lives of George Augustus’s sisters, Clara and Emily, who sacrificed any hope of romantic love or children to support their family – two enterprising, resilient, talented women, two notable omissions from “Good Night Stories for Rebel Girls”! More than a decade later, Patricia completed “All My Darlings”. It is a remarkable achievement: a quotidian tale of Victorian life, a vital social history, and a simple family portrait - open-ended, unguarded and brimming with humanity.

"the true story of motherhood, mental illness, and two charges of murder in the first degree"--P. [4] of cover.

A literary cookbook that celebrates food and poetry, two of life's essential ingredients. In the same way that salt seasons ingredients to bring out their flavors, poetry seasons our lives; when celebrated together, our everyday moments and meals are richer and more meaningful. The twenty-five inspiring poems in this book—from such poets as Marge Piercy, Louise Glück, Mark Strand, Mary Oliver, Billy Collins, Jane Hirshfield—are accompanied by seventy-five recipes that bring the richness of words to life in our kitchen, on our plate, and through our palate. Eat This Poem opens us up to fresh ways of accessing poetry and lends new meaning to the foods we cook.