"My Cave Life in Vicksburg" is a first-hand account of the deprivations suffered by the civilian population during the Union army siege of the city of Vicksburg. The book is based on the diary author kept during the siege. Loughborough's books is one of the best sources of information about the everyday life of the civilians in occupied areas during the civil War

My Cave Life in Vicksburg by Mary Ann Webster Loughborough who was 26 years old when the siege of Vicksburg razed her hometown to the ground. She writes passionately and with Christian faith about her life in a cave during dangerous war times. Contents: "Our Party set out for Vicksburg—The Ride and Scenery—Scenes during the first Bombardment—View of the City and River—Opening of a Battery—The Enemy, At Night the Signal Gun sounds—The Gunboats are coming down..."

Madison & Adams Press presents the Civil War Memories Series. This meticulous selection of the firsthand accounts, memoirs and diaries is specially comprised for Civil War enthusiasts and all people curious about the personal accounts and true life stories of the unknown soldiers, the well known commanders, politicians, nurses and civilians amidst the war. "My Cave Life in Vicksburg" is a first-hand account of the deprivations suffered by the civilian population during the Union army siege of the city of Vicksburg. The book is based on the diary author kept during the siege. Loughborough's books is one of the best sources of information about the everyday life of the civilians in occupied areas during the civil War

From a critically acclaimed cultural and literary critic, a definitive history and analysis of the memoir. From Saint Augustine?s Confessions to Augusten Burroughs?s Running with Scissors, from Julius Caesar to Ulysses Grant, from Mark Twain to David Sedaris, the art of memoir has had a fascinating life, and deserves its own biography. Cultural and literary critic Ben Yagoda traces the memoir from its birth in early Christian writings and Roman generals? journals all the way up to the banner year of 2007, which saw memoirs from and about dogs, rock stars, bad dads, good dads, alternadads, waitresses, George Foreman, Iranian women, and a slew of other illustrious persons (and animals). In a time when memoir seems ubiquitous and is still highly controversial, Yagoda tackles the autobiography and memoir in all its forms and iterations. He discusses the fraudulent memoir and provides many examples from the past?and addresses the ramifications and consequences of these books. Spanning decades and nations, styles and subjects, he analyzes the hallmark memoirs of the Western tradition?Rousseau, Ben Franklin, Henry Adams, Gertrude Stein, Edward Gibbon, among others. Yagoda also describes historical trends, such as Native American captive memoirs, slave narratives, courtier dramas (where one had to pay to NOT be included in a courtesan?s memoir). Throughout, the idea of memory and truth, how we remember and how well we remember lives, is intimately explored. Yagoda's elegant examination of memoir is at once a history of literature and taste, and an absorbing glimpse into what humans find interesting--one another.

For more information, including a full list of entries, a generous selection of sample entries, and more, visit the Women During the Civil War website. Women During theCivil War: An Encyclopedia is the first A-Z reference work to offer a panoramic presentation of the contributions, achievements, and personal stories of American women during one of the most turbulent eras of the nation's history. Incorporating the most recent scholarship as well as excerpts from diaries, letters, newspapers, and other primary source documents, this Encyclopedia encompasses the wartime experiences of famous and lesser-known women of all ethnic groups and social backgrounds throughout the United States during the Civil War era.

The nineteenth century was a period of science and imagery: when scientific theories and discoveries challenged longstanding boundaries between animal, plant, and human, and when art and visual culture produced new notions about the place of the human in the natural world. Just as scientists relied on graphic representation to conceptualize their ideas, artists moved seamlessly between scientific debate and creative expression to support or contradict popular scientific theories—such as Darwin’s theory of evolution and sexual selection—deliberately drawing on concepts in ways that allowed them to refute popular claims or disrupt conventional knowledges. Focusing on the close kinship between the arts and sciences during the Victorian period, the art historians contributing to this volume reveal the unique ways in which nineteenth-century British and American visual culture participated in making science, and in which science informed art at a crucial moment in the history of the development of the modern world. Together, they explore topics in geology, meteorology, medicine, anatomy, evolution, and zoology, as well as a range of media from photography to oil painting. They remind us that science and art are not tightly compartmentalized, separate influences. Rather, these are fields that share forms, manifest as waves, layers, lines, or geometries; that invest in the idea of the evolution of form; and that generate surprisingly kindred responses, such as pain, pleasure, empathy, and sympathy.