Recent scholarship has vanquished the traditional perception of nineteenth-century Britain as a musical wasteland. In addition to attempting more balanced assessments of the achievements of British composers of this period, scholars have begun to explore the web of reciprocal relationships between the societal, economic and cultural dynamics arising from the industrial revolution, the Napoleonic wars, and the ever-changing contours of British music publishing, music consumption, concert life, instrument design, performance practice, pedagogy and composition. Muzio Clementi (1752–1832) provides an ideal case-study for continued exploration of this web of relationships. Based in London for much of his life, whilst still maintaining contact with continental developments, Clementi achieved notable success in a diversity of activities that centred mainly on the piano. The present book explores Clementi’s multivalent contribution to piano performance, pedagogy, composition and manufacture in relation to British musical life and its international dimensions. An overriding purpose is to interrogate when, how and to what extent a distinctive British musical culture emerged in the early nineteenth century. Much recent work on Clementi has centred on the Italian National Edition of his complete works (MiBACT); several chapters report on this project, whilst continuing to pursue the book’s broader themes.

This exciting edition contains 100 early intermediate selections in their original form, spanning the Baroque period to present day. The repertoire, which includes several minuets, folk dances, character pieces and much more, has been carefully graded and selected for student appeal by editor Lynn Freeman Olson.

A piano course for beginners of all ages. Alfred's Basic Piano Library offers 4 complete beginning piano methods that use the same eclectic reading approach (with a focus on intervals). However, the grading, songs, illustrations, covers and names of the courses are all different.

Mastery of these pieces will give students valuable insight into the style and performance of the music of the Classical period, specifically that of Clementi. Editorial suggestions are in light print to clearly distinguish them from Clementi' indications and include notations for fingering, pedaling and metronome use.

Muzio Clementi's Introduction to the Art of Playing on the Piano Forte (Op. 42) was specifically written for the piano and first published in 1801. Beethoven himself recommended and endorsed this method, and Chopin used it with his students. It includes a collection of 50 short pieces for beginners written by eminent composers such as Mozart, Haydn, J.S. Bach and Beethoven, which, combined with the conciseness of the tutorial itself, make this book a remarkable teaching tool. Recommended for every serious piano student looking to build a strong foundation of knowledge.

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