In 1789, King Chongjo, ruler of the Yi dynasty, ordered General Yi Duk-moo to compile an official textbook on all martial art forms then present in Korea to preserve them for future generations. The result, the Muye Dobo Tongji, is the only surviving classical text on the Korean arts of war. Based on the earliest known Korean martial arts treatise, the Muye Chebo written in 1599, the Muye Dobo Tongji clearly shows the influence of the neighbouring Japanese and Chinese armies. Through hundreds of wars and invasions, Korean soldiers adapted battlefield skills and tactics from their enemies, creating a unique system of their own. Organised into 24 distinct disciplines comprised of empty hand fighting, weaponry and horsemanship, this book is an accurate historical snapshot of the warrior arts of the hermit kingdom in the late 18th century. The release of 'The Comprehensive Illustrated Manual of Martial Arts of Ancient Korea' marks the first time this volume is available in English. Carefully translated from the original text and illustrated with reproductions of ancient woodblock carvings, this book provides fascinating insights into Korea's martial arts legacy.

This is a translation of the Muye Dobo Tongji, long considered a definitive early classic of the martial arts of Korea. The release of The Comprehensive Illustrated Manual of Martial Arts of Ancient Korea marks the first time this volume is available in English. Extensively illustrated with the original 18th century woodblock prints, it will be of interest to martial artists and military historians alike.

When people discuss Korean martial arts, they rarely mention taekyon. They are usually totally unfamiliar with the name because there hasn’t been much written about it. The four chapters in this anthology give an excellent overview of taekyon as a system noted for it’s dance-like qualities and combative style, especially for leg techniques. Taekyon stands unique as it represents most closely to a pure Korean martial tradition. Chapter one by Stanley Henning gives a detailed overview of martial arts in Korea. From the beginning, Korean martial arts were intertwined with those of China. Even the historical references to Korean martial arts are all in Chinese. The author concludes that traditional Korean martial arts are but a vague memory, with taekyon being the sole survivor. In the next chapter, Robert Young skillfully presents what is known about taekyon. With over 150 years of verifiable history, taekyon is the most thoroughly documented of Korean martial arts. Its skills and techniques greatly differ from those of other modern Korean styles. It is the only plausible candidate for the descendant of ancient subak. This well-researched chapter includes theory and techniques and lineage chart. Dr. Willy Pieter expands upon the historical development of Korean martial sports as presented by Young. There is an emphasis on the hwarang (“flower boy”) and their presence in Korean culture and martial traditions in particular. The etymology of Korean martial systems are questioned. The final chapter by Yung Ouyang offers a fuller picture of what taekyon represents as a moving art. Traditionally, taekyon was a game as well as a martial art, so many did not credit taekyon for its combative elements. It has largely been ignored by those interested in the fighting arts. It is gaining recognition as a legitimate heir to the traditional Korean martial arts, but is also undergoing influences from Japanese traditions and Western sports. Taekyon deserves to be recognized for its uniqueness among the martial arts of Asia. This anthology will serve as solid reference for all interested in the Korean combative traditions, and especially taekyon for its aesthetic appeal as a form of dance and graceful yet powerful combative method.

Most of what are referred to as Korean martial art styles are actually derived from Japanese/Okinawan karate systems or find their roots in Chinese boxing. The Korean peninsula has existed as a fragile territory between China and Japan and thus shared many cultural elements from their neighbors. To what degree has the Japanese and Chinese arts influenced those practiced in Korea over the centuries? Can we distinguish any original Korean martial art style? Chapters in this anthology are derived from the Journal of Asian Martial Arts specifically in response to such questions as asked above. The authors provide great detail on the military/martial manuals that recorded both battlefield arts and personal combative arts and use these sources to give a picture of the martial traditions practiced in Korea for hundreds of years. In chapter one, Stanley Henning provides an excellent overview of martial arts in Korea since the earliest dynasties. These include bare-hand arts as well as those with weaponry. His overview illuminates the time and place of highly influential military manuals as discussed in the chapter by Manuel Adrogué. John Della Pia’s two chapters focus on a particular manual—the Muye Dobo Tongji (1790)—providing details of open-hand and weapons training, in particular with the unique Korean “native sword.” Two chapters provide the theory and practice of qigong methods for health and martial effectiveness. Dr. Patrick Massey et al. offer results on the use of breathing methods affecting lung capacity. Sean Bradley’s chapter goes deeply into the medical theories that parallel the practice of Sinmoo Hapkido’s qigong methods. The final two chapters focus on practical fighting applications from Hapkido. Marc Tedeschi’s chapter provides sound advice for self-defense against multiple opponents. In addition to detailing principles that give any defender a helpful advantage, Tedeschi shows nineteen examples of techniques against two, three, and four opponents that include pressure point striking, throws, arm bars, locks, and a variety of kicks. In the closing chapter, Sean Bradley discusses a few of his favorite techniques, where he learned them, and why they are memorable. Rich in historical details and practical advice, this anthology will prove to be a prized reference work to all interested in the Korean martial traditions.

Grandmasters Kyu Hung Lee and Sang H. Kim have combined their extensive taekwondo knowledge to teach you not only the 25 official taekwondo poomsae, but the meaning of the forms, the principles of Poomsae performance and the philosophy that underlies the techniques. -- from Amazon.com.

"Jixiao Xinshu" is a comprehensive military warfare manual, written by Ming Dynasty General Qi Jiguang in 1560. It consisted of chapters on Spear fighting, Archery, terrain, troops formation etc... One of the chapters is "Quanjing Jieyao", which contains 32 unarmed fighting stances for soldiers' training. There has been multiple attempts by various people to translate this ancient Chinese Fist manual. The ones which I've read are usually translating them literally. In order to make the translation & interpretation more meaningful, I've seeked to discover the core principles behind each of these 32 unarmed fighting stances. In this book, you'll see how these principles can be applied to any martial arts style, or any weapon. By training in these 32 martial principles, it will provide a complete & holistic training for a warrior, medieval or modern. I believe that my work in this book will help you in advancing your martial arts practice, no matter which fighting style you're from.

There’s plenty of good reasons that millions of people around the world study martial arts. Besides the fact you can get a great workout when you study a martial art, you may also experience a rewarding balance between your mind, body, and spirit that you just won’t find anywhere else. Plus, it can be a lot of fun! No matter what shape you’re in, martial arts is a great way to drop extra pounds, learn to defend yourself, and develop personal and physical discipline. Whether you’re already studying a style of fighting or you’re just considering it, you’ll find everything you need to know in this helpful, friendly guide (including which movies to check out!). The book breaks down the differences and presents the basics of each style of fighting, so you can make an informed choice about which style you want to study. You’ll also find out what makes for a good instructor, so you can be sure that you’re learning from the best. And there’s much more. You’ll find out: What martial arts is and is not Five resolutions you must accept Understanding the role of the instructor How to set goals for yourself All about the proper clothes, shoes, and equipment How to prevent injuries The philosophy of self defense All about competing in tournaments About Meditation and breathing techniques The lowdown on weapons There’s also a helpful glossary of foreign-language terminology that you’ll frequently encounter in the dojo – that’s the training hall – so you’ll always be prepared. Whether you’re looking for a new way to get in shape, or a new way to sharpen your mind, Martial Arts For Dummies is all you need to get started in Karate, Kung Fu, Tae Kwon Do, or any other style!