This exploration of the environmental practices of Benito Mussolini’s fascist regime invites readers to consider the ecological connections of all political projects. “We might think we see a mountain while it was a war; a forest can actually be an engine; a monument to workers might reflect the violence of a colonial empire.”—extracted from Mussolini’s Nature In this first environmental history of Italian fascism, Marco Armiero, Roberta Biasillo, and Wilko Graf von Hardenberg reveal that nature and fascist rhetoric are inextricable. Mussolini’s Nature explores fascist political ecologies, or rather the practices and narratives through which the regime constructed imaginary and material ecologies functional to its political project. The book does not pursue the ghost of a green Mussolini by counting how many national parks were created during the regime or how many trees planted. Instead, the reader is trained to recognize fascist political ecology in Mussolini’s speeches, reclaimed landscapes, policies of economic self-sufficiency, propaganda documentaries, reforested areas, and in the environmental transformation of its colonial holdings. The authors conclude with an examination of the role of fascist landscapes in the country’s postwar reconstruction: Mussolini’s nature is still visible today through plaques, monuments, toponomy, and the shapes of landscapes. This original, and surprisingly intimate, environmental history is not merely a chronicle of conservation in fascist Italy but also an invitation to consider the socioecological connections of all political projects.

Analyzes the systematic imprisonment and torture of 'hostile' civilians, including Jews, Slavs, and dissidents. Using case studies and comparisons with the Nazis, studies the persecution and sometimes mass murder of Italians by their Fascist compatriots.

Between 1930 and 1939, the Pontine Marshes became the target of massive national investment, internal migration (often non-voluntary), and engineering work. Written by an Oxford University professor, this book explores the architectural and urban planning aspects of the totalitarian minds which devised and built the new cities.

The first exploration of how Mussolini employed population settlement inside the nation and across the empire to strengthen Italian sovereignty.

The true nature of Mussolini's foreign policy during the late interwar period has been the subject of considerable controversy. Was Mussolini in reality pro-British, even as late as June 1940; or was his international policy more sinister and based on conquering a Fascist empire in North Africa and the Middle East? Robert Mallett makes use of much new archival evidence in order to answer this riddle of interwar history. Mallett argues that Mussolini had harboured imperial designs in the Mediterranean and Red Sea from as early as 1919, but that not until 1933, with the rise of Hitler, was it possible for Fascist Italy to pursue a programme of territorial expansion. Previously unpublished material also casts new light on the Nazi-Fascist relationship, revealing it to be at times paranoid, acrimonious and duplicitous on both sides. Although the book focuses on Italian policy, it provides an important reassessment of the Ethiopian Crisis, the Spanish Civil War, the Austro-German Anschluss, Munich and the run up to the Second World War. Mallett shows that it is erroneous to place excessive emphasis on the role of Adolf Hitler in subverting the interwar international order, and demonstrates that Mussolini was heavily implicated in the global conflict that erupted in September 1939.

This richly textured cultural history of Italian fascism traces the narrative path that accompanied the making of the regime and the construction of Mussolini's power. Simonetta Falasca-Zamponi reads fascist myths, rituals, images, and speeches as texts that tell the story of fascism. Linking Mussolini's elaboration of a new ruling style to the shaping of the regime's identity, she finds that in searching for symbolic means and forms that would represent its political novelty, fascism in fact brought itself into being, creating its own power and history. Falasca-Zamponi argues that an aesthetically founded notion of politics guided fascist power's historical unfolding and determined the fascist regime's violent understanding of social relations, its desensitized and dehumanized claims to creation, its privileging of form over ethical norms, and ultimately its truly totalitarian nature.

This is the original Doctrine of Fascism. This doctrine worked as the basis of the Italian Fascist Party and influenced numerous fascist movements and individuals that followed. "Fascism, the more it considers and observes the future and the development of humanity quite apart from political considerations of the moment, believes neither in the possibility nor the utility of perpetual peace. It thus repudiates the doctrine of Pacifism - born of a renunciation of the struggle and an act of cowardice in the face of sacrifice. War alone brings up to its highest tension all human energy and puts the stamp of nobility upon the peoples who have courage to meet it." -Mussolini