The three essays in this volume give a graphic account of Indian Muslim festivals in the nineteeth century, as observed by the participants themselves. The majority of these participants were Hindus who added their own practices to these supposedly Islamic events. The French Indologist de Tassy adds his own pungent comments to those of his sources, thus providing in this volume a fascinating interplay of cultural perspectives. This is the first translation into English of this classic nineteenth-century French work.

This book highlights the history of Islamic popular devotional art and visual culture in 20th-century India, weaving the personal narrative of the author’s journey through his understanding of the faith. It begins with an introductory exploration of how the basic and universal image of Mecca and Medina may have been imported into Indian popular print culture and what variants it resulted in here. Besides providing a historical context of the pre-print culture of popular Muslim visuality, the book also explores the impact the 1947 Partition of India may have made on the calendar art in South Asia. A significant portion of the book focuses on the contemporary prints of different localised images found in India and what role these play in the users’ lives, especially in the augmentation of their popular faith and cultural practices. The volume also compares the images published in India with some of those available in Pakistan to reflect different socio-political trajectories. Finally, it discusses why such a vibrant visual culture continues to thrive among South Asian Muslims despite the questions raised by the orthodoxy on its legitimacy in Islam, and why images and popular visual cultures are inevitable for popular piety despite the orthodox Muslims’ increasing dissociation from them. This work is one of the first books on Indian Muslim poster art, with rare images and simple narratives, anecdotes about rituals, ceremonies and cultural traditions running parallel to research findings. This second edition contains a new Afterword that discusses challenges to religious plurality arising on account of changing political landscapes, economic liberalisation, technology and new media, and socio-religious developments. It will appeal to the lay reader as well as the specialist and will be especially useful to researchers and scholars in popular culture, media and cultural studies, visual art and performance studies, and sociology and social anthropology.

This study is about a popular manifestation of Islamic devotion that embraces a pluralist setting, keeping itself in a dynamic dialogue with non-Muslim practices. With evidence from various public devotional narratives and ritual practices, the author argues that even universal understanding of living Islam remains incomplete if we do not consider this locally produced pluralised devotional setting that surrounds it. He seeks to address various aspects of local and localised Islam through an examination of Gugudu's local and popular transformation of normative Islam, giving particular focus to the various devotional rituals that blend Muslim and Hindu practices in the public event of Muharram.

Sufism is often regarded as standing mystically aloof from its wider cultural settings. By turning this perspective on its head, Indian Sufism since the Seventeenth Century reveals the politics and poetry of Indian Sufism through the study of Islamic sainthood in the midst of a cosmopolitan Indian society comprising migrants, soldiers, litterateurs and princes. Placing the mystical traditions of Indian Islam within their cultural contexts, this interesting study focuses on the shrines of four Sufi saints in the neglected Deccan region and their changing roles under the rule of the Mughals, the Nizams of Haydarabad and, after 1948, the Indian nation. In particular Green studies the city of Awrangabad, examining the vibrant intellectual and cultural history of this city as part of the independent state of Haydarabad. He employs a combination of historical texts and anthropological fieldwork, which provide a fresh perspective on developments of devotional Islam in South Asia over the past three centuries, giving a fuller understanding of Sufism and Muslim saints in South Asia.

This innovative book explores of the grandest and longest lastingempire in Indian history. Examines the history of the Mughal presence in India from 1526to the mid-eighteenth century Creates a new framework for understanding the Mughal empire byaddressing themes that have not been explored before. Subtly traces the legacy of the Mughals’ world intoday’s India.

Few topics in South Asian history are as contentious as that of the Turkic conquest of the Indian subcontinent that began in the twelfth century and led to a long period of Muslim rule. How is a historian supposed to write honestly about the bloody history of the conquest without falling into communitarian traps? Conquest and Community is Shahid Amin's answer. Covering more than eight hundred years of history, the book centers on the enduringly popular saint Ghazi Miyan, a youthful soldier of Islam whose shrines are found all over India. Amin details the warrior saint’s legendary exploits, then tracks the many ways he has been commemorated in the centuries since. The intriguing stories, ballads, and proverbs that grew up around Ghazi Miyan were, Amin shows, a way of domesticating the conquest—recognizing past conflicts and differences but nevertheless bringing diverse groups together into a community of devotees. What seems at first glance to be the story of one mythical figure becomes an allegory for the history of Hindu-Muslim relations over an astonishingly long period of time, and a timely contribution to current political and historical debates.

The reciprocal relationship between colonialists and the colonised people of India, during the crucial period from 1760 to 1860, provides fascinating study material. This edited volume explores cultural colonialism by focussing on the ambivalent processes of reciprocal perceptions.