Musically Inclined Personality and Behaviour – The Unknown Connection reveals all sorts of the mysterious impact of music that happens on your personality and behaviour through the different stages of life from infants to your senior citizens. Individual differences in the strength of music preference are among the most intricate psychological phenomena. While one person gets by very well without music, another person needs to listen to music every day. Where do these differences come from? This book highlights all these mystical and occult impacts and effects of the strength of music preference. It is mainly informed by the functions that music fulfils in people’s lives to regulate emotions, moods, or physiological arousal to promote self-awareness, foster social relatedness, the love life, the relationship and much more. This book does not deal with any specific style of music, but music in general. It also deals with the music inclination of an individual and how it helps to cope with problems like anxiety, stress, insomnia, depression, personality and behaviour problems, etc. It also provides a brief introduction to the origin of Indian Music.

"Healing Notes: Power of Music and Music Therapy - Path to Wellness" offers a resounding reminder of the timeless and universal harmony that transcends boundaries and touches the deepest corners of our souls. Dr. Shveata Mishra invites you on a symphonic odyssey exploring the profound language of music—a force that heals and transforms our existence. Discover how music can be your refuge, guiding you to heal from stress, anxiety, depression, and insomnia, leading you toward a more productive and harmonious life. Dr. Mishra's expertise will empower you to choose the perfect melodies to accompany your emotions, allowing music to be your trusted companion on your journey to self-healing. Learn the intricacies of human body and sleep science, and uncover the profound connection between music and our well-being. This book reveals that the music we often casually consume is not merely entertainment; it's a potent tool that moulds your conscious and unconscious mind, shaping your emotions and thoughts without your notice. "Healing Notes" is more than a book; it is an opus, an anthem to the boundless potential of human existence harmonised with the rhythms of music and the resonance of healing. Join this symphony of transformation, and let the power of music rekindle hope, mend broken spirits, and elevate your soul. Embark on a journey where music becomes a catalyst for profound well-being. Feel the resonance, embrace the symphony, and experience a transformative power like no other. Your melody of a healthier and more melodious life awaits within these pages.

This gives me an immense pleasure to announce that ‘RED’SHINE Publication, Inc’ is coming out with its third volume of peer reviewed, international journal named as ‘The International Journal of Indian Psychology. IJIP Journal of Studies‘is a humble effort to come out with an affordable option of a low cost publication journal and high quality of publication services, at no profit no loss basis, with the objective of helping young, genius, scholars and seasoned academicians to show their psychological research works to the world at large and also to fulfill their academic aspirations.

This book, the first full-length text on the subject, explores the everyday use of music listening while driving a car. It presents the relationship between cars and music in an effort to understand how music behaviour in the car can either enhance driver safety or place the driver at increased risk of accidents. A great deal of work has been done to investigate and reduce driver distraction and inattention, but this book is the first to focus on in-cabin aural backgrounds of music as a contributing factor to human error and traffic violations. Driving With Music begins by outlining the automobile, its relationship to society, and the juxtaposition of music with the automobile as a complete package. It then highlights concepts from the fields of music perception and cognition, and, within this framework, looks at the functional use of background music in our everyday lives. Driver music behaviours - both adaptive and maladaptive - are explored, with the focus on contradictions and ill-effects of in-car music listening. To conclude, implications, applications and countermeasures are suggested.

Building on her earlier work, 'The Power of Music: A Research Synthesis of the Impact of Actively Making Music on the Intellectual, Social and Personal Development of Children and Young People', this volume by Susan Hallam and Evangelos Himonides is an important new resource in the field of music education, practice, and psychology. A well-signposted text with helpful subheadings, 'The Power of Music: An Exploration of the Evidence' gathers and synthesises research in neuroscience, psychology, and education to develop our understanding of the effects of listening to and actively making music. Its chapters address music’s relationship with literacy and numeracy, transferable skills, its impact on social cohesion and personal wellbeing, as well as the roles that music plays in our everyday lives. Considering evidence from large population samples to individual case studies and across age groups, the authors also pose important methodological questions to the research community. 'The Power of Music' defends qualitative research against a requirement for randomised control trials that can obscure the diverse and often fraught contexts in which people of all ages and backgrounds are exposed to, and engage with, music. This magnificent and comprehensive volume allows the evidence about the power of music to speak for itself, thus providing an essential directory for those researching music education and its social, personal, and cognitive impact across human ages and experiences.

This book offers a range of trajectories of academic thought and musical practice in Turkey. It adopts a multidisciplinary approach, with chapters exploring the question posed by its title from the perspectives of ethnomusicology, historical musicology, neurology, psychology, social science, gender studies, acoustics, and linguistics. Some studies are experimental and scientific in nature, ranging from a friends focus on tonality, using EEG to investigate differences in the cognitive responses of musicians and non-musicians listening to tonal and atonal chords, to an examination of brain activation in response to reverberation time differences resulting from room acoustics. Another essay assesses the psychometric properties and effectiveness of the new Turkish version of the Music Performance Anxiety Inventory for Adolescents (MPAI-A), designed to survey performance anxiety and determine its severity in adolescent musicians. On a completely different tack, two studies investigate Turkey’s heavy metal scene. The first explores the social forces propelling the “moral panic” over Satanism and heavy metal, generated by the national press in response to a gory murder in the 1990s. Through field interviews, this study examines the impact of this on the public perception and stereotypes of metal fans, and its effects on the fans themselves. The second contribution examines gender codes within the global extreme metal scene, looking specifically at the barriers faced – and overcome – by female Turkish extreme metal musicians. Setting Turkish music practices today in their historical context, a further contribution offers a critical appraisal of the mission to “contemporize” music, expounded (though ineffectually carried out) by the founding ideologies of Early Republican Turkey. A similar chapter discusses how even Anatolian folk music, when examined more closely, caused consternation, looking at the change in the Turkish state’s attitude towards the multicultural structure of Anatolia during the last decade. The final article in this volume focuses on how Turkish musicians use the term “sound” – the English word, as borrowed in Turkish – to discuss elements of music. Beyond the physical meaning of the word, the essay explores the ways the word is used by musicians to describe the timbre of instruments, the production quality of recordings, the application of music technology, the aural aesthetics of an album, and the distinctive and unique elements of an artist's performance.