Start planning your schedule right now and stay inspired every day! This blank, undated, any year academic planner calendar begins whenever you want it to and is both a weekly planner and a monthly planner! Record all your important celebrations easily and never forget birthdays, anniversaries, or any special occasion that comes up! You have one year and 52 weeks to plan out! This large, undated 8.5 x 11 weekly and monthly calendar organizer will help keep your schedule organized and your plans tidy and together! Each month and week are printed on two page spreads to give you plenty of room to fill in your days. The weekly calendar is lined within each day to give you tons of space to add anything from reminders to meal plans to outfit ideas! Additionally, there's a Contacts List at the back where you can add your important contacts, as well as a note section for each month where you can list any additional information. Use this lightweight, paperback, undated planner as your life planner for every scheduling need that comes up- keep track of important events, organize your to-do list by dates, and keep track of work deadlines!

Perfect for those who love owls. This 2020 monthly/weekly planner is a great addition to the office or home. The cover features a colorful owl pattern with floral elements. Features of this planner include: Softbound Matte Cover Larger size with plenty of room to write One week per page Monthly Calendar pages Year at a glance calendars for 2020 with holidays Monthly goal pages preceding each month Notes pages in the back of the planner This planner is a great gift for those who love owls.

An Undated Daily Planner and Personal Organizer with Project Planners and To Do Lists

In this beautiful follow-up to Our Garden Birds, Our Songbirds and Our Woodland Birds, street artist Matt Sewell captures the world’s most evocative bird: the owl. In his much-loved pop-art watercolours and accompanied with his whimsical descriptions, Matt Sewell expresses the individual characters of owls as never before. From tiny Elf Owls to huge Eagle Owls, from the mysterious creatures of the night to an impossibly fluffy baby owl, they are undoubtedly one of the world’s most intriguing feathered friends. These wise, magical birds are otherworldly in their striking colours and stature, and it's not just birdwatchers who are obsessed. With 50 hand-selected, hand-painted owls, this is a delightful gift which appeals to owl lovers, bird-watching enthusiasts, children, adults and art and design fans alike.

In the late 19th century, orphaned Jim Burden is sent to the wilderness in Nebraska to live with his grandparents. He arrives at the same time as the Shimerda family, including the eldest daughter Ántonia, who becomes his closest neighbors. Life in the American West is tough, especially for the impoverished Shimerda family, and pioneers must struggle for survival. A friendship blossoms between Jim and Ántonia as they explore nature and have adventures together, a friendship that will last a lifetime. My Ántonia became an immediate success when first published and is today considered Willa Cather's first masterpiece. It is praised for its depiction of the American West and its ability to highlight the aspirations of ordinary, poor people in a time when it was customary to write about the elite. WILLA CATHER [1873-1947] was an American author. After studying at the University of Nebraska, she worked as a teacher and journalist. Cather's novels often focus on settlers in the USA with a particular emphasis on female pioneers. In 1923, she was awarded the Pulitzer Prize for the novel One of Ours, and in 1943, she was elected to the American Academy of Arts and Sciences.

It has become widely accepted among musicologists that medieval music is most profitably studied from interdisciplinary perspectives that situate it within broad cultural contexts. The origins of this consensus lie in a decisive reorientation of the field that began approximately four decades ago. For much of the twentieth century, research on medieval music had focused on the discovery and evaluation of musical and theoretical sources. The 1970s and 1980s, by contrast, witnessed calls for broader methodologies and more fully contextual approaches that in turn anticipated the emergence of the so-called 'New Musicology'. The fifteen essays in the present collection explore three interrelated areas of inquiry that proved particularly significant: the liturgy, sources (musical and archival), and musical symbolism. In so doing, these essays not only acknowledge past achievements but also illustrate how this broad, interdisciplinary approach remains a source for scholarly innovation.