This book provides a progressive curriculum for intermediate theory and sightreading intended to follow completion of Theory and Sightreading for Singers Level 1. It can be used in a classroom setting or as a complement to private study. The material is intended for middle-school aged students and older. Each lesson provides instruction on theory, a worksheet to reinforce the concepts, and a sightreading exercise to provide practical application of those concepts.

The Music Theory for Singers Series is geared specifically for voice students and singers. The series helps students understand the fundamentals of theory related to voice, apply it to the varied repertoire they learn throughout the year and become not only better singers, but also educated musicians. Music Theory for Singers Level 4 includes: Review of concepts in Level 3 Half Steps & Whole Steps Enharmonic Notes Sharp & Flat Key Signatures Triads Intervals (2nd-Octave) Rhythmic & Melodic Sight-singing Musical terms Composers Review Test Terms Levels 1-4 Diction for Singers

The Music Theory for Singers Series is geared specifically for voice students and singers. The series helps students understand the fundamentals of theory related to voice, apply it to the varied repertoire they learn throughout the year and become not only better singers, but also educated musicians. Music Theory for Singers Level 3 includes: Review of concepts in Level 2 The Natural Sign Eighth Notes/Rests Music Rhythm Tree Rhythm & Note Review Key Signatures Triads Intervals (6th/7th) Rhythmic & Melodic Sight-singing Diction/IPA Musical terms Composers Review Test Terms Levels 1-3

Choral Artistry provides a practical and organic approach to teaching choral singing and sight-reading. The text is grounded in current research from the fields of choral pedagogy, music theory, music perception and cognition. Topics include framing a choral curriculum based on the Kodály concept; launching the academic year for beginning, intermediate, and advanced choirs; building partwork skills; sight-reading; progressive music theory sequences for middle to college level choirs; teaching strategies; choral rehearsal plans as well as samples of how to teach specific repertoire from medieval to contemporary choral composers. As part of the Kodály philosophy's practical approach, authors Micheál Houlahan and Philip Tacka employ two models for learning choral literature: Performance Through Sound Analysis Pedagogy (PTSA) and Performance through Sound Analysis and Notation (PTSAN). Both models delineate an approach to teaching a choral work that significantly improves students' musicianship while engaging the ensemble in learning the overall composition in partnership with the conductor. The final chapter of the book includes rubrics to assess the effectiveness of a choral program. This book does not purport to be a comprehensive choral pedagogy text. It is a detailed guide to helping choral directors at all levels improve the choral singing and musicianship of their students from a Kodály perspective.