This is a translation by Dennis Weber, edited by John Wheeler and jointly published with King David's Harp, in which a noted French musicologist argues that the accentual system preserved in the Masoretic Text was originally a method of recording hand signals (chironomy) by which temple musicians were directed in the performance of music. She explains her reconstruction of these notations which has allowed her to perform haunting and beautiful music around the worlds using only the Hebrew text as a score.

This book explores the relationship between the Bible and the world of music, an association that is recorded from ancient times in the Old Testament, and one that has continued to characterize the cultural self-expression of Western Civilization ever since. The study surveys the emergence of this close relationship in the era following the end of the Roman Empire and through the Middle Ages, taking particular note of the role of Gregorian chant, folk music and the popularity of mystery, morality and passion plays in reflection of the Sacred Scripture and its themes during those times. With the emergence of polyphony and the advent of the Reformation in the sixteenth century, the interaction between the Bible and music increased dramatically, culminating in the evolution of opera and oratorio as specific genres during the Renaissance and the Early Baroque period. Both these genres have proved essential to the interplay between sacred revelation and the various types of music that have come to determine cultural expression in the history of Europe. The book initially provides an overview of how the various themes and types of Biblical literature have been explored in the story of Western music. It then looks closely at the role of oratorio and opera over four centuries, considering the most famous and striking examples and considering how the music has responded in different ages to the sacred text and narrative. The last chapter examines how biblical theology has been used to dramatic purpose in a particular operatic genre – that of French Grand Opera. The academic apparatus includes an iconography, a detailed bibliography and an index of biblical and musical references, themes and subjects.

The Book of First Kings 4:32 says that Solomon wrote 1005 songs. A song is poetry like the Psalms that were sung to bring forth a message from God. God deemed this song important enough to keep it in His manual, the Bible. The Books of First and Second Samuel are the historical books of David, but His love and emotions for God were written in his Psalms. Likewise, the Book of Revelation is a historical book of the bride of Christ, but the Song of Solomon is the love and emotions of Christ and His bride. This book is being published at the same time as Revelation to be companion books with the same overview. God desired a people who would be adopted into His kingdom. Christ would redeem every person who would acknowledge the plan of God to become children of the Most High God. The Bible was inspired by God (2 Tim 3:16). The Book of Song of Solomon shows the love of the Lord Jesus to His bride, the Church, who is called Shulamite. Shulamite in Hebrew is the feminine noun for Solomon. Solomon in Hebrew is shalom meaning peace unto wholeness. This wholeness comes from a relationship with the Lord which is offered to everyone, male or female, Jewish or Gentile (non-Jewish). Do not think of Solomon in this book as the king, for he too is a believer in the Lord, so therefore He too can be the Shulamite. This is not a picture of Solomons love for a woman, but instead the story of how Solomon came to love the Lord and grow spiritually throughout His life. Both Books (Revelation and Song of Solomon) are actually a symbolic picture of the Ancient Jewish Wedding. The bride is the Church, and therefore, seen as female, yet we know that God is identified as being present in both male and female. Therefore, Solomon is writing as a believer growing in his walk with the Lord. Song of Solomon, like all books in the Old Testament, point to Jesus. It cant be about Solomon and his love for a woman; IT HAS TO BE ABOUT JESUS. Therefore, it shows how a believer grows in their relationship with Jesus. The Jewish wedding takes us from the first time we see Jesus in the spirit and are engaged (salvation) to the time we see Jesus face to face in marriage (our resurrection) to the time we return with Christ to rule and reign as His wife (Millennium) to the time we live in the new heaven and earth (eternity). The intention of this book is to experience in the spirit the life of the believer growing in our knowledge and relationship with Jesus Christ.

“The vividness and beauty of the language emerge in a fresh way . . . with evocative simplicity.” —Robert Alter, professor emeritus of Hebrew and comparative literature, University of California, Berkeley The world’s greatest poetry resides in the Bible, yet these major poets are traditionally rendered into prose. In this pioneering volume of biblical poets translated in English, Willis Barnstone restores the lyricism and power of the poets’ voices in both the New and Old Testaments. In the Hebrew Bible we hear Solomon rhapsodize in Song of Songs, David chant in Psalms, God and Job debate in grand rhetoric, and prophet poet Isaiah plead for peace. Jesus speaks in wisdom verse in the Gospel, Paul is a philosopher of love, and John of Patmos roars majestically in Revelation, the Bible’s epic poem. This groundbreaking volume includes every major biblical poem from Genesis and Adam and Eve in the Garden to the last pages of Alpha and Omega in Paradise.

Revelation is probably the most read, but least understood book of the Bible. History is replete with examples of how not to interpret it, and books featuring end-of-world prophecy claims based on Revelation consistently top the bestseller lists. But how can the message of such an enigmatic book be applied to our lives today? In Discipleship on the Edge, Darrell W. Johnson drives home the challenging and practical message of Revelation in thirty carefully crafted sermons. Paying careful attention to the original context of Revelation and the circumstances surrounding its composition, Johnson shows that the book is not a "crystal ball" but rather a "discipleship manual." Thoroughly researched and yet accessible, this collection of sermons is a helpful resource for pastors and small group leaders who are looking for models to help them preach and teach the message of Revelation in a time when there is much confusion about the end times. Darrell W. Johnson serves as Scholar-in-Residence at The Way Church and Canadian Church Leaders Network in Vancouver, British Columbia, Canada. A popular conference and retreat speaker, he has also served as the preaching pastor for a number of congregations in North America and the Philippines, as well as serving as Adjunct Professor of Preaching for the Doctor of Ministry program at Fuller Theological Seminary in Pasadena, California, and a Teaching Fellow at Regent College. His other books include Experiencing the Trinity and Fifty-Seven Words That Change The World.

A startling exploration of the history of the most controversial book of the Bible, by the bestselling author of Beyond Belief. Through the bestselling books of Elaine Pagels, thousands of readers have come to know and treasure the suppressed biblical texts known as the Gnostic Gospels. As one of the world's foremost religion scholars, she has been a pioneer in interpreting these books and illuminating their place in the early history of Christianity. Her new book, however, tackles a text that is firmly, dramatically within the New Testament canon: The Book of Revelation, the surreal apocalyptic vision of the end of the world . . . or is it? In this startling and timely book, Pagels returns The Book of Revelation to its historical origin, written as its author John of Patmos took aim at the Roman Empire after what is now known as "the Jewish War," in 66 CE. Militant Jews in Jerusalem, fired with religious fervor, waged an all-out war against Rome's occupation of Judea and their defeat resulted in the desecration of Jerusalem and its Great Temple. Pagels persuasively interprets Revelation as a scathing attack on the decadence of Rome. Soon after, however, a new sect known as "Christians" seized on John's text as a weapon against heresy and infidels of all kinds-Jews, even Christians who dissented from their increasingly rigid doctrines and hierarchies. In a time when global religious violence surges, Revelations explores how often those in power throughout history have sought to force "God's enemies" to submit or be killed. It is sure to appeal to Pagels's committed readers and bring her a whole new audience who want to understand the roots of dissent, violence, and division in the world's religions, and to appreciate the lasting appeal of this extraordinary text.