Manuscript paper with variable line spacing. To suit all ages and abilities. Includes junior staves with BOLD centre line to assist younger musicians. Practice sheets for drawing treble and bass clefs. Appendix with Italian and foreign terms included. Includes Descant Recorder Fingering Chart, Guitar chords, Italian and Foreign Terms in music, Clef notation. Ideal for schools and colleges

Claire's Carolbook. 1) Created and inspired by young people - not just old reprints 2) Modern arrangements to suit the modern piano player 3) Simple progressions- most are two note chords 4) No big jumps - octave stretches a rarity! 5) No long stretches - ideal for small hands 6) Harmony is retained while maintaining simplicity 7) Rhythm is maintained 8) Two easy keys - C major and G major 9) No key signatures 10) Easy for guitar players who can recognise basic chords 11) Guide fingering without unnecessary clutter 12) Practice exercises based on carol arrangements included 13) Playable by amateurs and more advanced pianists 15) English and American versions of some popular carols. 16) Every carol has the words on the facing page in clear type. Photocopiable for use in schools, churches, hospitals and other institutions. 17) Previously unpublished carol "Guide us by a Star", guitar chords, recorder fingering, exercise pieces, board game Notopoly.

1) Created and inspired by young people - not just old reprints 2) Modern arrangements to suit the modern piano player 3) Simple progressions- most are two note chords 4) No big jumps - octave stretches a rarity! 5) No long stretches - ideal for small hands 6) Harmony is retained while maintaining simplicity 7) Rhythm is maintained 8) Two easy keys - C major and G major 9) No key signatures 10) Easy for guitar players who can recognise basic chords 11) Guide fingering without unnecessary clutter 12) Practice exercises based on carol arrangements included 13) Playable by amateurs and more advanced pianists 15) Two versions of some popular carols (English and American) 16) Every carol has the words edition on the facing page in clear type. this is photocopiable for use in schools, churches, hospitals, youth and other institutions. These Carols are arranged in two easy keys C and G major. No key signatures have been used

Who were the first owners of the music published in England in the sixteenth and early seventeenth centuries? Who went to ‘the dwelling house of ... T. East, by Paules wharfe’ and bought a copy of Byrd’s Psalmes, sonets, & songs when it appeared in 1588? Who purchased a copy of Dowland’s First booke of songes in 1597? What other books formed part of their music library? In this survey of surviving books of music published before 1640, David Greer has gleaned information about the books’ early and subsequent owners by studying the traces they left in the books themselves: handwritten inscriptions, including names and other marks of ownership - even the scribbles and drawings a child of the family might put into a book left lying about. The result is a treasure trove of information about musical culture in early modern England. From inscriptions and marks of ownership Greer has been able to re-assemble early sets of partbooks, as well as collections of books once bound together. The search has also turned up new music. At a time when paper was expensive, new pieces were copied into blank spaces in printed books. In these jottings we find a ‘hidden repertory’ of music, some of it otherwise undiscovered music by known composers. In other cases, we see owners altering the words of songs, to suit new and personal purposes: a love-song in praise of Daphne becomes a heartfelt song to ‘my Jesus’; and ‘Faire Leonilla’ becomes Ophelia (perhaps the first mention of this character in Hamlet outside the play itself). On a more practical level, the users of the music sometimes made corrections to printing errors, and there are indications that some of these were last-minute corrections made in the printing-house (a useful guide for the modern editor). The temptation to ‘scribble in books’ was as irresistible to some Elizabethans as it is to some of us today. In doing so they left us clues to their identity, how they kept their music, how they used it, and the multifarious ways in which it played a part in their lives.

This 2000 book examines Tacitus' Annals as an ironic portrayal of Julio-Claudian Rome, through close analysis of passages in which characters engage in interpretation and misreading. By representing the misreading of signifying systems - such as speech, gesture, writing, social structures and natural phenomena - Tacitus obliquely comments upon the perversion of Rome's republican structure in the new principate. Furthermore, this study argues that the distinctively obscure style of the Annals is used by Tacitus to draw his reader into the ambiguities and compromises of the political regime it represents. The strain on language and meaning both portrayed and enacted by the Annals in this way gives voice to a form of political protest to which the reader must respond in the course of interpreting the narrative.

The Polar Express train visits the North Pole and passengers find out what the first gift of the season is going to be from Santa Claus.