Music for Viola Bastarda
Title | Music for Viola Bastarda PDF eBook |
Author | Jason Paras |
Publisher | Indiana University Press |
Pages | 256 |
Release | 1986-04-22 |
Genre | Music |
ISBN | 9780253388247 |
The term "viola bastarda" refers to both an instrument and a style of playing that is one of the crowning achievements of musical mannerism. The Italian repertory for the solo viola da gamba in the 16th and early 17th centuries was largely music played "alla bastarda," an art of performance in which a polyphonic composition is transformed into a single melodic line derived from the original parts and spanning their ranges. Jason Paras has traced the development of the "viola bastarda" and has assembled and transcribed 46 peices in this genre. The music in his collection is a rich and fascinating repertory that is rarely heard today. This anthology is an invitation to present-day players to recreate the improvisation practice of the 16th and 17th centuries in ways not fully disclosed by ornamentation manuals of that time.
The Music for Viola Bastarda in Sixteenth and Seventeenth-century Italy
Title | The Music for Viola Bastarda in Sixteenth and Seventeenth-century Italy PDF eBook |
Author | Jason Paras |
Publisher | |
Pages | 572 |
Release | 1978 |
Genre | Viola da gamba |
ISBN |
Three Ricercate Per Viola Bastarda
Title | Three Ricercate Per Viola Bastarda PDF eBook |
Author | Aurelio Virgiliano |
Publisher | |
Pages | 0 |
Release | 1980 |
Genre | Music |
ISBN |
Journal of the Viola Da Gamba Society of America
Title | Journal of the Viola Da Gamba Society of America PDF eBook |
Author | Viola da Gamba Society of America |
Publisher | |
Pages | 88 |
Release | 2003 |
Genre | Music |
ISBN |
The Viola da Gamba
Title | The Viola da Gamba PDF eBook |
Author | Bettina Hoffmann |
Publisher | Routledge |
Pages | 355 |
Release | 2018-04-19 |
Genre | Music |
ISBN | 1315284235 |
The viola da gamba was a central instrument in European music from the late 15th century well into the late 18th. In this comprehensive study, Bettina Hoffmann offers both an introduction to the instrument -- its construction, technique and history -- for the non-specialist, interweaving this information with a wealth of original archival scholarship that experts will relish. The book begins with a description of the instrument, and here Hoffmann grapples with the complexity of various names applied to this and related instruments. Following two chapters on the instrument's construction and ancestry, the core of the book is given to a historical and geographical survey of the instrument from its origins into the classical period. The book closes with a look at the revival of interest in the 19th and 20th centuries.
The Italian Viola Da Gamba
Title | The Italian Viola Da Gamba PDF eBook |
Author | Susan Orlando |
Publisher | Presses Univ. Limoges |
Pages | 226 |
Release | 2002 |
Genre | Musical instruments in art |
ISBN | 9782950934253 |
Modern Viola Technique
Title | Modern Viola Technique PDF eBook |
Author | Robert Dolejší |
Publisher | Springer Science & Business Media |
Pages | 211 |
Release | 2012-12-06 |
Genre | Music |
ISBN | 1468478389 |
HE playing of die viola has been one of the sadly neglected arts. This is all the more incredible T when we realize, as we all do today, that the instrument with its rich, mellow tone should always have been regarded as one of the most ideally gratifying mediums of musical expression when played by the accomplished artist. The insignificant position that the viola had occupied in the field of solo instru ments in the past undoubtedly was responsible for the apparent neglect in its artistic exploitation to such a degree that in nearly every symphony orchestra throughout the world the viola section (with the none tor-frequent exception of the principal player) was composed of cast-offs from the second violins, who, al ready too old to perform satisfactorily on their respective instruments, were relegated to pass their remain ing years of service playing viola. Happily, we have a different picture of the orchestral viola sections in most of our modern symphonic bodies today. Virile young players are adopting the viola as their major instrument, and that sly, well known German sobriquet, Pensions-instrument, surely is deserved no longer. The viola should be studied and played by young artists who especially adapt themselves to the serious presentation of the instrument as aseparate and independent medium of expression, which requires fully as much intelligent, conscientious, and diligent application to achieve noteworthy results as any orches tral instrument.