"Radical Music in the United Kingdom during Brexit and the Pandemic examines the work of select composers, improvisers, and interpreters during the upheaval of Brexit and the COVID-19 pandemic and places them in contemporary and historical contexts"--

This book examines the work of select musicians from the United Kingdom during the upheaval of Brexit and the COVID-19 pandemic and places them in contemporary and historical contexts. Bill Shoemaker profiles a diverse cast of subjects and enhances our understanding of experimental music and its role in evolving multiculturalism.

(Piano/Vocal/Guitar Artist Songbook). This songbook includes all 15 songs from the 2006 release, Jackson's first ever gospel album. Songs: Blessed Assurance * How Great Thou Art * I'll Fly Away * In the Garden * The Old Rugged Cross * Softly and Tenderly * What a Friend We Have in Jesus * and more.

Mr. Thomas Andrew Dorseys telephone number was given to the writer of this newly released book by the name, Thomas A. Dorsey, Father of Black Gospel Music An Interview, by a directory assistance operator in Chicago, Illinois. The writer, at the time, (1975) took a chance and called, not expecting the first publisher of Black Gospel Music, to answer the phone. A very hoarse voice said Hello, and the writer recognized it immediately as being the voice he had heard on a recording about Gospel Music that Mr. Dorsey had done. After being asked if he would consent to being interviewed Mr. Dorsey unenthusiastically said yes. He was unenthusiastic the writer later discovered, because fortune hunters and status seekers had been plaguing him for interviews. Honored that Mr. Dorsey had said yes, the writer took a train from Kansas City, Missouri to Chicago, to interview this man who had written hundreds of songs.

Mr. Thomas Andrew Dorseys telephone number was given to the writer of this newly released book by the name Thomas A. Dorsey, Father of Black Gospel Music an Interview by a directory assistance operator in Chicago, Illinois. The writer, at the time (1975), took a chance and called, not expecting the first publisher of black gospel music to answer the phone. A very hoarse voice said Hello, and the writer recognized it immediately as being the voice he had heard on a recording about gospel music that Mr. Dorsey had done. After being asked if he would consent to being interviewed, Mr. Dorsey unenthusiastically said yes. He was unenthusiastic, the writer later discovered, because fortune hunters and status seekers had been plaguing him for interviews. Honored that Mr. Dorsey had said yes, the writer took a train from Kansas City, Missouri, to Chicago to interview this man who had written hundreds of songs.