Alexi works in Star Records, a place where all your music dreams come true. Or do they? So far, things haven't been exactly dreamy for Alexi. Alexi is working for the biggest pop sensation in the country as a laundress. Brianna and Celeste have turned Star Records into a place of torture for Alexi and Alexi's best friend moved far away from her. Alexi has no one she can really trust. But then things started looking up for her. Lucy, her BFF, returns for a holiday and a competition turns up for all employees. This could be Alexi's chance to finally get her life back on track. But wherever something bright turns up, something dark follows. Her chances of winning are becoming slimmer by the day and worse, the competition was even getting in the way of Alexi's friendship with Lucy. Will Alexi have to choose? Who else could possibly help her fix everything in time to stop Brianna from winning unfairly?

The complete Dream Songs--hypnotic, seductive, masterful--as thrilling to read now as they ever were John Berryman's The Dream Songs are perhaps the funniest, saddest, most intricately wrought cycle of oems by an American in the twentieth century. They are also, more simply, the vibrantly sketched adventures of a uniquely American antihero named Henry. Henry falls in and out of love, and is in and out of the hospital; he sings of joy and desire, and of beings at odds with the world. He is lustful; he is depressed. And while Henry is breaking down and cracking up and patching himself together again, Berryman is doing the same thing to the English language, crafting electric verses that defy grammar but resound with an intuitive truth: "if he had a hundred years," Henry despairs in "Dream Song 29," "& more, & weeping, sleepless, in all them time / Henry could not make good." This volume collects both 77 Dream Songs, which won Berryman the Pulitzer Prize in 1965, and their continuation, His Toy, His Dream, His Rest, which was awarded the National Book Award and the Bollingen Prize in 1969. The Dream Songs are witty and wild, an account of madness shot through with searing insight, winking word play, and moments of pure, soaring elation. This is a brilliantly sustained and profoundly moving performance that has not yet-and may never be-equaled.

It's December 24th, and the old farmer settles down for a winter's nap, wondering how Christmas can come when there is no snow! In his dream he imagines a snowstorm covering him and his animals—named One, Two, Three, Four and Five—in a snowy blanket. But when the farmer awakens, he finds that it has really snowed outside, and now he remembers something! Putting on his red suit, he goes outside and places gifts under the tree for his animals, bringing holiday cheer to all. "Few in number are the parents who have made it through their toddler's years on just one copy of Carle's The Very Hungry Caterpillar. Dream Snow has similar ingredients: a simple story, lively collage-like illustrations and a fun gimmick for little hands . . ." —Time "This is a simple, well-told story about a simple farmer. . . . Viewers. . . will want to get their hands on it." —The Bulletin of the Center for Children's Books "Carle fans and toddlers learning the basics will . . . enjoy the gentle text and creative design features." —Booklist "The pictures are in Carle's trademark richly colored and textured collages that capture the snowy magic of Christmas." —Kirkus Reviews

In this acclaimed picture book bursting with vibrance and rhythm, a girl dreams of playing the drums in 1930s Cuba, when the music-filled island had a taboo against female drummers.

Music as Dream: Essays on Giacinto Scelsi showcases recent scholarly criticism on the music and philosophy of the brilliantly original composer Giacinto Scelsi. In this collection, Franco Sciannameo and Alessandra Carlotta Pellegrini select and translate into English for the first time essays that reflect the evolution of recent scholarship on Scelsi’s musical compositions. Music as Dream opens with “The Scelsi Case,” which erupted shortly after Scelsi’s death in 1988 when composer Vieri Tosatti claimed ownership of his works. This quarrel reached its zenith in the pages of PianoTime’s March 1989 issue, where musicologist Guido Zaccagnini questioned a group of noted composers, writers, and arts managers about whether a composer can claim sole authorship for a work accomplished in collaboration with others. The essays are wide-ranging in scope. French musicologist Michelle Biget-Mainfroy, a specialist in “gestural” piano writing, offers an in-depth study of Scelsi’s complex piano output; Gianmario Borio looks at Scelsi’s “Sound as Compositional Process”; Alessandra Montali examines and details Scelsi’s theoretical and literary writings; Luciano Martinis and Franco Sciannameo explore the lives and whereabouts of obscure composers Giacinto Sallustio, Walther Klein, and Richard Falk, who were Scelsi’s collaborators until the early 1940s when Tosatti took sole charge; Alessandra Carlotta Pellegrini elaborates on Scelsi’s most important composition of his first period, presenting a tour-de-force that pieces together its complex story through research at the newly organized Scelsi Archive at the Fondazione Isabella Scelsi in Rome; and Friedrich Jaecker’s and Sandro Marrocu’s essays also draw on research conducted at the archive of Fondazione. Finally, an updated bibliography and discography conclude the book

Offers a collection of poems with themes ranging from race, memory, and Southern culture to African American celebrities including Richard Pryor, Muhammad Ali, and Nat King Cole.

When Jeff Buckley drowned at the age of thirty in 1997, he not only left behind a legacy of brilliant music -- he brought back haunting memories of his father, '60s troubadour Tim Buckley, a gifted musician who barely knew his son and who himself died at twenty-eight. Both father and son made transcendent music that mixed rock, jazz, and folk; both amassed a cadre of obsessive, adoring fans. This absorbing dual biography -- based on interviews with more than one hundred friends, family members, and business associates as well as access to journals and unreleased recordings -- tells for the first time the intriguing, often heartbreaking story of these two musicians. It offers a new understanding of the Buckleys' parallel lives -- and tragedies -- while exploring the changing music business between the '60s and the '90s. Finally, it tells the story of a father and son, two complex, enigmatic men who died searching for themselves and each other.