Away from the spotlight of the pop charts and the demands of mainstream audiences, original music is still being played and audiences continue to engage with innovative artists. This collection of fresh essays gathers together critical writing on such genres as Power Electronics, Black Metal, Neo-Folk, Martial Industrial, Hard-Core Punk and Horrorcore. The contributors report from the periphery of the music world, seeking to understand these new genres, how fans connect with artists and how artists engage with their audiences. Diverse music scenes are covered, from small-town New Zealand to Washington, D.C., and Ljubljana, Slovenia. Artists discussed include Coil, Laibach, Whitehouse, Insane Clown Posse, Wolves in the Throne Room, Turisas, Tyr, GG Allin and many others.

"In Going to Extremes, renowned legal scholar and best-selling author Cass R. Sunstein offers startling insights into why and when people gravitate toward extremism."--Inside jacket.

Expand your aural and sensory experiences with Extreme Music. An exploration of tomorrow’s sounds (and silences) today. Michael Tau had spent years obsessed by the extremes of musical expression. Extreme Music: Silence to Noise and Everything In Between is the culmination of decades of research into the sounds (and silences) that comprise the outer limits and conceptual expressions that stretch the definition of music. Tau defines and categorizes these recorded sounds into sections that allow fans and newcomers to explore the fascinating world of musicians who defy convention. He explores a wide range of extremes including volume, speed, and vulgarity to packaging, recording methods, unplayable media, outdated technologies, and digital pioneers. He asks and answers the questions: Are all sounds music? Is silence music? Is a plate of rotting food once cataloged, packaged and sold by a distributor qualify as music? Extreme Music includes over 100 interviews with makers and musicians as Tau uses his background in psychiatry to help readers understand what motivates people to create and listen to non-mainstream music. As a fan of multiple avant-garde musical genres, Tau uncovers the pleasures (and sometimes pain and frustration) found at the outré fringes of music. Extreme Music is the ideal guide for curious seekers, die-hard fans, and cultural investigators. Features images and curated links to samples of music.

Showcasing the tremendous, often unrealized potential of the bass guitar, Steve Bailey and Victor Wooten have put together this incredible recording, complete with transcriptions and lessons for each song. Steve and Victor demonstrate how the bass guitar can supply bass lines, piano and guitar type comping figures, lead solos and percussion parts, in styles ranging from Bebop to New Age to Heavy Metal. Each piece highlights different aspects of their amazing techniques, like Steve's three finger technique or his awe inspiring command of harmonics and chord voicings; or Victor's incredible funk grooves, thumb and two-handed tapping techniques. At the end of the song section of the recording, Steve and Victor walk you note-for-note through the licks and techniques that make up each song, explaining and demonstrating everything at slow speeds. All of the songs are fully transcribed and all music is written in standard notation and tablature. Book jacket.

There's a whole new world of global warming science today, but few people hear about it. In recent years, an internally consistent body of scientific literature has emerged that argues cogently for global warming but against the gloom-and-doom vision of climate change. But those who merely call attention to this literature are intimidated, blacklisted, and even driven from prestigious scientific employment. Calling the current scientific environment a "climate of extremes" is an understatement. It's a fact that there are fewer citations in the refereed scientific literature providing evidence for the moderate view of global warming, but that's to be expected. In Climate of Extremes, climatologists Patrick J. Michaels and Robert Balling Jr. explain that climate science is hardly unbiased, even though the global climate community itself believes that any new finding has an equal probability of making our climatic future appear more or less dire. Michaels and Balling examine all aspects of the apocalyptic vision of climate change making headlines almost every day: Hurricanes pumped up by global warming, rapid melting of Greenland and Antarctica resulting in 20 feet of sea-level rise in the next 90 years, that global warming is occurring at an increasing pace, and there is a massive increase in heat-wave related deaths. Each one of these pop-culture icons of climate change turns out to be short on facts and long on exaggeration. People who read Climate of Extremes will emerge well-armed against an army of extremists hawking climate change as the greatest threat ever to our society and way of life.

Electronic music is now ubiquitous, from mainstream pop hits to the furthest reaches of the avant garde. But how did we get here? In Mars by 1980, David Stubbs charts the evolution of synthesised tones, from the earliest mechanical experiments in the late nineteenth century, through the musique concrete of the Futurists and radical composers such as Pierre Schaeffer and Karl Stockhausen, to the gradual absorption of electronic instrumentation into the mainstream, be it through the BBC Radiophonic Workshop, grandiose prog rock or the DIY approach of electronica, house and techno.Stubbs tells a tale of mavericks and future dreamers, malfunctioning devices and sonic mayhem. But above all, he describes an essential story of authenticity: is this music? Mars by 1980 is the definitive account that answers this question.