"This account of the most famous lawsuits in rock history ... traces the difficulties rockers have faced dealing with bad contracts, personnel problems, litigious fans, and crooked managers and accountants."--Jacket.

A charming fairy tale—told in graphic novel style—about two unlikely friends who encourage each other to pursue their dreams. “Katy’s work is so expressive and fun! The way she seamlessly blends high drama, big laughs, and tender family moments blows me away . . .” Gale Galligan, New York Times bestselling author of The Baby-Sitters Club graphic novels In order to buy seeds for her beautiful garden, Arietta plans to sell her treasured family violin. Then music-loving Princess Cassia spots Arietta with the instrument and excitedly asks her to perform at her upcoming birthday party. What the Princess doesn’t realize is, Arietta can’t play! Too ashamed to tell Cassia the truth, Arietta sets out to learn a special song for the occasion. But as Arietta’s musical passion blossoms, her devotion to her garden fades . . . and her trees and flowers begin to die. Will she be able to master the tune in time for Cassia’s celebration—and save the garden, too?

A study of the strategies by which sacred music and liturgy was used to legitimate Louis XIII's power.

In Music at the Gonzaga Court in Mantua, Donald C. Sanders examines the history of musical composition and performance at the northern Italian court of Mantua from the fifteenth century to the seventeenth century. Music is discussed in the context of the visual art, poetry, and theater that graced the court and of the Gonzaga family's interaction with the major European historical figures of the era.

This collection of selected writings of Ms. Hilton includes a complete facsimile of her 1981 book Dance of Court & Theater (no longer available) as well as two significant articles, and a notated triple-meter danse � deux by LouisP�cour. Book One (the facsimile) provides in-depth analysis of primary sources on dance of the baroque period.The main body of the text is devoted to mastery of the Beauchamp-Feuillet notation system,which includes the relationships of steps to music in such dance types as the menuet,gavotte, bourr�e, sarabande, passacaille, loure, gigue, and entr�e grave. Instruction is also given on style, bows and courtesies, the use of the hat, and the ballroom menuet ordinaire as given by Pierre Rameau.Book Two adds theslow Seventeenth-Century French Courante; A survey of the 56 dances extant to music by J.B. Lully with their airs and some of the more virtuosic, theatrical step-units in notation; Louis P�cour's ballroom dance Aimable Vainqueur (1701 in six pages of dance notation with a five-part score of Andr� Campra's music from Hesione (1700)and an updated bibliography.

This book deals with various aspects of musical life at the Aragonese court of Naples, from its establishment in 1442 to its demise in the opening years of the sixteenth century. An opening chapter gives a general historical-cultural background of the court. The author then discusses the royal chapel and its most important members, as well as other important musicians who were in Naples but who had no known ties with the court in an official sense. He goes on to describe the various types of secular music at the court and the music manuscripts compiled in and around Naples. The importance of the book lies in its attempt to synthesize all that is known about music at Naples - both from discovered archival sources and from the scholarly literature of specialized studies. The second part of the book contains a collection of 18 pieces, edited from Neapolitan manuscripts, which illustrate the earlier chapter on the repertory.