"The first exhibition to offer a critical assessment of the artistic experimentation that took place in Mexico during the last three decades of the twentieth century. The exhibition carefully analyzes the origins and emergence of techniques, strategies, andmodes of operation at a particularly significant moment of Mexican history, beginning with the 1968 Student Movement, until the Zapatista upraising in the State of Chiapas. Theshow includes work by a wide range of artists, including Francis Alys, Vicente Rojo, Jimmie Durham, Helen Escobedo, Julio Galán, Felipe Ehrenberg, José Bedia,Guillermo Gómez-Peña, Francisco Toledo, Carlos Amorales, Melanie Smith, and Alejandro Jodorowsky, among many others. The edition is illustrated with 612 full-colorplates of the art produced during these last three decades of the twentieth century reflect the social, political and technical developments in Mexico and ranged from painting andphotography to poster design, installation, performance, experimental theatre, super-8 cinema, video, music, poetry and popular culture like the films and ephemeral actionsof 'Panic' by Alejandro Jodorowsky, Pedro Friedeberg's pop art, the conceptual art, infrarrealists and urban independent photography, artists books, the development ofcontemporary political photography, the participation of Mexican artists in Fluxus in the seventies and the contribution of Ulises Carrión to the international artist book movement and popular rock music, the pictorial battles of the eighties and the emergence of a variant of neo-conceptual art in 1990. The exhibition is curated by Olivier Debroise, Pilar García de Germenos, Cuauhtémoc Medina, Álvaro Vázquez Mantecón"--Provided by vendor.

Pushing Past the Human in Latin American Cinema brings together fourteen scholars to analyze Latin American cinema in dialogue with recent theories of posthumanism and ecocriticism. Together they grapple with how Latin American filmmakers have attempted to "push past the human," and destabilize the myth of anthropocentric exceptionalism that has historically been privileged by cinema and has led to the current climate crisis. While some chapters question the very nature of this enterprise—whether cinema should or even could actualize such a maneuver beyond the human—others signal the ways in which the category of the "human" itself is interrogated by Latin American cinema, revealed to be a fiction that excludes more than it unifies. This volume explores how the moving image reinforces or contests the division between human and nonhuman, and troubles the settler epistemic partition of culture and nature that is at the core of the climate crisis. As the first volume to specifically address how such questions are staged by Latin American cinema, this book brings together analysis of films that respond to environmental degradation, as well as those that articulate a posthumanist ethos that blurs the line between species.

Esta pequeña historia acerca a los niños y niñas, de manera amena y rigurosa, el arte a través de la presentación del Museo del Prado. La historia explica la evolución de este museo tanto a nivel arquitectónico como a nivel artístico, nombrando las importantes obras de arte que ha ido incorporando a lo largo del tiempo. El texto va acompañado de las ilustraciones a todo color de Pilarín Bayés.

Montañas, valles, páramos, cañones, nevados, volcanes, glaciares, desiertos, lagos, bosques, estepas, frío, calor, viento, geología sorprendente, cataratas, salinas, cielos infinitos, océanos, aguas termales, trochas, autopistas, interesantes ruinas, pingüinos, cóndores, comida variada, gente amable, precios cómodos, carne asada, fronteras fáciles, mismo idioma, lugares únicos en el mundo, cultura indígena. Esto y mucho más es Suramérica. El autor comparte sus numerosas aventuras personales, no siempre agradables para él, durante cinco meses y a lo largo de casi cuarenta mil kilómetros por el continente. Pero la jornada había comenzado treinta y cuatro años antes, imaginando un viaje que nunca se pudo forjar. Durante ese tiempo la llama se atenuaba cíclicamente, pero nunca se extinguió. Este libro invita a visitar las maravillas de una tierra que está aún por revelar. También lo invita a que usted tampoco deje apagar la llama que lo puede llevar algún día a cumplir con esa promesa de recorrer Suramérica.