“Be prepared to stay up late with this one.”—NPR.org “[A] must-have story.”—School Library Journal (starred review) “Evocative and refreshingly unique.”—Tor A young woman with a dangerous power she barely understands. A smuggler with secrets of his own. A country torn between a merciless colonial army, a terrifying tyrant, and a feared rebel leader. The first book in acclaimed author Heidi Heilig’s Shadow Players trilogy blends traditional storytelling with ephemera for a lush, page-turning tale of escape and rebellion. For a Muse of Fire will captivate fans of Sabaa Tahir, Leigh Bardugo, and Renée Ahdieh. Jetta’s family is famed as the most talented troupe of shadow players in the land. With Jetta behind the scrim, their puppets seem to move without string or stick—a trade secret, they say. In truth, Jetta can see the souls of the recently departed and bind them to the puppets with her blood. But ever since the colonizing army conquered their country, the old ways are forbidden. Jetta must never show, never tell. Her skill and fame are her family’s way to earn a spot aboard the royal ship to Aquitan, where shadow plays are the latest rage, and where rumor has it the Mad King has a spring that cures his ills. Because seeing spirits is not the only thing that plagues Jetta. But as rebellion seethes and as Jetta meets a young smuggler, she will face truths and decisions that she never imagined—and safety will never seem so far away. Heidi Heilig creates a vivid, rich world inspired by Southeast Asian cultures and French colonialism. Told from Jetta’s first-person point-of-view, as well as chapters written as play scripts and ephemera such as telegrams and letters, For a Muse of Fire is an engrossing journey that weaves magic, simmering romance, and the deep bonds of family with the high stakes of epic adventure.

"Using first-hand accounts, including contemporary correspondence, articles and interviews, this account of Walton's life also draws on material newly available relating to his friends and associates. The reception of Facade and Walton's work in both films and radio are fully explored."--BOOK JACKET.

In a remote future age when the human enterprise has all but ground to a halt. a wandering troupe of players is dedicated to presenting the works of Shakespeare to every accessible corner of the settled universe. When aliens take an interest, the players find themselves giving command performances of King Lear, Hamlet and the Scottish play for a series of increasingly important alien species, with evidence that the fate of all humanity may rest on the quality of their work.

Caught in a war between the rebels and the invading colonizers, Jetta must make an impossible choice—save her people or protect her sanity. The second book in Heidi Heilig’s acclaimed Shadow Players trilogy blends traditional storytelling with ephemera to weave an enthralling fantasy that fans of Leigh Bardugo and Sabaa Tahir will sink into. Jetta is a wanted criminal. The army wants her for treason against the crown, for the sabotage of Hell’s Court temple, and for the murder of General Legarde. They also want her for the power in her blood—the magic that captures wandering spirits to give life to puppets, to rocks, to paper . . . to weapons. They’re willing to trade the elixir that treats Jetta’s madness for the use of her blood. The rebels want her, too, to help them reclaim their country. Jetta may be the one who can tip the scales in this war. But Jetta fears using her power will make her too much like Le Trépas, the terrifying and tyrannical necromancer who once held all Chakrana under his thumb—and who is Jetta’s biological father. She’s already raised her brother from the dead, after all. And scared off Leo, the only person who saw her as she truly is. With Le Trépas at large and a clash between the army and the rebels becoming inevitable, Jetta will have to decide if saving her country is worth sacrificing her soul. Acclaimed author Heidi Heilig creates a rich world inspired by Southeast Asian cultures and French colonialism. Told from Jetta’s first-person point-of-view, as well as with chapters written as play scripts and ephemera such as songs, maps, and letters, A Kingdom for a Stage is a vivid, fast-paced journey that weaves magic, simmering romance, and the deep bonds of family with the high stakes of epic adventure. It will thrill fans of Stephanie Garber and Renée Ahdieh.

Acclaimed playwright Terrence McNally’s works are characterized by such diversity that critics have sometimes had difficulty identifying the pattern in his carpet. To redress this problem, in Muse of Fire, Raymond-Jean Frontain has collected McNally’s most illuminating meditations on the need of the playwright to first change hearts in order to change minds and thereby foster a more compassionate community. When read together, these various meditations demonstrate the profound ways in which McNally himself functioned as a member of the theater community—as a strikingly original dramatic voice, as a generous collaborator, and even as the author of eloquent memorials. These pieces were originally written to be delivered on both highly formal occasions (academic commencement exercises, award ceremonies, memorial services) and as off-the-cuff comments at highly informal gatherings, like a playwriting workshop at the New School. They reveal a man who saw theater not as the vehicle for abstract ideas or the platform for political statements, but as the exercise of our shared humanity. “Theatre is collaborative, but life is collaborative,” McNally says. “Art is important to remind us that we’re not alone, and this is a wonderful world and we can make it more wonderful by fully embracing each other. [. . .] I don’t know why it’s so hard to remind ourselves sometimes, but thank God we’ve had great artists who don’t let us forget. And thank the audiences who support them because I think that those artists’ true mission has been to bring the barriers down, break them down; not build walls, but tear them down.”

Examines the life of a former slave who became a radical abolitionist and Union spy, recruiting black soldiers for the North, fighting racism within the Union Army and much more.

For decades, smiling images of "Aunt Jemima" and other historical and fictional black cooks could be found on various food products and in advertising. Although these images were sanitized and romanticized in American popular culture, they represented the untold stories of enslaved men and women who had a significant impact on the nation's culinary and hospitality traditions, even as they were forced to prepare food for their oppressors. Kelley Fanto Deetz draws upon archaeological evidence, cookbooks, plantation records, and folklore to present a nuanced study of the lives of enslaved plantation cooks from colonial times through emancipation and beyond. She reveals how these men and women were literally "bound to the fire" as they lived and worked in the sweltering and often fetid conditions of plantation house kitchens. These highly skilled cooks drew upon knowledge and ingredients brought with them from their African homelands to create complex, labor-intensive dishes. However, their white owners overwhelmingly received the credit for their creations. Deetz restores these forgotten figures to their rightful place in American and Southern history by uncovering their rich and intricate stories and celebrating their living legacy with the recipes that they created and passed down to future generations.