Murphy and the Magical Hat is an engaging story with a magical theme. When a rainy day threatens to spoil a little girl's plans to play outside, her disappointment quickly disappears when her mother shares a magical hat with her. This magical hat has the power to whisk the little girl away to any place she imagines. The REAL magic in the book lies in its message - imagination can lead children from despair to delight in a matter of a few moments. The book reminds parents of the importance of kindling their children's imaginations, particularly, when life seems bleak and boring. It is critically important that children develop resilience to life's disappointments and the book shares that poignant message with parents while delighting the child.

Across a career that spanned more than fifty years, Martha's Vineyard artist Stanley Murphy captured the Island's fishermen, selectmen, farmers, and tribal elders as well as its seas, stones, fields, cows, and dogs. This beautiful hard-cover book features 36 full color plates of Murphy's island portraits, a foreword by collector and friend of the artist, Robert Doran, and an essay by author and professor Karal Ann Marling.

A wizard's hat blows into town, changing people into different animals when it lands on their heads.

Although the impact that clients can have on therapists is well-known, most work on the subject consists of dire warnings: mental health professionals are taught early on to be on their guard for burnout, compassion fatigue, and countertransference. However, while these professional hazards are very real, the scholarly focus on the negative potential of the client-counselor relationship often implies that no good can come of allowing oneself to get too close to a client's issues. This sentiment obscures what every therapist knows to be true: that the client-counselor relationship can also effect powerful positive transformations in a therapist's own life. The Client Who Changed Me is Jeffrey Kottler and Jon Carlson's testimony to the significant and often life-changing ways in which therapists have been changed by their patients. Kottler and Carlson draw not only upon their own extensive experience - between them, they have more than fifty years in the field - but also upon lengthy interviews with dozens of the country's foremost therapists and theorists. This novel work presents readers with a truly unique perspective on the business of therapy: not merely how it appears externally, but how practitioners experience it internally. Although these stories paint a complex and multi-layered portrait of the client-counselor relationship, they all demonstrate the profound and unexpected rewards that the profession has to offer.

With Texas Hold 'Em fever sweeping the south of England, Tom Grimsby, a young gambler in over his head with hustlers and gangsters, risks losing his wife and child and also his safe well being on account of the game. Mac Johnson, another newbie to poker, and stoner subject to cosmic visions, finds a seemingly lucky magic hat that causes chaos in the poker players' world. Whilst Tom struggles to keep his head above water and Mac's main quest is for love, Eddie Brady and Sam Harper, two hustlers, fall out and go to war. A new poker venue opens in town as the setting for much on and off the tables ups and downs adventures... UNDER THE GUN is a darkly comic poker novel set in Brighton, UK.

A Kasey Michaels Alphabet Regency Romance Classic. "Using wit and romance with a master's skill, Kasey Michaels aims for the heart and never misses." -- Nora Roberts Candice Murphy and her uncle Max con their way through the world impersonating Italian counts and African princes, duping the greedy into parting with their money in hopes of fattening their fortunes. Mark Antony Betancourt, Marquess of Coniston, stumbles onto the pair in the local guardhouse, and is immediately captivated by Candie’s beauty, not to mention her avowal that the turbaned man next to her is the Maharajah of Budge-Budge. The Marquess is sure he knows their game, but it takes him longer to realize that Candie is as virtuous as she appears, and not open to casual seduction. Enjoy the entire Alphabet Regency Romance series! The Tenacious Miss Tamerlane The Savage Miss Saxon Moonlight Masquerade The Somerville Farce The Mischievous Miss Murphy A Difficult Disguise The Rambunctious Lady Royston The Wagered Miss Winslow The Belligerent Miss Boynton The Lurid Lady Lockport The Haunted Miss Hampshire The Playful Lady Penelope Nine Brides and One Witch: A Regency Novella Duo

This documentary history covers a period of Irish political and dramatic climax that had an impact not only on the nation, but on the world as well. During these years both Ireland and its major theater attained a position, however precarious, of stability. De Valera and the Republicans laid down their arms and entered politics, while, by a state subsidy, the Abbey was formally recognized as the Irish National Theatre. The importance of these years goes far beyond Ireland itself because the Irish masterpieces of Sean O'Casey - The Shadow of a Gunman, Juno and the Paycock, and The Plough and the Stars - made an impact upon world drama nearly as profound as that of Luigi Pirandello or of Eugene O'Neill. As this book is a documentary history, the story is told primarily through the words of the writers, actors, producers, critics, and members of the audience who themselves lived and created the story. However, these contemporary accounts are frequently amplified and put into modern perspective, particularly at crucial moments such as a major production, a final production, or a death. The authors have particularly done so with writers of some importance such as Edward Martyn, William Boyle, or T.C. Murray. Since the theater of these years was especially influenced by the state of the country, the authors give considerable space to the disruptive political events of the times. Always, however, this is done from the particular vantage point of the theater and its workers, for the Irish theater vigorously reacted to and quickly assimilated the turbulent political events of the day: the raids, the reprisals, the burnings, and the murders. These 1,800 days really break into two periods. The first comprises the violence of the Black and Tan War, the exhaustion that led to the treaty, and the bitterness occasioned by the treaty that led to the culminating ferocity of the civil war. The second is politically and theatrically a time of consolidation and assimilation. The two early plays of O'Casey might well be seen as symptoms of this healing process. The wound in the body politic was deep, however, and not to be so quickly or so easily healed; moreover, such matters as The Plough row and O'Casey's departure from Ireland inevitably seem to be later, more lasting symptoms of divisions that still fester in Ireland today. The authors' account of Ireland's drama is not merely confined to the capital city of Dublin, but also to Belfast, Cork, and the provinces. Also included are a full bibliography and cast listings of all the significant new plays produced or published during the period.