Tania is having the best year of her life. She has a hot new boyfriend, she landed the starring role in a student film, and she’s just been voted homecoming queen. But someone is jealous of Tania. Someone plans to ruin her perfect year—even if that means killing her. Will Tania live to see the homecoming dance?

Humanity is coming home. Weeks after landing on Earth, the Hundred have managed to create a sense of order amidst their wild, chaotic surroundings. But their delicate balance comes crashing down with the arrival of new dropships from space. These new arrivals are the lucky ones-back on the Colony, the oxygen is almost gone-but after making it safely to Earth, GLASS's luck seems to be running out. CLARKE leads a rescue party to the crash site, ready to treat the wounded, but she can't stop thinking about her parents who may still be alive. Meanwhile, WELLS struggles to maintain his authority despite the presence of the Vice Chancellor and his armed guards, and BELLAMY must decide whether to face or flee the crimes he thought he'd left behind. It's time for the Hundred to come together and fight for the freedom they've found on Earth, or risk losing everything--and everyone--they love.

This volume sheds new light on the experience of ancient Greek warfare by identifying and examining three fundamental transitions undergone by the classical Athenian hoplite as a result of his military service: his departure to war, his homecoming from war having survived, and his homecoming from war having died. As a conscript, a man regularly called upon by his city-state to serve in the battle lines and perform his citizen duty, the most common military experience of the hoplite was one of transition – he was departing to or returning from war on a regular basis, especially during extended periods of conflict. Scholarship has focused primarily on the experience of the hoplite after his return, with a special emphasis on his susceptibility to Post-Traumatic Stress Disorder (PTSD), but the moments of transition themselves have yet to be explored in detail. Taking each in turn, Owen Rees examines the transitions from two sides: from within the domestic environment as a member of an oikos, and from within the military environment as a member of the army. This analysis presents a new template for each and effectively maps the experience of the hoplite as he moves between his domestic and military duties. This allows us to reconstruct the effects of war more fully and to identify moments with the potential for a traumatic impact on the individual.

The new homecoming queen is dead . . . and she's not the first unsolved murder at Seaview High. From the critically acclaimed author of The Ivies comes a nonstop YA thriller about a decades-old mystery, a copycat killer, and the teen who will stop at nothing to uncover the truth. "Utterly savage." –Jessica Goodman, New York Times bestselling author of They’ll Never Catch Us "Hand this fast-paced thriller filled with plenty of twists and drama to fans of Holly Jackson or Karen M. McManus." -SLJ A 2023 Edgar Award Nominee! After the death of her mom (screw cancer), seventeen-year-old Cecelia Ellis goes to live with her estranged grandmother, a celebrated author whose Victorian mansion is as creepy as the murder mysteries she writes. On the surface, life is utterly ordinary in the California coastal town . . . until the homecoming queen is murdered. And she’s not Seaview’s first pretty dead queen. With a copycat killer on the loose, Cecelia throws herself into the investigation, determined to crack the case like the heroines in her grandmother’s books. But the more Cecelia digs into the town’s secrets, the more she worries that her own mystery might not have a storybook ending.

Murder and mayhem, lying and cheating, and one PI trying to sort it all out Take a ride in private investigator Emmett Naoki’s car while he chases down cheating spouses, finds missing persons, and untangles complicated murders faster than anyone else. He might not like having sidekicks, but he hasn’t gotten rid of his yet! David Wright digs up clues right by Emmet’s side. It’s fine, Emmett is totally not still into David. That was over back in high school! Find a Man, Don’t Settle Down Cheating exes, missing exes, and former crushes There are few things in this world that private investigator Emmett Naoki loves. His job and the business he’s built, OWL Investigations, are his biggest passion. Then there’s sleeping in and working alone, but he isn’t getting much of either these days. His hates are similarly specific. He despises his gift—or curse, depends on how you look at it—of always being hit with the truth right in the face. He loathes smug bastards who used to make him feel unwanted as a teen. Yet he’s hired their king, David Wright, as his sidekick. In Emmett’s defense, he was drunk at the time. At the top of his hate list are liars and cheaters. They’re the lowest of the low. So why exactly has Emmet agreed to help cheating ex no.1, Byron, to find backstabbing—and now missing—ex no.2, Chris? Especially since the cops think nothing’s amiss. It’s Murder on the Catwalk More lying, more cheating, more blasts from the past. With a side of murder. Just when Emmett thought he was done with exes with a thing for backstabbing, another one falls in his lap. Not his ex, for once. No, this one belongs to Emmett’s new partner at OWL Investigations and former—okay, maybe current—crush, David. The bad news? Shirou is here to stay and piss off Emmett for the foreseeable future. Why David doesn’t kick him out, Emmett will never know. The worst news? Emmett can’t stop thinking about the kiss he’s shared with David. There’s good news, sort of. Emmett gets to travel to a seaside resort in Turkey to investigate a suspicious death. Too bad he must go back to his modeling roots to find the killer! Leave Me, Baby, One More Time Sidekicks are so much trouble! Especially when you have a soft spot for them. And they’re suspected of murder. Private investigator Emmett Naoki went to great lengths to stay clear of his assistant and past and present crush, David Wright. Yet one call for help is all it takes for Emmett to drop his vacation plans and run home to save David’s ass. The hardest part is to keep the I told you sos to a minimum. For months, David has refused to kick Shirou, his ex, to the curb. To no one’s surprise, Shirou puts them all in danger when his long-term lover is murdered. In Emmett and David’s office. David makes an obvious suspect. He’s also too stubborn to make things easier for himself. Add a possible Yakuza connection, an on-and-off girlfriend with an axe to grind, and David’s lying ex being as useless as ever, and Emmett is served a bitter cocktail of disasters just waiting to happen. Bottoms up! If you like fast-paced mysteries, snarky private investigators, and enough secrets and trust issues to last you a lifetime, download this binge-worthy three novel collection today and see where Emmett’s “gift” takes him next.

The New York Times–bestselling author’s manga series continues as the demigod students prepare for midterms—and fight to save the world! Gimme a T-R-O-U-B-L-E! What's that spell? Trouble, with a capital T. And that's what Pantheon High's got going for it as the demigod students into midterm season. Fortunately they’ve been hitting the books extra hard to earn their marks in heroism, and when you throw in an extra-curricular excursion to fine tune their fighting skills, there's no doubt that Griffin, Grace, Aziza and Yukio are going to get an A+ in stopping evil!

Queen Latifah's lyrics tout female superiority. Salt 'n' Pepa energize with eroticism. Julie Brown's unsettling version of a campus queen dethrones the mainstream icon. Martina McBride's song of liberation gives new meaning to Independence Day. Today in the music video industry, such women artists have assumed a remarkable and refreshing new presence. Although many popular videos have been condemned for sexism, the medium has experienced a striking change. Both in repertoires and in performances, the politics of feminism has moved to the front row. More and more, women are being presented as strong and positive. Ladies First takes a close look at this exciting phenomenon and shows how both on and off screen strong females have assumed larger roles in the industry. Whether their songs are country, rock, or rap, the ladies of contemporary music video continue to assert, confront, and challenge. Demolishing stereotypes, today's singers expose the flawed images that have restricted women. They condemn male dominance. They assert the right of women to be sexual and to express sexuality. In country music, they rely on the power of sincerity and storytelling. In rap songs they self-promote, reach out, and give uplift. Their lyrics are skillful, clever, and infectiously appealing, and their inviting sense of humor makes a large audience embrace them and their messages.