The instant #1 New York Times and USA Today best seller by Karen Kilgariff and Georgia Hardstark, the voices behind the hit podcast My Favorite Murder! Sharing never-before-heard stories ranging from their struggles with depression, eating disorders, and addiction, Karen and Georgia irreverently recount their biggest mistakes and deepest fears, reflecting on the formative life events that shaped them into two of the most followed voices in the nation. In Stay Sexy & Don’t Get Murdered, Karen and Georgia focus on the importance of self-advocating and valuing personal safety over being ‘nice’ or ‘helpful.’ They delve into their own pasts, true crime stories, and beyond to discuss meaningful cultural and societal issues with fierce empathy and unapologetic frankness. “In many respects, Stay Sexy & Don’t Get Murdered distills the My Favorite Murder podcast into its most essential elements: Georgia and Karen. They lay themselves bare on the page, in all of their neuroses, triumphs, failures, and struggles. From eating disorders to substance abuse and kleptomania to the wonders of therapy, Kilgariff and Hardstark recount their lives with honesty, humor, and compassion, offering their best unqualified life-advice along the way.” —Entertainment Weekly “Like the podcast, the book offers funny, feminist advice for survival—both in the sense of not getting killed and just, like, getting a job and working through your personal shit so you can pay your bills and have friends.” —Rolling Stone At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Murderino: The Coloring Book for Fans of the My Favorite Murder Podcast Here's the thing. Calm the [expletive] down with this off-color coloring book for discerning adults who don't want to be stabbed in the head. All your favorite quotes from the My Favorite Murder Podcast, featuring foul-mouthed hosts Karen Kilgariff & Georgia Hardstark (Killhard, if they had a celebrity supercouple name). Color your way to serenity - or at least some semblance of sanity - with these hand-drawn reflections on homicide. Enjoy coarse language juxtaposed with scenes from nature, lovely florals, and of course - Elvis the ever-hungry cat. This 100-page book includes 41+ detailed and delicate hand-drawn illustrations featuring 40 classic quips and witticisms from the MFM Podcast. Images are printed single-sided to help fight color bleed through. Beautiful velvety matte cover. Just when you thought the My Favorite Murder Podcast couldn't get any more colorful... Product Description 40 quotes from the My Favorite Murder Podcast 41+ Single-sided images to avoid pen, ink, and marker bleed through Convenient 8.5"x8.5" size makes it easy to take your art on the road Smooth, untextured white paper helps avoid feathering Beautiful matte paperback cover Warning! (I.E. Red Flag!): Adult language. Because, f*** politeness These are invaluable tips for living brought to you by The F-Word Murder Mystery Show. Murderinos, unite! Revel in these black-and-white maxims to live (and not die) by. Sidebar: "Stay sexy, and DON'T GET MURDERED!"

Are you a Murderino? Do you enjoy listening to podcasts such as My Favorite Murder, Serial, or Criminal? Have you watched every Investigation Discovery show and true crime documentary? If this is you or someone you know, you will love The True Crime Activity Book For Adults. This activity book was made by a true crime lover for true crime lovers! Test your serial killer knowledge, complete puzzles, discover new podcasts, books, & documentaries, write out your unsolved theories, plus color in some of your favorite quotes. Activities Include: Find Out The Name of Your Cult True Crime Road Trip Boy Scout or Nah? Unsolved Theories True Crime & Chill Coloring Page Serial Killer Quotes Word Searches True Crime To-Do List Big List of True Crime Podcasts Name That Law And So Much More! The PERFECT gift for the true-crime obsessed in your life, especially for fans of the My Favorite Murder podcast. 8.5" x 11" and has 123 Pages

“Part thriller, part Western, part pulpy whodunit, The Blinds is a propulsive and meaningful meditation on redemption and loss.” —Dennis Lehane, #1 New York Times–bestselling author BOLO Top Read of 2017 PopSugar Best Book of 2017 Imagine a place populated by criminals—people plucked from their lives, with their memories altered, who’ve been granted new identities and a second chance. Welcome to The Blinds, a dusty town in rural Texas populated by misfits who don’t know if they’ve perpetrated a crime or just witnessed one. What’s clear to them is that if they leave, they will end up dead. For eight years, Sheriff Calvin Cooper has kept an uneasy peace—but after a suicide and a murder in quick succession, the town’s residents revolt. Cooper has his own secrets to protect, so when his new deputy starts digging, he needs to keep one step ahead of her—and the mysterious outsiders who threaten to tear the whole place down. The more he learns, the more the hard truth is revealed: The Blinds is no sleepy hideaway. It’s simmering with violence and deception, aching heartbreak and dark betrayals. “A quick-paced story of crime and deception . . . The Blinds is a thriller for fans of Westerns, Cormac McCarthy, and the Coen brothers.” —The Dallas Morning News “Cleverly improvising on the chord changes common to classic westerns (especially High Noon) and evoking the locked-room horror of Jim Thompson’s The Getaway, Sternbergh shows again why he is one of the most inventive thriller writers working today.” —Booklist (starred review) “The Blinds [is] a thrilling Western unlike any you’ve read before.” —Vulture

Explores the proliferation of true crime audiovisual texts across multiple media platforms. Justice on Demand: True Crime in the Digital Streaming Eraoffers a theoretical rumination on the question asked in countless blogs and opinion pieces of the last decade: Why are we so obsessed with true crime? Author Tanya Horeck takes this question further: Why is true crime thought to be such a good vehicle for the new modes of viewer/listener engagement favored by online streaming and consumption in the twenty-first century? Examining a range of audiovisual true crime texts, from podcasts such as Serialand My Favorite Murderto long-form crime documentaries such as The Jinxand Making a Murderer,Horeck considers the extent to which the true crime genre has come to epitomize participatory media culture where the listener/viewer acts as a "desktop detective" or "internet sleuth." While Facebook and Twitter have re-invigorated the notion of the armchair detective, Horeck questions the rhetoric of interactivity surrounding true crime formats and points to the precarity of justice in the social media era. In a cultural moment in which user-generated videos of real-life violence surface with an alarming frequency, Justice on Demandaddresses what is at stake in the cultural investment in true crime as packaged mainstream entertainment. Paying close attention to the gendered and racialized dimensions of true crime media, Horeck examines objects that are not commonly considered "true crime," including the subgenre of closed-circuit television (CCTV) elevator assault videos and the popularity of trailers for true crime documentaries on YouTube. By analyzing a range of intriguing case studies, Horeck explores how the audience is affectively imagined, addressed, and commodified by contemporary true crime in an "on demand" mediascape. As a fresh investigation of how contemporary variations of true crime raise significant ethical questions regarding what it means to watch, listen, and "witness" in a digital era of accessibility, immediacy, and instantaneity, Justice on Demandwill be of interest to film, media, and digital studies scholars.

Everything is coming up rosé for innkeeper Jess Byrne until a murder on opening weekend gives her B&B’s killer vibe a whole new meaning. Schitt’s Creek meets Only Murders in the Building in this sparkling debut mystery. It’s the grand opening of The Pearl B&B in Hudson Valley, and owner Jess Byrne has prepared the ultimate, Insta-worthy welcome, complete with her ex-boyfriend—reality singing sensation Lars Armstrong—performing live. As guests check in and mimosas are poured, Lars arrives with his stepdad-turned-manager Bob in tow. But things go south when Bob is found dead, and Lars is the prime suspect. After a desperate plea from Lars, and knowing the reputation of her B&B is at stake, Jess agrees to help clear Lars’ name, but the more she digs, the less sure she is that he’s innocent. Especially when he’s found at the scene of another murder. With the guests under lockdown, the B&B in the press for all the wrong reasons, and a killer on the loose, Jess is in over her head. With the help of her best friend and business partner Kat, Jess is determined to uncover the truth before Lars is put behind bars and The Pearl is permanently cancelled.

Killer Fandom is the first long-form treatment of serial killer fandom. Fan studies have mostly ignored this most moralized form of fandom, as a stigmatized Bad Other in implicit tension with the field’s successful campaign to recuperate the broader fan category. Yet serial killer fandom, as Judith May Fathallah shows in the book, can be usefully studied with many of the field’s leading analytic frameworks. After tracing the pre-digital history of fans, mediated celebrity, and killers, Fathallah examines contemporary fandom through the lens of textual poaching, affective community, subcultural capital, and play. With close readings of fan posts, comments, and mashups on Tumblr, TikTok, and YouTube, alongside documentaries, podcasts, and a thriving “murderabilia” industry, Killer Fandom argues that this fan culture is, in many ways, hard to distinguish from more “mainstream” fandoms. Fan creations around Aileen Wuornos, Jeffrey Dahmer, Ted Bundy, and Richard Ramirez, among others, demonstrate a complex and shifting stance toward their objects—marked by parodic humor and irony in many cases. Killer Fandom ultimately questions—given our crime-and violence-saturated media culture—whether it makes sense to set Dahmer and Wuornos “fans” apart from the rest of us.