Nonfiction films about sports have been around for decades, but the previously neglected subgenre of the documentary has become increasingly popular in the last several years. Despite such recent successes as Senna, Undefeated, and ESPN's 30 for 30 series, however, few scholarly articles have been published on these works. In Gender and Genre in Sports Documentaries, editors Zachary Ingle and David M. Sutera have assembled essays that examine the various aspects of this art form. Some address questions of gender and sexuality, specifically how masculinity and homosexuality are represented in sports documentaries. Others focus on the characteristics of these films, exploring aspects of aesthetics and narrative. In addition to chapters on basketball, football, baseball, boxing, tennis, and auto racing, this collection features marginalized sports like quad rugby, pro wrestling, live action role playing (LARPing), and bodybuilding. Some of the films described will be familiar to readers, such as Murderball and Bigger Stronger Faster; others are less well-known yet important works worthy of scrutiny. Questions about gender, sexuality, and masculinity remain hot topics in sports discourse and this collection tackles those subjects, making Gender and Genre in Sports Documentaries an intriguing read for scholars, students, and the general public alike.

This volume addresses a range of philosophical and ethical issues in adapted physical activity and disability sports participation more broadly. It is comprised of a range of essays by international scholars whose backgrounds embrace different traditions of philosophy, pedagogy and adapted physical activity. The principal aim of the symposium was to open up and critically explore a range of conceptual and ethical issues and perspectives that have arisen with respect to the engagement of persons with dis/abilities in a range of physical activity contexts including, but not exclusively located in, mainstream sporting activities. This book was published as a special issue in Sport, Ethics and Philosophy.

This edited collection is the first book to offer a wide-ranging examination of the interface between American independent film and a converged television landscape that consists of terrestrial broadcasters, cable networks and streaming providers, in which independent film and television intersect in complex, multifaceted and creative ways. The book covers the long history of continuities and connections between the two sectors, as seen in the activities of PBS, HBO or Sundance. It considers the movement of filmmakers between indie film and TV such as Steven Soderbergh, Rian Johnson, the Duplass brothers, Joe Swanberg, Lynn Shelton and Gregg Araki; details the confluence of aesthetic and thematic elements seen in shows such as Girls, Breaking Bad, Master of None, or Glow; points to a shared interest in regional sensibilities evident in shows like One Mississippi or Fargo; and makes the case for documentaries and web series as significant entities in this domain. Collectively, the book builds a compelling picture of indie TV as a significant feature of US screen entertainment in the 21st Century. This interdisciplinary landmark volume will be a go-to reference for students and scholars of Television Studies, Film Studies and Media Studies.

Mark Zupan was a college soccer star, out drinking one night with friends. Tired from the game and from a few too many beers, he decided to take a nap in the back of his best friend's pickup truck. Still asleep when the vehicle started and drove away, he was suddenly jolted awake as the truck crashed. Mark was thrown into a canal and was stuck in frigid water, barely clinging to a tree branch, for fourteen hours. When he was finally rescued, Mark discovered the terrible truth—he'd broken his neck and would most likely be a quadriplegic, facing life in a wheelchair, with only limited use of his four limbs. At first Mark's only goal was to walk again, and when that proved impossible, he fell into the depths of despair and retreated from the world and from the people closest to him, increasingly bitter and furious with himself. But through love, friendship, and an introduction to a new sport, Mark realized that he could live a more-than-full life in a chair and has gone on to create an existence that's truly exceptional. Now a Paralympic athlete (playing quad rubgy, aka "murderball") who's starred in a movie, Mark explains in his memoir that, in a way, getting hurt was the best thing that could ever have happened to him—and that despite people's prejudices, a guy in a chair still gets to have sex with his girlfriend, party with his friends, and even crowd-surf at Pearl Jam shows. Inspiring, defiant, and revealing, GIMP will appeal not only to fans of Murderball but also to anyone ready to be motivated by a touching, captivating, and heartfelt story about triumphing over adversity.

UPDATED TO INCLUDE THE 2021/22 SEASON THE INSTANT SUNDAY TIMES TOP TEN BESTSELLER The behind-the-scenes story of the Marcelo Bielsa revolution at Leeds United and their first season back in the Premier League after sixteen years of hurt. FEATURING FRESH PERSONAL INSIGHT FROM MARCELO BIELSA On 27th February 2022, after 170 matches in charge, promotion to the Premier League and some of the most exhilarating football the English game has ever seen, Leeds United parted company with their most beloved and successful manager in a generation: Marcelo Bielsa. His parting gift was to embrace the crowds of adoring fans who turned up to say thank you as he left the club's training ground for the final time. In And it was Beautiful, The Athletic's Phil Hay chronicles Leeds United's glorious first season back in the top flight - which saw them finish ninth - after a chaotic sixteen-year absence. Phil pulls back the curtain on the hallmarks that now define the Marcelo Bielsa era, from his gruelling training schedule - including his infamous 'murderball' sessions - to innovative tactical methods that elevated Championship regulars into Premier League stars. Bielsa performed miracles, turning football into high art and making an extraordinary cultural impact on the city of Leeds. The result is a unique and fitting tribute to a Leeds United icon.

Reframing Disability in Manga analyzes popular Japanese manga published from the 1990s to the present that portray the everyday lives of adults and children with disabilities in an ableist society. It focuses on five representative conditions currently classified as shōgai (disabilities) in Japan—deafness, blindness, paraplegia, autism, and gender identity disorder—and explores the complexities and sociocultural issues surrounding each. Author Yoshiko Okuyama begins by looking at preindustrial understandings of difference in Japanese myths and legends before moving on to an overview of contemporary representations of disability in popular culture, uncovering sociohistorical attitudes toward the physically, neurologically, or intellectually marked Other. She critiques how characters with disabilities have been represented in mass media, which has reinforced ableism in society and negatively influenced our understanding of human diversity in the past. Okuyama then presents fifteen case studies, each centered on a manga or manga series, that showcase how careful depictions of such characters as differently abled, rather than disabled or impaired, can influence cultural constructions of shōgai and promote social change. Informed by numerous interviews with manga authors and disability activists, Okuyama reveals positive messages of diversity embedded in manga and argues that greater awareness of disability in Japan in the last two decades is due in part to the popularity of these works, the accessibility of the medium, and the authentic stories they tell. Scholars and students in disability studies will find this book an invaluable resource as well as those with interests in Japanese cultural and media studies in general and manga and queer narrative and anti-normative discourse in Japan in particular.

Libby, Aria and Benjamin have been best friends since they were babies. But now Aria has moved to a new house and Libby, who uses a wheelchair, doesnt get invited to Arias birthday party because the house has barriers. Hurt feelings followThen the kids meet Everett, an adult wheelchair athlete, who tells them how the disability rights movement gained successes through years of public demonstrations and pressing for laws. Everett shows them a picture from the 70s showing people with disabilities blocking inaccessible buses. The kids are inspired to their version of public action to achieve the goal that every new house would have a step-free entrance and wide bathroom doors. Learn how the kids get on the front page of their hometown paper, as their method gets them in trouble and how they achieve a sweet victory. "Libby and the Cape of Visitability" is the diary of Libby, a KWD (Kid with Disability). Written for children ages 8-13, this book raises awareness of the exclusion created when houses are not built with simple features that allow wheelchair users to visit or live in them. For those grownups (teachers, parents and others) who engage in meaningful dialogue with children, this book provides not only a captivating story and relatable characters, but a Reader's Guide with discussion questions and resources as well. Eleanor Smith is a well known civil rights worker and Nadeen Green is a teacher, writer and blogger on the topic of fair housing.