The book describes how the courts dealt with murder, beginning with the coroner's inquest and ending with the conviction and hanging of the murderer. Between these two points the exquisite, almost balletic, procedure, of the courts and their officers is described, the Crown's case against the prisoner is analyzed, and the prisoner's defense is discussed. Magistrates, policemen, crown solicitors, witnesses, jurors, judges, and hangmen make their appearances. The prisoners, whose silence before and during their trials was their most notable characteristic in the nineteenth-century courts, make their apperances too, but not as prominently as their judicial custodians, until they finally and briefly come into the limelight on the gallows. An implicit theme of the book is the apparent contradiction between the apparent simplicity of the courts' procedures and the complexity of the rules that determined their operation. The book relies on a range of printed primary sources, such as newspapers, parliamentary papers, law reports, and legal textbooks, and on MS sources in the National Archives such as the Convict Reference Files. (Series: Irish Legal History Society)

Men on Trial provides the first history of masculinity and the law in early nineteenth-century Ireland. It combines cutting-edge theories from the history of emotion, performativity and gender studies to argue for gender as a creative and productive force in determining legal and social power relationships.

While Irish historical writing has long been in thrall to the perceived sectarian character of the legal system, this collection is the first to concentrate attention on the actual relationship that existed between the Irish population and the state under which they lived from the War of the Two Kings (1689-1691) to the Great Famine (1845-1849). Particular attention is paid to an understanding of the legal character of the state and the reach of the rule of law, with contributors addressing such themes as: how law was made and put into effect; how ordinary people experienced the law and social regulations; how Catholics related to the legal institutions of the Protestant confessional state; and how popular notions of legitimacy were developed. These themes contribute to a wider understanding of the nature of the state in the long eighteenth century and will therefore help to situate the study of Irish society into the mainstream of English and European social history.

What were the laws on marriage in Ireland, and did church and state differ in their interpretation? How did men and women meet and arrange to marry? How important was patriarchy and a husband's control over his wife? And what were the options available to Irish men and women who wished to leave an unhappy marriage? This first comprehensive history of marriage in Ireland across three centuries looks below the level of elite society for a multi-faceted exploration of how marriage was perceived, negotiated and controlled by the church and state, as well as by individual men and women within Irish society. Making extensive use of new and under-utilised primary sources, Maria Luddy and Mary O'Dowd explain the laws and customs around marriage in Ireland. Revising current understandings of marital law and relations, Marriage in Ireland, 1660–1925 represents a major new contribution to Irish historical studies.

The book provides a quantitative and contextual analysis of homicide in pre-Famine and Famine Ireland, placing the Irish experience within a comparative framework and drawing wider inferences about the history of interpersonal violence in Europe and beyond.