Somewhere within Arthur Upfield's travelling dray were the clues to uncovering three acts of murder involving the grifter, Snowy Rowles. Once Upfield had published his crime thriller, The Sands of Windee, West Australian police gave chase, starting with the esteemed author of Bony...

Notorious, numerous and varied, serial murderers from Australia have an eclectic record of crimes, methods and trademarks. Scrutinizing these murderers at length, this book aims to identify characteristics exclusive to Australian serial killers, connecting the crimes with the continent's geography, culture and social structure. Featured are murderers like the "Granny Killer" John Wayne Glover, William "The Sydney Mutilator" McDonald and "Backpacker Killer" Ivan Milat. Also covered are well-known events like the Snowtown Murders and killer couples like David and Catherine Birnie. Unique in the true crime genre, this book studies fictional Australian murderer Mick Taylor to examine how pop culture portrayals develop the distinct psychology of killers from "down under."

Arthur Upfield created Detective Inspector Napoleon Bonaparte (Bony) who features in twenty-nine novels written from the 1920s to the the 1960s, mostly set in the Australian Outback. He was the first Australian professional writer of crime detection novels. Upfield arrived in Australia from England on 4 November 1911, and this collection of twenty-two critical essays by academics and scholars has been published to celebrate the centenary of his arrival. The essays were all written after Upfield’s death in 1964 and provide a wide range of responses to his fiction. The contributors, from Australia, Europe and the United States, include journalist Pamela Ruskin who was Upfield’s agent for fifteen years, anthropologists, literary scholars, pioneers in the academic study of popular culture such as John G. Cawelti and Ray B. Browne, and novelists Tony Hillerman and Mudrooroo whose own works have been inspired by Upfield’s. The collection sheds light on the extent and nature of critical responses to Upfield over time, demonstrates the type of recognition he has received and highlights the way in which different preoccupations and critical trends have dealt with his work. The essays provide the basis for an assessment of Upfield’s place not only in the international annals of crime fiction but also in the literary and cultural history of Australia.

From MUSKEG to MURDER begins by chronicling the epic struggles and enormous challenges of the author's ancestors as they struggled to scrounge a living under the oppressive regime of the Tzar in 19th Century Ukraine. They finally fled their desperate situation, eventually settling in the free and serene environs of Canada. As a boy in rural British Columbia in the mid 20th Century, Andrew Maksymchuk is enthralled by the stories of his immigrant family's escape from oppression, and he dreams of fighting injustice. That dream becomes reality when, at 21, he is initiated into the Ontario Provincial Police Force. Sent to serve in remote Northwestern Ontario, he learns his craft in its mining centres, pulp and paper industry communities, Indian reservations, native settlements and boom towns. From MUSKEG to MURDER follows "Maks" as he tracks criminals on foot across frozen muskeg, by canoe and speedboat along breathtaking waterways, by rail along the CNR's ribbons of steel, and by airplane above the vastness of the Canadian Shield. In makeshift courtrooms, primitive cabins and isolated outposts, he overcomes limited training, deficient supervision, poor transportation and communication resources and the clash of cultures with ingenuity, dedication and humour. The author's willingness to share the most painful and intimate aspects of his life in a candid and unvarnished fashion serves to forge a solid bond with the reader. Family, friends, community and duty become entwined against a backdrop of a changing Canada as Maks shares his experiences and insights into the unique place of the OPP in Canadian police service.

This extraordinary story of courage and faith is based on the actual experiences of three girls who fled from the repressive life of Moore River Native Settlement, following along the rabbit-proof fence back to their homelands. Assimilationist policy dictated that these girls be taken from their kin and their homes in order to be made white. Settlement life was unbearable with its chains and padlocks, barred windows, hard cold beds, and horrible food. Solitary confinement was doled out as regular punishment. The girls were not even allowed to speak their language. Of all the journeys made since white people set foot on Australian soil, the journey made by these girls born of Aboriginal mothers and white fathers speaks something to everyone.

A Stolen Generations story of astounding courage: three Aboriginal girls, taken from their mothers, escape barefoot back to their beloved homeland in East Pilbara. This is the true account of Nugi Garimara's mother, Molly, made legendary by the film Rabbit-Proof Fence. In 1931 Molly led her two sisters on an extraordinary 1600-kilometre walk across remote Western Australia. Aged eight, eleven and fourteen, they escaped the confinement of a government institution for Aboriginal children removed from their families. Barefoot, without provisions or maps, tracked by Native Police and search planes, the girls followed the rabbit-proof fence, knowing it would lead them home. Their journey – longer than many of the celebrated treks of recognised explorers – reveals a past more cruel than we could ever imagine.

Seven case studies into the reliability of Reverend E.R.B. Gribble, Superintendent, Forrest River Mission 1913-1928, as a witness to the truth in a series of alleged incidents involving Aboriginals, white pastoralists and police.