'A new Simon Brett is an event for mystery fans' P. D. JAMES 'Simon Brett writes stunning detective stories' JILLY COOPER 'King of the witty village mystery' Telegraph Bracketts, an Elizabethan house near the town of Fethering, is about to be turned into a museum, but the transition is proving nightmarish. Carole regrets her decision to be on the museum’s Board when she witnesses bitter antagonism and rivalry amongst the other members. The tensions climax when a human skeleton is found in the kitchen garden and then another body is discovered, not yet cold. These murders in the museum quickly turn into a case that tests the sleuthing powers of Carole, and her neighbour Jude, as never before . . .

A murder mystery set within the complex world of an anthropological museum. Berry Cates has undergone a "radical lifectomy," remaking her life at fifty-three, newly single and in a new career at a museum. However, she soon becomes the target of serious accusations at the museum. Determined to prove these as false, Berry gets into deeper trouble. Her sleuthing uncovers museum staff casting illicit bronzes and blackmail being delivered via a Roman curse tablet. Curatorial fraud and accusations by aboriginal people of poisoning their heritage regalia with toxic pesticides come to light as well. Only when Berry realizes she has been asking the wrong questions does she stop her slide into a web of deceit.

The Nutshell Studies of Unexplained Death offers readers an extraordinary glimpse into the mind of a master criminal investigator. Frances Glessner Lee, a wealthy grandmother, founded the Department of Legal Medicine at Harvard in 1936 and was later appointed captain in the New Hampshire police. In the 1940s and 1950s she built dollhouse crime scenes based on real cases in order to train detectives to assess visual evidence. Still used in forensic training today, the eighteen Nutshell dioramas, on a scale of 1:12, display an astounding level of detail: pencils write, window shades move, whistles blow, and clues to the crimes are revealed to those who study the scenes carefully. Corinne May Botz's lush color photographs lure viewers into every crevice of Frances Lee's models and breathe life into these deadly miniatures, which present the dark side of domestic life, unveiling tales of prostitution, alcoholism, and adultery. The accompanying line drawings, specially prepared for this volume, highlight the noteworthy forensic evidence in each case. Botz's introductory essay, which draws on archival research and interviews with Lee's family and police colleagues, presents a captivating portrait of Lee.

Agatha Oddlow has been a detective for as long as she can remember -- she's just been waiting for her first big case. And nothing gets bigger than saving the City of London from some strange goings-on. With a home in the middle of Hyde Park, a room full of beloved sleuthing novels, and a secret key that gives her access to a whole hidden side of London, Agatha is perfectly poised to solve the mystery of what's going on. But just who can she trust when no one is quite who they seem.

The wild success of the traveling Body Worlds exhibition is testimony to the powerful allure that human bodies can have when opened up for display in gallery spaces. But while anatomy museums have shown their visitors much about bodies, they themselves are something of an obscure phenomenon, with their incredible technological developments and complex uses of visual images and the flesh itself remaining largely under researched. This book investigates anatomy museums in Western settings, revealing how they have operated in the often passionate pursuit of knowledge that inspires both fascination and fear. Elizabeth Hallam explores these museums, past and present, showing how they display the human body—whether naked, stripped of skin, completely dissected, or rendered in the form of drawings, three-dimensional models, x-rays, or films. She identifies within anatomy museums a diverse array of related issues—from the representation of deceased bodies in art to the aesthetics of science, from body donation to techniques for preserving corpses and ritualized practices for disposing of the dead. Probing these matters through in-depth study, Anatomy Museum unearths a strange and compelling cultural history of the spaces human bodies are made to occupy when displayed after death.

When Professor Julius Arnell breathes his last in the hushed atmosphere of the British Museum Reading Room, it looks like death from natural causes. Who, after all, would murder a retired academic whose life was devoted to Elizabethan literature? Inspector Shelley's suspicions are aroused when he finds a packet of poisoned sugared almonds in the dead man's pocket; and a motive becomes clearer when he discovers Arnell's connection to a Texan oil millionaire. Soon another man plunges hundreds of feet into a reservoir on a Yorkshire moor. Could there be a connection? Mild-mannered museum visitor Henry Fairhurst assists Shelley in one of the most baffling cases he has ever encountered.

After rising to prominence for his role investigating the case of Jack the Ripper, former Detective Inspector Daniel Wilson is now retired. Known for his intelligence, investigative skills, and most of all his discretion, he's often consulted when a case must be solved quickly and quietly. So when a body is found in the Egyptian Collection of the Fitzwilliam Museum in Cambridge, Wilson is called in. As he tries to uncover the identity of the dead man and the circumstances surrounding his demise, Wilson must contend with an unhelpful police Inspector, and more alarmingly, Abigail McKenzie, the archaeologist who discovered the body and is determined to protect the Egyptian collection. Can they find a way to work together to solve the mystery?